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The inaugural release in Greyfade’s innovative new FOLIO music release format, composer Kenneth Kirschner’s Three Cellos is the culmination of a five-year collaboration between Kirschner, arranger & producer Joseph Branciforte, and cellist Christopher Gross.
The name Painjerk, the musical project of Kohei Gomi, didn’t come to mind for a long time. Offhand, I’d say it is likely that I reviewed very few of his releases. Many of those he released himself, and the ones of Harbinger Sound, Editions Mego, Alternative Tentacles and Hospital never reached me. He’s among the few musicians leaving the harsh noise behind and doing other projects. He calls it the “exploration and practice of kinematics of electro-acoustics using unorthodox methodologies, mainly…
Kontakt Audio and Infinite Fog Productions proudly present the 25-th anniversary reissue of the one of most unique albums on avantgarde/neoclassic music - Ihor Tsymbrovsky - Come, Angel.
The latest in a prolific string of solo and collaborative releases by James Rushford, Turzets collects a pair of new works primarily created and recorded last year while the Australian composer-performer was in residence at La Becque, an art center on Lake Geneva in Switzerland. The side-length piece “Fallaway Whisk” explores hesitation in its many forms—reticence of speech, sonic restraint—using live, abstracted translations of text from English to German against a lush and swelling soundscape.…
*2024 stock* Bernd Alois Zimmermann (1918–1970) was one of the most distinctive composers in the musical avant-garde after the Second World War. While Karlheinz Stockhausen served as a kind of ‘generator’ in Cologne during the 1950s and 60s, inventing completely new sounds and techniques, Zimmermann was in many ways his opposite, a ‘transformer’ who redefined previously existing material by placing it in new contexts and collage-like structures, anticipating the ideas of the Postmodernists.
Zimm…
For decades, Ludger Brümmer has represented a unique, courageous, and often instantly recognisable voice in electronic, algorithmic, and computer music. He develops structures that lead to aesthetic experiences normally found, if at all, only in the most expressive of instrumental works.
Ludger Brümmer’s music is dominated by processes. All processes are on a trajectory towards a climax or evolve from a climax to a minimum. Ultimately, a complete lack of orientation is to be achieved in the clim…
*2024 stock* Live recording of the piano recital for the eightieth birthday of composer Hans Otte that Philipp Vandré and Elmar Schrammel presented at the Akademie Schloss Solitude in Stuttgart. A selection of John Cage's "Sonatas and Interludes" for prepared piano was interwoven with selections from Hans Otte's piano cycles "Das Buch der Klänge" (The book of sounds) and "Stundenbuch" (Book of hours). This concert experiment, conceived by Ingo Ahmels, paid quiet homage to the "beautiful piano so…
"Each composition arises from a clear idea that the listener can grasp. That is their beauty, I’d argue – there’s no need for, or possibility of, any process of beautification. They are conceptual art in the broadest sense, but vividly concrete in their sonorous properties. So they are a paradigm of musical art – for music is an art that is abstract in form, concrete in utterance." - Andy Hamilton
Huge Tip! Swiss composer Jürg Frey writes masterful soundscapes, calm and vast. With his sensitive ear for colour, sound and precision, he composes music of great serenity and lyricism; a poetic weightlessness in search of silence in sound. “My music is slow, sometimes static, often delicately shifting between standstill and movement. And yet, after more than an hour, this music has arrived at another place. Standstill, little happens, — it is this atmosphere from which my music emerges and to w…
Other Minds is proud to present The Possibility of a New Work for Electric Guitar, a new limited-edition 12” 45 RPM vinyl disc of music by Morton Feldman and Christian Wolff, performed by Wolff and Wendy Eisenberg. Side A features two performances of Morton Feldman’s The Possibility of a New Work for Electric Guitar, written for Wolff (who professes to be “not really a guitar player”) in 1966 as an experiment on the instrument. On his way to perform The Possibility of a New Work for Electric Gui…
Tricatel is proud to present, in a limited edition of 777 hand-numbered copies, the superb double vinyl/book dedicated to 7×7, inspired by Bertrand Burgalat.
*150 copies limited edition* "Most of the music I am attracted to represents some kind of undoing. Sun Ra's undoing of the big band, or of the jazz solo. Schoenberg, Berg, and Webern's undoing of the classical music concert. The A.A.C.M.'s undoing of the jazz combo and the club date. Pauline Oliveros' undoing of the musical score. Alice Coltrane, Don Cherry, and Cornelius Cardew's various undoings of the profession. What's more, none of these undoings are antagonistic or destructive. The thing u…
"Other Minds is happy to present The Water Has Found its Crack, the debut album by composer Joseph Bohigian. Consisting of four new works written since 2018, the collection finds the composer expertly handling a variety of performing forces, from laptop ensemble to string quartet. Each piece engages with a different aspect of the California-born composer’s position as a member of the Armenian diaspora. These include the legacy of displacement since the 1915 genocide, maintaining culture in exile…
The ensemble consists of 10 musicians from different parts of the world, coming from various musical backgrounds: Thea Soti (voice), Ferdinand Schwarz (trumpet), Jonas Engel (alto sax, clarinet), Victor Fox (bass clarinet), Emilia Gołos (piano), Zoe Argiriou (vibraphone, bass drum, timpani), Magdalena Lorenz (violin), Jonas Gerigk (double bass), Anthony Greminger (drums) and Wojcik himself on electric guitar. The album is an attempt to escape and find an alternative to the hierarchical composer-…
*2023 stock* The sixth volume of the collection, Arbor Vitæ, pays homage to the Canadian-American composer James Tenney with performances of the complete quartets and quintets. These works were composed over a period of more than 50 years, from the first string quartet, written at 21, to the last, posthumous quartet. Through various acoustic and musical phenomena, Tenney creates broad, open musical spaces, making music that is both rigorous and sensual. We feel privileged and honoured to be asso…
“It has been my conviction for a number of years that Music (and Art in general) must simply assume the humble task of describing its own end, or at any rate its gradual extinction,” wrote Italian maestro Aldo Clementi (1925–2011) in 1973. Three years earlier he had written B.A.C.H., a piano piece which proved to be pivotal. From this point on, almost all his works are — in David Osmond-Smith’s words — constructed from “tonal fragments arranged in a polytonal canonic counterpoint that ensures ne…
*2023 stock* "This, the first CD dedicated entirely to work by composer Dario Palermo, features three substantial electroacoustic works written between 2009 and 2012. Palermo (b. 1970) has been involved with the use of new technologies in music since the early 1990s. His background includes studies with Giorgio Colombo Taccani and Giovanni Verrando and others, including Gerard Grisey, as well as in orchestral and chamber performance. His work, as typified in the three pieces presented here, is b…
Tip! Gene Coleman is a composer, musician and video director, who has created over 70 works for various instrumentation and media. Central to his work is the inventive use of sound, image and time, and the desire to create experiences that expand our understanding of the world. Since 2001 he has explored the global transformation of culture and music’s relationship with video, science and architecture. Gene has been developing a series of works around concepts of Neuro Music and Transcultural Mu…
*2023 stock* Nice Music presents the debut solo LP from guitarist and composer Alexander Garsden. Following his 2020 collection of guitar duets (with Tetuzi Akiyama, Julia Reidy and David Stackenäs) on US label Marginal Frequency, 'Solo Guitar I' is the first instalment in a series of releases documenting Garsden's work as a soloist over the last ten years. This recording presents three works for steel-string guitar – contrasting in style and scale, yet linked by Garsden’s fascination with acous…