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Tip! *In process of stocking* "On "When the Streets Were Quiet", composer, bassist, and bandleader Max Johnson turns the focus to his finely wrought chamber music. Active in many contexts, Johnson is voraciously eclectic and impressively versatile. T…
Building on the back of their stunning release of Ensemble 0’s rendering of "Femenine" issued earlier this year, Sub Rosa returns with "Two Extended Pieces for Four Pianos", featuring brand new recording of two seminal works composed by Julius Eastma…
Gondwana Records announces 'Goodbyes' the debut album from Estonian pianist and composer, Hanakiv, a deeply beautiful, meditative piano album featuring special guest Alabaster dePlume.
Yannis Kyriakides evokes memories of a site and of the workers of the mines of Amiandos, reflecting on a past not that far gone. In 7 pieces he tells profound stories of loss, and of the fascination for a magnificent and malignant stone. Amiandos is …
*2022 stock* "Leroy Jenkins, free jazz's greatest violinist, has always worked best in intimate situations with equally talented partners. He certainly had the optimum conditions on this duet date pairing him with outstanding pianist, composer, arran…
Amgen presents Jean-Luc Guionnet's Dyslexic Harp (Deciphered In The Dark). Concert for pedal harp solo.
Recorded, edited, mixed and mastered by Jean-Luc Guionnet. Recorded 17th and 18th of January 2010 at q-02, Brussels
The three works on this disc explore different aspects of Radulescu’s theory of Sound Plasma as it evolved over the course of the 1970s, from Radulescu’s early to middle periods.
*2LP Gatefold with tipped in booklet * Presented together for the first time, American composer John McGuire’s Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe’s angular, intellectual, inscrutab…
Modernity in Russian music emerged despite its struggles with the Soviet regime in the early 20th century, with the mystical vision of Scriabin’s musical legacy providing a foundation on which to build. In these acclaimed albums we discover Medtner’s…
*In process of stocking* "Cologne bassist and composer Stefan Schönegg seems drawn to sound without end, a vibrating mass that crawls like a glacier toward the infinite. He’s used the moniker Enso for five recordings now, and although each album has …
*2022 stock. In process of stocking* The world slowed down immeasurably in 2020 as the Corona virus pandemic spread across the globe, and Cologne bassist and composer Stefan Schönegg applied that shift to his own music. “I developed a deep longing fo…
*In process of stocking* The second release of the trio T.ON - Matthias Muche (trombone), Constantin Herzog (double bass) and Etienne Nillesen (extended snare drum). This time T.ON presents four fixed media commissioned compositions by Anne La Berge,…
*2022 stock.* Actually, the CD "Nachthelle" should have been a concert for the 80th birthday of Johannes Fritsch (1941-2010). Because of Corona, it now became a CD. Luck in misfortune. Johannes Fritsch was a composer, improviser, violist, author, pub…
The Multiple Joy[ce] Orchestra presents its new CD "works by Carl Ludwig Hübsch" with all kinds of illustrious musicians from Cologne (and non-Cologne)!
*2022 stock* In November 2020, stuck in cologne, Elisabeth Coudoux composed this pieces – more close to her own intuition. These ideas are a direct result of a conceptual processes that matured over the span of many years, shaped by the individual so…
This 2 CD album features Japanese pianist Miharu Ogura’s jaw-dropping rendition of Karlheinz Stockhausen’s Klavierstücke I–XI, for solopiano, recorded live at Monopiano festival 2021. Includes a 20 page booklet with
an essay by Robin Maconie, former …
*In process of stocking* 'L'effet rebond' is not one album but two. Two parallel albums sharing the same title. One by Pierre-Yves Macé, the other by Sylvain Chauveau - two friends and regular collaborators for nearly twenty years.
Both works come fr…
Iannis Xenakis's early electroacoustic works define already the compositional space he is using later in his mature, almost one-hour long works like Persepolis or La Légende d'Er. After arriving in Paris as a Greek refuge in 1947, Xenakis quickly fou…
Iannis Xenakis's late electroacoustic music became electronic: all sounds are synthetic "explicit computer music" as Peter Hoffmann called it. The music presented here shows Xenakis's way back from spatialized immersive music and multimedia spectacle…