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*2025 stock* "Stefan Winter, head of the Winter & Winter boutique label, has a different attitude to popularising classical music. Rather than relying on the familiarity of old favourites, he believes that contemporary classical music is more accessi…
*2025 stock* This Winter & Winter cd of 'Chorbuch' and 'Les Inventions d' Adolphe Sax', recorded in December 2007, was Mauricio Kagel’s last recording, delayed due to unexpected death in the year 2008. The centrepiece of the album, 'Les Inventions d'…
*2025 stock* “There is freshness, there is (self) irony, there is a desire - and for once let's say it without shame - to have fun with music. [...] Nature triumphs in all its aspects: noises and sounds of birds, pouring rain, thunder, animal cries, …
*2025 stock* "In composing a piano trio, I fulfilled a long-fostered desire. This is a genre which, like the string quartet tradition, can slightly intimidate any composer. I too waited patiently but anxiously to make my own contribution. The pre-his…
*2025 stock* Famous for his examination of unusual and exotic instrumental sounds, here Mauricio Kagel focuses on the most mundane of sound materials. While attending a music trade show, Kagel was taken by the many levels and orbits of sound activity…
Four beautifully reduced duets, jointly developed by violinist Morgan Evans-Weiler and pianist J.P.A. Falzone. Music which is as delicate as a feather, but also as tough as nails.
Three recent and typically exquisite chamber works by Swiss composer Jürg Frey, all written for and performed by the Prague Quiet Music Collective - one in collaboration with the Norwegian new music group asamisimasa.
Seven beautiful, melancholic motets and a chanson by Renaissance composer Nicolas Gombert, arranged for instruments by James Weeks, who also composed the interludes. "One of the least expected and most beautiful records we are likely to hear this yea…
Virtuosic & highly-acclaimed 45-minute work for two pianos and electronics, Mark Knoop & Roderick Chadwick.
Recorded by Simon Reynell at the University of Huddersfield, October 2024. Edited & mastered by Mark Knoop. The work was commissioned with sup…
*2025 stock. 300 copies limited edition* A twelve CD box set of Anthony Braxton’s complete Syntactical Ghost Trance Music (SGTM) - the subset of Braxton’s revolutionary Ghost Trance Music compositional system written especially for the human voice. T…
*2025 stock* Trillium J is a Braxton opera, and documents a surreal and witty installment in Braxton’s ongoing Trillium cycle. Available as a four-disc box set in both physical and digital forms and live performance video on Blu-ray disc, it includes…
*2025 stock* Trillium E is the first-ever studio recording of a Braxton opera, and documents a surreal and witty installment in Braxton’s ongoing Trillium cycle. Available as a four-disc box set in both physical and digital forms, it includes a 72-pa…
For almost his entire life, Béla Bartók's music fell on deaf ears. Unnoticed by the general public, this extraordinary composer created a unique cosmos of Hungarian/South-Eastern European folk and art music. Like Schönberg and Stravinsky, he is one o…
*2025 stock* Olympia 1972 and the musical avant-garde. A look back at the music program created for and around the 1972 Olympic Games in Munich causes astonishment. The people in charge give space to contemporary music. It is quite natural and appare…
"[..] With Rebecca Bruton’s piece, the melody/ harmony is transmuted into something psychedelic by manifesting its essential indivisibility from the shifting textures of the music as a whole. There’s often an ephemeral virtuosity to this music, an in…
“Amistad is an opera that was ten years in the making. Thulani and I first discussed the idea of making an opera on the Amistad Rebellion in 1986, after the premiere of our opera X: The Life and Times of Malcolm X. We were drawn to the drama of the s…
each sound in solitude, a succession wound among absent threads falling, falling, lighter, lighter— cavernous mouths crown a flickering song without content, exiled from my container, like any other thing, i enter as a thing alone into the world. the…