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Clube da Esquina is a 1972 double album by the Brazilian music artists collective Clube da Esquina, credited to Milton Nascimento and Lô Borges. Considered one of the greatest Brazilian albums and an important record in the history of Brazilian music, it features arrangements by Eumir Deodato and Wagner Tiso, and conductions by Paulo Moura. The album garnered high attention for its engaged compositions and miscellany of sounds. Indeed, the LP was considered in the list of the Brazilian version o…
*2024 stock * Recorded live at the Maracanãzinho gymnasium in 1974 for a TV Globo special and released in 1980. Good quality considering the time and the precariousness of Brazilian technology. Lot for the improvisations and the totally Rock'n Roll feel. This phrase stolen from the band's Orkut community says it all: "If, at that time, a mother ship had landed, for example, in the Praça dos Três Poderes in Brasília and dumped some aliens through its doors, it wouldn't have caused such an impact,…
*2024 stock* Os Mutantes' Ao Vivo is the seventh album originally released in 1976 by the Brazilian band Os Mutantes and their first live album, with only new material on it. Like it's predecessor, Tudo Foi Feito Pelo Sol, the only original member of the band to take part in this album is guitarist Sérgio Dias. Reissue on 180g vinyl by Polysom (Brazil)-
*2024 stock * Known throughout Brazil for his success with the group Novos Baianos, Pepeu Gomes launched his solo career with the album "Geração do Som" (1978). In 1979, after the end of the band and already considered one of the greatest guitarists in the country, Pepeu presented his first album also singing, "Na Terra a Mais de Mil" (1979). The album is now back on the shelves on 180 gram vinyl, in Polysom's "Clássicos em Vinil" collection.The album features 12 songs, all written by Pepeu with…
*2024 stock * Classic work from one of Brazil's greatest soul singers! Cassiano was one of Brazil's groundbreaking soul singers of the 70s – and although he's similar to Tim Maia, he's also got a smoother sound that approximates some of the best American soul vocalists of the time.
*2024 stock * Vinyl LP-only repressing of this album from the Brazilian band. Formed in 1971 by Ney Matogrosso (vocalist), Gerson Conrad (vocalist/composer/violao) and Joao Ricardo (singer/composer/violao/harmonica), Secos & Molhados is inscribed in a privileged category of few bands and musicians who led Brazil from bossa nova through Tropicalia then to Brazilian rock, a style which only blossomed in the '80s. Much of the group's importance, apart from the huge success of it's first album, whic…
Antônio Carlos Jobim was a primary force behind the evolution of bossa nova and his sixth studio release Stone Flower is an absolute classic. The album is emblematic of '70s bossa with its seductive samba beat fused with elements of modern jazz provided by a star-studded supporting cast of Ron Carter, Hubert Laws, Airto Moreira, and Joe Farrell. Stone Flower was recorded by Blue Note engineering virtuoso Rudy Van Gelder and arranged by fellow pianist and guitarist Eumir Deodato; the fidelity and…
With a few more instrumental solos than regular Lobo albums, Cantiga De Longe takes advantage of the genius of the arranger / instrumentalist Hermeto Pascoal. The album has other stars, including percussionist Airto Moreira and drummer Cláudio Slom. There are several important songs on this album: "Casa Forte" (which would be recorded later by Flora Purim), "Mariana, Mariana," "Cantiga de Longe," "Zanzibar," and others. Not Lobo's biggest hits, but beautiful melodies and lyrics on an album with …
Hermeto's first album recorded in Brazil, and his second solo album (the first one was recorded and released in the USA). Performs as composer of "Bebê" "Plin" and "Serearei", arranger, conductor and instrumentalist. The most experimental record of the master where he shows from beautiful themes like the choro Bebê, which is already a classic of his authorship to deconstructions of well-known themes like Asa branca and Carinhoso. On the track Sereiarei you can even hear an "orchestra" of pigs, g…
*2023 reissue* The long unavailable ninth album by Brazilian star Jorge Ben. Released in 1972, "Ben" comes from one of Jorge Ben’s most artistically important phases, the early 70s. The album has some of Ben’s most famous songs, “Taj Mahal” (plagiarized by Rod Stewart on his song “Da Ya Think I’m Sexy?”, as the British singer admitted himself in 2012), and “Fio Maravilha”, paying homage to Flamengo’s iconic football player Fio Maravilha.
*2023 stock* Mainly known to DJs for the funk groover "Te Queria", Rota-Mar is the first solo album by the charismatic Zéca do Trombone. During a vertiginous career which started in the late 60s, Zéca was a permanent member of Wilson Simonal's band, toured with Luiz Eça's Sagrada Família (alongside Joyce, Naná Vasconcelos, Nelson Angelo and others), recorded the seminal Brazilian funk "Coluna do Meio" for his joint effort with Roberto Sax, and played and recorded for some of the big names of Bra…
Searing samba soul from Jorge Ben – one of his best-remembered albums of the 70s, and for good reason too! The album's got a slightly fuller feel than some of Ben's other work of the time – never slick, but with backings balanced nicely against his own raspy vocals and acoustic guitar – sweetening things up with a bit of the strings you'd find on Forca Bruta, but with a hint of the soul to come on Africa Brasil! The balance is great – thanks to arrangers Osmar Milito, Darcy De Paulo, and Hugo Be…
This one takes us back! We originally reissued Waltel Branco's 'Meu Balanço' in 1995, it was one of the first releases to come out on Mr Bongo. It is a much-requested title with original copies becoming ever more-scarce and the price tag increasingly rising, so it feels fitting to present this stunning record once again for all to enjoy. Waltel Branco was born in Paranaguá, Brazil in 1929 and died in Rio de Janeiro in 2018. During his triumphant career he accumulated an impressive musical portfo…
Rubinho E Mauro Assumpção's 'Perfeitamente, Justamente Quando Cheguei' has to be up there as one of the finest Brazilian-psych-folk-MPB records we know. Unfortunately, it's very hard to find in the wild; even on digging trips to Brazil, an original copy rarely shows up, and when it does, it comes with a hefty price tag. This highly sought-after rarity was released on the Brazilian label Tapecar Records in 1972 and is the one and only album by the sensational pairing of Rubinho and Mauro Assumpçã…
Vampisoul present a reissue of Jaime & Nair's self-titled album, originally released in 1974. Loaded with an exquisite quality, marked by all good aspects the Brazilian popular music of the '70s, and obscure as hell, the self-titled debut by the duo Jaime & Nair is a revelation of all sorts. Recorded in 1974, when the artists had just turned 22, the album was released on CID a company that -- at that same moment -- had signed other important musicians like Nana Caymmi and Emílio Santiago. Outsid…
Official EU re-issue pressing of Brazilian Afro-Pysch Holy Grail Originally released in 1972 in very limited numbers. A trip of an album rich in percussive energy and African chant - made in Brazil! The sounds of continents colliding in a young, funky & soul fuelled 70s ....this is one is on full burn from start to finish! This the only album by Massáhi Tribe and it became notorious for it’s unique sound and the almost complete lack of information about its creators."This is a sound made in Bra…
The combination of Jorge Ben and Trio Mocotó had already produced great things when Força Bruta first appeared in 1970. Ben's self-titled album of the year before had reeled off a succession of Brazilian hits, including "País Tropical" and "Cadê Teresa," and made the four musicians very busy as a result. Força Bruta was a slightly different album, a slice of mellow samba soul that may perhaps have been the result of such a hectic schedule during 1969. One of the hidden gems in Jorge Ben's discog…
*2022 repress* O Bidú: Silêncio no Brooklin is the fifth studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with Brazilian rock band The Fevers as Ben's backing musicians and released in 1967 by Artistas Unidos, a small-market record label based in São Paulo.
The album was recorded while Ben was living in Brooklin, a neighborhood of São Paulo with Erasmo Carlos. Its title is a reference to a car that Ben owned at the time and the subtitle is a joke on a neighbor…
Considered one of the masterpieces of seventies psychedelic, his second album, released in 1973, is the result of a partnership with Tibério Gaspar (author of: "Sá Marina", "BR-3" and "Teletema"). The album was recorded at Rádio Gazeta Studios in São Paulo, with the participation of musicians already known as: Wagner Tiso on synthesizer, Luiz Claudio Ramos on arrangements and conducting, Lanny Gordin on guitar, Oberdan Magalhães on flute and Guilherme himself playing guitar and piano. Guilherme …