Harpsichords
Tip! "Three harpsichords in various states of disrepair were kindly offered to me by Leeds Conservatoire. I accepted, and a memorandum of understanding was swiftly drawn up. The offer was made under the condition that I might make some music from them, given my penchant for infirm instruments, and their conventional worthlessness to anyone wishing to use them for their intended purpose. There seemed to be an auspiciousness surrounding these harpsichords, the stories they might reveal, and more i…
Ricercari for rainy days
Eden Lonsdale is a composer of acoustic music living and working between London and Berlin. His music focuses on exploring the various ways that movement and stasis can co- exist, as well as the inter-connectedness of harmony, timbre, melody and rhythm. Often using very limited materials, his dense and immersive sound-worlds attempt to draw the ear into the smallest details and hope to inspire the listener’s self-guided exploration into the music’s manifold layers. The three pieces from this alb…
Bodies of Water
Sarah Hennies (b. 1979, Louisville, KY) is a composer and percussionist based in upstate New York whose work is concerned with a variety of musical, sociopolitical, and psychological issues including queer & trans identity, psychoacoustics, and the social and neurological conditions underlying creative thought. She is primarily a composer of acoustic chamber music, but is also active in improvisation, film, and performance art. She is the recipient of a 2019 Foundation for Contemporary Arts Gran…
The Nordheim Tapes
*2024 stock* Arne Nordheim might not be the best known early electronic music composer, but with this fabulously presented double disc of work it should help his music achieve at least a little wider recognition. He might be best known (at least outside his native Norway) for the discs on Rune Grammofon, but here we get some of his earliest tape work from the 1960s, possibly his most interesting period, at least to me. As a die hard Radiophonic Workshop enthusiast this collection seems to come f…
Eonta
*2024 stock* bastille musique presents its twenty-third release »Iannis Xenakis: Eonta« featuring recordings by Ensemble Schwerpunkt, Lorenzo Soulès (piano), Edicson Ruiz (double bass), Dirk Rothbrust (percussion) und Peter Rundel (conductor). The album includes Iannis Xenakis’s music for brass from four decades, from Eonta (1963-1964) to Linaia-Agon (1972), Khal Perr (1983) and Mnamas Xapin Witoldowi Lutosławskiemu (1994), amongst others. In addition to the recordings produced by the WDR, it al…
Helmut Lachenmann: Mes Adieux
Tip! bastille musique presents its twenty-ninth release »Helmut Lachenmann: Mes Adieux« featuring Trio Catch, trio recherche, Karolina Öhman (cello), WDR Sinfonieorchester and Lin Liao (conductor). With Notturno (1966-1968), Allegro sostenuto (1986-1988) and the world premiere recording of Mes Adieux – Streichtrio Nr. 2 (2021-2022), the album brings together three outstanding works by Lachenmann from three different creative periods. The WDR recordings are complemented by a 48-page bilingual boo…
Hypnokaséta
“Hypnokaséta (2020-2021) is a continuous set of 16 pieces for string quartet, improviser (playing cassettes and any instrument) and live electronics. The source material is based on dreams that I had during the first few months of lockdown, April-June 2020. Accounts of these dreams are encoded in the music that is played by the quartet and also encrypted in the sound textures that surround this. The pieces alternate between quartet as the foreground and electronic interludes, where solos or duos…
Motor Tapes
Closing the achingly long four years wait since her last full-length, the American composer/percussionist Sarah Hennies returns with “Motor Tapes”, her second release with New World Records. Comprising three astounding new pieces, made in collaboration with three acclaimed ensembles - ensemble 0, Talea Ensemble, and Ensemble Dedalus - that simultaneously encounter her moving into new uncharted territory, while remaining rooted in her singular practice, exploring musical, sociopolitical, and psyc…
Mature Hybird Talking
On Mature Hybird Talking Frank Gratkowski, one of the world’s most advanced and original voices in the field of improvised music, teams up for the first time with one of the leading ensembles for composed contemporary music. He dedicates this 45-minute piece to James Joyce and Iannis Xenakis, who both had a major impact on him. Inspired by the rhythm and sound of Joyce's language, Gratkowski and the Ensemble Modern create a widely ramified, sensitive and incredibly vital musical organism. Energy…
Reverse Bloom
On the evening of July 13th, 2023, I trekked up to Arnold Hall for a very special performance at The Stone. I sat in the front row and took out my notebook then turned to my right and looked around the space. The dimly lit room buzzed with quiet activity and conversation. After a few more minutes, the lights went even lower and out walked three shadowy figures. Each clicked on a small bulb that lit their individual music stands. This was my third time seeing the Jessica Pavone String Ensemble. T…
Wanderer
Trio improvisations with Sophie Agnel - piano, Bertrand Gauguet - alto & soprano saxophones and Andrea Neumann - piano frame, electronic devices
Le Purgatoire
"Purgatory is part of a large cycle called Sunset Time which consists of seven days of ritual music. Rituality is one of Pape’s stylistic traits that is often expressed with imaginative and fantastic sound revelations, with unpredictable sound sequences, with powerful flows of voices and instruments in a continuous timbral transfiguration. Surreal and dreamlike sounds accompany the journey of Dante and Virgil and of the other characters they meet, following them to the threshold of Paradise, sou…
Mariasole De Pascali + Adolfo La Volpe Per Dei Suoni
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
Futility
Futility by Rafał Zapała is a provocative album that reimagines the concert experience, fusing music with technology to challenge the traditional performer-audience dynamic. Through compositions such as No Meaning Detected and Futility, Zapała explores themes of control, engagement and the communal aspect of music in the digital age. This album invites listeners to an interactive journey, questioning the conventional boundaries of art and its consumption. This production demonstrates Zapała's in…
Germination
Inspired by the serene aesthetics of Japanese gardens and the avant-garde sounds of Edgard Varèse, Hervé’s work embodies a profound engagement with the environment, both natural and constructed. Featuring the compositions Germination, an ensemble piece with electronics that transcends traditional performance spaces, and Topos, an immersive soundscape blending music with the sounds of an imagined natural environment. The album concludes with Au Dehors, a composition that evolves like nature itsel…
Fernando Grillo. Il Buddha del contrabbasso (Book)
* Italian Language Edition * 2024 Stock * Fernando Grillo (Foggia 1945 - Perugia 2013) contrabbassista e compositore, è stato tra i protagonisti dell'avanguardia musicale del '900, pioniere nell'esplorazione di nuove tecnichedi produzione del suono sul contrabbasso. Per lui hanno scritto compositori quali Salvatore Sciarrino, Iannis Xenakis e Luciano Berio. Karlheinz Stockhausen lo definì "il Buddha del contrabbasso", mentre Carmelo Bene, per il quale lavorò alle musiche dell'opera poetica "I ma…
Vanishing Points / A Cappella
CD digipack. In his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology tha…
New American Music, Vol. 4
*2024 stock. Custon CDr* Noa Ain gives us a surreal portrait of violinist Yoko Matsua in “Used to Call Me Sadness,” Joel Chadabe encourages a solo percussionist to interact with an automated electronic system in “Echoes,” Ann McMillan manipulates animal sounds with recording techniques in “Whale I,” Gordon Mumma offers audience members “Do It Yourself” participation in “Cybersonic Cantilevers” and Vladimir Ussachevsky suggests a pre-biblical story of the creation of the world depicted by electro…
New American Music, Vol. 3
*2024 stock. Custon CDr* Works by Talib Rasul Hakim, William Bolcom, Howard Swanson and Frederic Rzewski are presented here. Highlights include Bolcom’s "Whisper Moon" for chamber ensemble and three of Rzewski’s songs, whose lyrics are drawn from words by Frederick Douglass, Langston Hughes and Guatemalan revolutionary Otto Rene Castille.
New American Music, Vol. 2
*2024 stock. Custon CDr* Trumpets and trombones twist through dense pockets of sound in Lucia Dlugoszewski “Angels of the Inmost Heaven”; the voice of a lone guitarist punctures the silence in James Fulkerson’s “Patterns” II and VII; flute, bassoons, viola and vibraphone are intended to “turn some dancers on” in Carman Moore’s “Youth in a Merciful House”; and a guitarist laments to the hum of an Elizabethan-type string and woodwind consort in Stanley Silverman’s “Planh.” This is a thoughtfully b…