Composition / Avant-Garde

1998 release ** Music for recorder by Paul Hindemith, Harald Genzmer, Francis Poulenc, George Auric, Jacques Ibert, Walter Leigh, Gail Kubik, Ulrich Staeps, Benjamin Britten, Hans Poser, Ervin Henning, Konrad Boehmer, Marjo Tal. "In thinking of the recorder, one normally sets his or her sights upon the many composed musical works from the 16th and 17th centuries, when the instrument was accorded the status of an official court instrument, as well as being the choice for regional folk and ceremon…

Trio improvisations with Sophie Agnel - piano, Bertrand Gauguet - alto & soprano saxophones and Andrea Neumann - piano frame, electronic devices

Neha is an album by Adrián Demoč featuring the Slovak Radio Symphony Orchestra and Ostrava New Orchestra. Each work extends beyond twenty-five minutes, exploring soft layers of orchestral sound, calmly repeating motifs, and silences that articulate the music’s emotional contour. The pieces are defined by their meditative atmosphere and gradual, unforced transformations.

Portrait of harpist-composer Anne LeBaron: two solo pieces for prepared and electric harp, excerpts from her blues-opera The E&O Line to a libretto by Thulani Davis, and two chamber works, one conducted by Leon Fleisher.

Erhard Grosskopf (b. 1934) is a Berlin-based composer of contemporary music who has been active since 1963. His works include chamber and orchestral as well as electronic music, and have been performed in the West German pavilion at Expo '70, by various radio orchestras, renowned string quartets, and avant-garde groups such as Gentle Fire or Agitation Free. A thread that runs through all of Grosskopf's works is the idea of composing not on a timescale but in a space. Grosskopf views himself as a…

Somatic Refrain is a collection by Allison Cameron for varied chamber forces and ensemble, performed by Apartment House and the Allison Cameron Band. Her music combines delicate sound textures, unpredictable motifs, and hints of folk and experimental methods, rewarding attentive listeners with gentle surprises and new perspectives on instrumental color.

An Album by Tim Parkinson and Apartment House includes five works covering two decades of the composer’s creative evolution. From uncoordinated solo and ensemble pieces to re-imagined septets and violin-piano duos, the music is marked by matter-of-fact presentation, rhythmic independence, and a celebration of the mundane as fertile compositional ground.

Eight collaborative compositions for organ and percussion by the longstanding Canadian duo, who also appeared on Isaiah’s previous, and now sold out, CD ‘Bow’.

Kunsu Shim’s compositions explore the beauty of imperfection and fragility, of simplicity and complexity in natural life, operating at the peripheries of sound and noise. Perception, not purpose, lies at the core of this music. The creation of such sounds is happening in extremely soft and quiet volumes with small changes of character either in a structural or textural form.  In his scores Shim asks his musicians to act with tenderness, care and warmth, lightness or gracefulness - thereby evokin…

Four chamber works by the Toronto-based composer Martin Arnold, whose previous album ‘The Spit Veleta’ sold out last year. Beautifully played by Apartment House. "There are number of ways that the word 'ballad' could be applied to a lot of the music I make - clearly, I'm devoted to lyrical (if endlessly meandering) melodies, slow melodies that invoke a kind of vague, indistinct sentimentality. But it's significant to me that the word 'ballad' comes from the from Old French balade, from Provençal…