FMP Records Series
Duos : Europa · America · Japan
Very last copies **Edition of 200 copies, clear vinyl, it comes with a 4-page insert. This is the fourth release in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound ** The masterpiece of Peter Kowald, one of the great spirits of Free Music, and pinnacle of the 20th century Improvisation canon. From the legendary vaults of FMP Productions, presented in restored original slipcase pa…
For Example Workshop Freie Musik 1969-1978
**Edition of 200 copies, it comes with a 140 pages book (Lp size). This is the third release in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound ** For the collector/completist, it’s a no-brainer, you’re looking at a history of the moment European free jazz came into its own. Then, on the other side of the spectrum, the neophyte, this particular set is also a no-brainer, a one-sto…
Shozyg Music For Invented Instruments
Last Copies ** Limited Edition of 200 copies. This is the first album in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound ** Working with his own, specially crafted electronic instruments, Hugh Davies generates soundscapes that are at times whimsical, ritualistic and profoundly playful. Shozyg, a performance and improvisational instrument, first created in 1968, consists of fretsa…
Santana
** Limited Edition of 200 copies. This is the second album in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound ** Here’s the *real* Santana! This is a vibrant and exciting album – a lively document of early free music. Drummer Pierre Favre was interested in space and jagged rhythms at the time, with Irene Schweizer adding creative lyricism and Peter Kowald’s fat bass lines pulsing…