The Rest Is Silence – Music Of Our Time
*2025 stock* "Stefan Winter, head of the Winter & Winter boutique label, has a different attitude to popularising classical music. Rather than relying on the familiarity of old favourites, he believes that contemporary classical music is more accessible than its ascetic, atonal reputation suggests, and can find an audience outside its assumed intellectual elite. Hence this compilation of excerpts from the label's catalogue…" - The Independent"Winter & Winter is something of a special case when i…
Chorbuch, Les Inventions d'Adolphe Sax
*2025 stock* This Winter & Winter cd of 'Chorbuch' and 'Les Inventions d' Adolphe Sax', recorded in December 2007, was Mauricio Kagel’s last recording, delayed due to unexpected death in the year 2008. The centrepiece of the album, 'Les Inventions d' Adolphe Sax' was commissioned by the Nederlands Kamerkoor, who invited the acclaimed Raschèr Quartet to participate. As a premiere recording and with Kagel’s artistic participation a masterpiece was created. The Nederlands Kamerkoor and Mauricio Kag…
Kantrimiusik
*2025 stock* “There is freshness, there is (self) irony, there is a desire - and for once let's say it without shame - to have fun with music. [...] Nature triumphs in all its aspects: noises and sounds of birds, pouring rain, thunder, animal cries, alternating on the lines of a fiddle violin.” - Corriere di Bologna
The Mauricio Kagel Edition
"It's fascinating, and a wonderful reminder of how fresh and unique Kagel's place in the history of music in the last half-century is." - The Guardian
Die Stücke der Windrose
2025 stock "Kagel's witty intelligence objectifies the ordinary to create important art." - The Wire
Schwarzes Madrigal
*2025 stock* "In composing a piano trio, I fulfilled a long-fostered desire. This is a genre which, like the string quartet tradition, can slightly intimidate any composer. I too waited patiently but anxiously to make my own contribution. The pre-history of the piece is closely tied to my Music Epic about the devil, La Trahison orale (Oral Betrayal), which I wrote in 1981-83. When conceiving this work, I had already decided to compose character pieces, relatively short numbers with a particular …
Playback Play
*2025 stock* Famous for his examination of unusual and exotic instrumental sounds, here Mauricio Kagel focuses on the most mundane of sound materials. While attending a music trade show, Kagel was taken by the many levels and orbits of sound activity emanating from the various booths and stages. In 'Playback Play' (subtitled 'News from the Music Fair, A Radio Piece') he has arranged a spatially sensitive tableau of crowd noises, sales pitches and fragments of the sort one hears in music store sh…
Penumbra
Four beautifully reduced duets, jointly developed by violinist Morgan Evans-Weiler and pianist J.P.A. Falzone. Music which is as delicate as a feather, but also as tough as nails.
Longing Landscape
Three recent and typically exquisite chamber works by Swiss composer Jürg Frey, all written for and performed by the Prague Quiet Music Collective - one in collaboration with the Norwegian new music group asamisimasa.
O a | F g
Two wonderfully mysterious 20+ minute compositions for ensemble by Teodora Stepančić, played by Ordinary Affects.
G o m b e r t
Seven beautiful, melancholic motets and a chanson by Renaissance composer Nicolas Gombert, arranged for instruments by James Weeks, who also composed the interludes. "One of the least expected and most beautiful records we are likely to hear this year." - Clive Bell
Towards a slowing of the past
Virtuosic & highly-acclaimed 45-minute work for two pianos and electronics, Mark Knoop & Roderick Chadwick.
Recorded by Simon Reynell at the University of Huddersfield, October 2024. Edited & mastered by Mark Knoop. The work was commissioned with support from Hinrichsen Foundation, the Vaughan Williams Trust, and The Marchus Trust.
GTM (Syntax) 2017
*2025 stock. 300 copies limited edition* A twelve CD box set of Anthony Braxton’s complete Syntactical Ghost Trance Music (SGTM) - the subset of Braxton’s revolutionary Ghost Trance Music compositional system written especially for the human voice. The recording also introduces the Tri-Centric Vocal Ensemble - a twelve member choir featuring some of the most exciting and accomplished singers in creative music. The recording is available digitally and in a limited edition 300-copy pressing, a del…
Trillium J
*2025 stock* Trillium J is a Braxton opera, and documents a surreal and witty installment in Braxton’s ongoing Trillium cycle. Available as a four-disc box set in both physical and digital forms and live performance video on Blu-ray disc, it includes a booklet with libretto, photos, and critical essays. Live performance recorded April 19, 2014 at Roulette, Brooklyn. Studio realization recorded April 21-22, 2014 at Avatar Studios, New York, NY.
Trillium E
*2025 stock* Trillium E is the first-ever studio recording of a Braxton opera, and documents a surreal and witty installment in Braxton’s ongoing Trillium cycle. Available as a four-disc box set in both physical and digital forms, it includes a 72-page booklet with libretto, photos, and critical essays. Each of Trillium E’s four acts features a different episode: a genie in a bottle, the invention of human cloning, interplanetary space travel, and the exploration of a jungle pyramid. The perform…
From the Diary of a Fly
For almost his entire life, Béla Bartók's music fell on deaf ears. Unnoticed by the general public, this extraordinary composer created a unique cosmos of Hungarian/South-Eastern European folk and art music. Like Schönberg and Stravinsky, he is one of the protagonists of 20th century musical art. A few years after his death, his music became a bestseller and this success has reached unimagined heights again in our time. Accordionist Teodoro Anzellotti presents an individual selection of Bartók's…
Ekecheiria (for voices and bass clarinet)
*2025 stock* Olympia 1972 and the musical avant-garde. A look back at the music program created for and around the 1972 Olympic Games in Munich causes astonishment. The people in charge give space to contemporary music. It is quite natural and apparently normal to rely on the avant-garde. This extraordinary musical framework program for the 1972 Olympics has almost been forgotten. The architecture with its transparent, glass tent roof is remembered as a sign of a new, cosmopolitan, modern and de…
A Root Or Mirror, Blossom, Madder, Cracks; Together
"[..] With Rebecca Bruton’s piece, the melody/ harmony is transmuted into something psychedelic by manifesting its essential indivisibility from the shifting textures of the music as a whole. There’s often an ephemeral virtuosity to this music, an intricate (sometimes opaque, sometimes disorientingly transparent), florid weave of sound. But this virtuosity doesn’t assert dramatic effects; there are gestures here, but they’re the movements of sounding bodies, not the quasi-meaningful gesticulatio…
Amistad
“Amistad is an opera that was ten years in the making. Thulani and I first discussed the idea of making an opera on the Amistad Rebellion in 1986, after the premiere of our opera X: The Life and Times of Malcolm X. We were drawn to the drama of the story, a successful uprising of captives on a slave ship, and the implications of the Amistad incident in an understanding of ourselves and the American experience. Through the Amistad, we could revisit the story of the Middle Passage, the contradicti…
Duos
each sound in solitude, a succession wound among absent threads falling, falling, lighter, lighter— cavernous mouths crown a flickering song without content, exiled from my container, like any other thing, i enter as a thing alone into the world. the world is what enters into nothing— things communicate only by their solitude. three sections, one melody—silences before and after each section. i) player a ii) players a & b iii) player b entries free, note duration and space between notes open, an…