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Sixth volume in the Acousmatrix series. "Incredible sampling of lesser-known, but more than equally-important recordings of Herbert Eimert, Robert Beyer, Karel Goeyvaerts, Paul Gredinger, Gottfried Michael Koenig, Henri Pousseur, Bengt Hambraeus, Franco Evangelisti, Gyorgy Ligeti, Gieselher Klebe, Herbert Brun." All recordings from 1952-58
The first audiobook CD to explore the highly influential Bauhaus school of art and architecture, which operated in Germany between 1919 and 1933.The spoken word element centres on a revealing talk by Walter Gropius, the architect and theoretician who founded the Bauhaus in 1919. The CD also includes contributions from the school's third and final director, architect Ludwig Mies van der Rohe, and teacher Josef Albers. All interviews are in the English language. The music content of the CD feature…
Three-way split release featuring an extended piece each by Tony Conrad, Ralf Wehowsky, and Jim O’Rourke. Tony’s piece works a lone processed violin to glorious effect; the solo variant of his “four violins.” Ralf’s is a musique concrète piece built out of assorted instrumentation and children’s vocals (coming across like a lost international harvester/älgarnas trädgard out-take in spots...) jim’s is an awesome side-length-plus rumination of drone-sound (harkening back to his “disengage” era) in…
For the 30th birthday of INA, the GRM has decided to present in this CD box some of his archives. INA - GRM (Institut National de l'Audiovisuel - Groupe de Recherches Musicales) in Paris, France, is the pioneering organisation of electroacoustics, acousmatics and musique concrète, with a history going back many decades, as active today as ever, recording and releasing a long string of historically important, but also new and innovative, electracoustic works, while also engaging in research into …
Sub Rosa presents the fourth volume of the highly-acclaimed and successful Anthology of Noise & Electronic Music series. This installment promises to be the pivoting axis in the seven volume set, with 75% rare tracks and music never before heard. In the previous three anthologies, Sub Rosa outlined the historical sites at the advent of concrete and electronic music: Pierre Schaeffer's workshop studio (Vol. 1), the Princeton Electronic Music Center in Columbia, New York (Vol. 2), and the WDR…
this third volume of sub rosa's anthology series continues to showcase all aspects of electronic music from its early beginnings to the present day. here you'll find more than two and a half hours of music, much of which is rare and unpublished, in fact at least 75% of the material. included here are two pieces of historical "musique concrete" from the 70s, several pieces of american tape music and a special focus on the electronic music of germany: wdr early works, krautrock, electronica from t…
Subtitled: First A-Chronology 1921-2001. At last, the Sub Rosa label re-issues the highly-acclaimed Anthology Of Noise & Electronic Music collection. Containing early and contemporary classics as well as pieces that had never been heard before. Volume 1 begins in the 1920s with the Russolo brothers, and examines each decade in turn -- Varèse, Cage, Schaeffer, Xenakis, the great pioneers crafting the first traces of a music that was markedly revolutionary: electronic music, created from no…
Volume 2 of the CD documentation of the Berlin festival "Inventionen" (volume 1 containing Horatiu Radulescu's string quartet no. 4)a various artists retrospective sampler including recordings of works by the following composers: Hildegard Westerkamp, Salvatore Sciarrino, John Cage, Sainkho Namtchylak, Joe Jones, Giacinto Scelsi, Masanori Fujita, John Driscoll.Hildegard Westerkamp: Whisper Study (1975-79, Tape work, Inventionen 1986)Salvatore Sciarrino: Codex purpureus, Trio per archi (1968-1983…
With Lard Free, Gilbert Artman, Heldon, Richard Pinhas, Camizole, Verto, Video-Aventures, Pascal Comelade, David Cunningham, Victor Nubla. This compilation aims at showing the pionneers of electronic music who are little known or completely anonymous for the majority of public. In the early 70’s and thanks to the commercialization of the first financially accessible syntheisizers, appeared, and it is often not really acknowledged, some adventurous French musicians who decided to adopt this intru…
Austrian artist Valie Export has been an influential and provocative figure on the international art scene for over three decades. Her practice includes film, video, photography, text and performance. Initially expanding the Actionist project to confront a complex feminist critique of the social and political body, her works achieve a compelling fusion of the visceral and the conceptual. (Electronic Arts Intermix) 'Mann & Frau & Animal' 1970-73. 'Remote Remote' 1973. 'Syntagma' 1984.
'Music in Fifths' (1969) from Phillip Glass. 'Pendulum Music'(1968) from Steve Reich. 'Dorian Reeds' (1964) from Terry Riley. '1 + 1' (1968) from Phillip Glass. 'Reed Phase' (1967) from Steve Reich. 'Walls of Sound' is about what I call: 'static music' - music that isn't semantic, gestured, or narrative, that doesn't move or change atmospherically, and isn't dramatic or has a development in the traditional European sense. If it changes it does it very slowly. The emphasis lies on the 'aural scul…
Co-founder of Pogus with Al Margolis, Gen Ken Montgomery is often unfairly disregarded when assessing the history of radical music in the last half-century. This collection – another clarification of a unendingly probing creativity – examines works from the decade in which the American composer’s terminology was first met by yours truly, at that time seriously hooked in the unearthing of entrancing materials of post-industrial derivation. But don’t let this piece of news mislead you: Montgomery’…
"Triangles offers you more of the powerbook electronics sounds we're all digging on so much, and from speaking comparatively from the field as it stands today, Triangles sounds quite good, really amazing, in fact. Despite falling into the, dammit, start saying it -- 'melancholy electronics,' hole that you clearly need filled, Triangles stands on it's own. Need more? Try this -- Triangles occupies the space between powerbook extrapolations (quite reminiscent of the sole person in America w…
Releasing electro acoustic music in this country has historically, always been a dedicated persuit. With no national record labels and very few electronic music studios to support this music, the UK has always lagged behind its counterparts in both the United States and throughout east and west Europe. Trevor started releasing his own music in 1973 and continues to do so to this day. Much of this CD was originally privately released in 1979. Whilst other maverick British composers (Nyman, Bryars…
Extremely great reissue of the previously-semi-available-but-not-so-for-quite-a-l ong-time October Music CD (which itself was a reissue of the 1977 LP on Wishart's own Yes imprint, along with the piece 'Anticredos' for 6 voices, from an LP on Hyperion, 1982). Recent developments in Wishart's street cred (contributing to Or Some Computer Music Issue One, being name-dropped by Richie Devine on several occasions, Aphex Twin's use of CDP) seem to suddenly make Trevor... relevant to a younger set of …
York University's music department houses one of the UK's first-ever
electronic music studios, and during the early '70s, it was a hotbed of
creative activity. Much of the released output from the studio at this
time revolved around the work of the dynamic composer Trevor Wishart. Journey Into Space
was his first release, composed between 1970 and 1972, and was
privately-pressed (shortly before the formation of YES records), as two
separate LPs in 1973. (The CD cover amalgamates the two or…
Master composer Trevor Wishart shapes recordings of the human voice into a majestic, sonic extravaganza. With satire, sympathy, and his extraordinary talent with sound, Wishart gives us an audio panorama of the world today through the voices of many different people, famous and unknown. You'll hear the voice of Margaret Thatcher as a political cartoon, a touching portrait of Princess Diana, the powerful resonance of Martin Luther King's well-known words, the crackly voice of Neil Armstrong, the …
This is volume 5 of Omega Point's newly-reissued Obscure Tape Music of Japan series, available in a limited edition of 1000 copies, also with an LP version in a limited edition of 300 copies. Toshi Ichiyanagi is a well-renowned Japanese avant-garde composer who made brilliant pieces of tape music. Most of his works have not been issued on CD, or have only been issued in very small editions. This CD consists of three of his obscure tape works. "Music for Tinguely" (1963) was made from the jun…
It's 1969, and Tony Conrad wants to take you Higher. Celebrated for the thrilling roar of his amplified violin, Conrad is a founding father of 'minimalism' and a giant in the American soundscape. Now Conrad's own Audio ArtKive imprint presents the first in a series of releases that reveal the wild breadth of his 40-year career, including field recordings, piano compositions, film soundtracks and more. Fantastic Glissando (1969) is a series of (d)evolving electronic compositions created with sine…
with a 30 year practice in sonic explorations – including, record manipulation, live tape loops, free improvisation, found and invented instruments - tom recchion is one of the world’s most established and finest experimental artist and musician. based in los angeles, tom recchion has co-founded the legendary music entity lafms (los angeles free music society), collaborated with david toop, christian marclay, oren ambarchi, keiji haino, max eastley, rova, john duncan, smegma (just to name a few)…