Codex Vivere
A 75-minute piece for septet in nine movements by the young Texas-based composer.
Somatic Refrain
Somatic Refrain is a collection by Allison Cameron for varied chamber forces and ensemble, performed by Apartment House and the Allison Cameron Band. Her music combines delicate sound textures, unpredictable motifs, and hints of folk and experimental methods, rewarding attentive listeners with gentle surprises and new perspectives on instrumental color.
An Album
An Album by Tim Parkinson and Apartment House includes five works covering two decades of the composer’s creative evolution. From uncoordinated solo and ensemble pieces to re-imagined septets and violin-piano duos, the music is marked by matter-of-fact presentation, rhythmic independence, and a celebration of the mundane as fertile compositional ground.
Block Gifts
*300 copies limited edition. In process of stocking* Block Gifts is a collection of three works for organs composed by James Rushford between 2015 and 2018. Using harmonium, portative organ and electric organ, each piece is linked by Rushford’s idiosyncratic combination of strict intervallic systems in different tunings (Werckmeister, quarter-tone, equal temperament), and haptically-informed rhythmic and expressive freedom. Creaks, stutters and sweeping fingers on keys become instrumental sounds…
Trio IX / Exercises
The American composer Christian Wolff (b. 1934) is the last living representative of the New York School (Rauschenberg, Rothko, etc.). Wolff was not even an adult when he studied with Grete Sultan and John Cage. Wolff’s music was much more politically motivated than that of Feldman and Cage, which is evident on this new Wergo album by Trio Accanto. The album features first recordings made in close collaboration with Wolff in the studios of Deutschlandfunk Cologne/Germany. Wolff's great “Trio IX …
...Of Late
Astral Spirits presents ...of Late by Jessica Pavone String Ensemble.
Jessica Pavone - composer / viola; voice on track 3Aimée Niemann - violin; voice on track 3Abby Swidler - violin on tracks 1,3,4; viola on tracks 2&5; voice on track 3
Nam June's Spirit Was Speaking To Me
A spellbinding tribute from one multi-faceted artist to another. New York-based artist Aki Onda (b. 1967) conjured a transduction to the Korean multi-media pioneer Nam June Paik (1932-2006).
Palimpsest | Épéi | Dikhthas | Akanthos
*2022 stock* 'This collection of ensemble works, six altogether, ranges across the last two decades of Iannis Xenakis's life. It includes the last two pieces he composed, Zythos, for trombone and six marimbas, and O-Mega, for percussion and ensemble, both written in 1997, four years before his death. They are striking, small-scale examples of the bareness and drastic compression of his late style, but the finest music here is a bit earlier. In Échange, from 1989, a bass clarinet painstakingly un…
For Franz Kline · For Frank O'Hara · De Kooning · Piano Piece To Philip Guston
*2022 stock* Wergo presents Moton Feldman's compositions For Franz Kline · For Frank O'Hara · De Kooning · Piano Piece To Philip Guston. Performed by Ensemble Avantgarde.
Le Grand Macabre
György Ligeti’s polymorphous music, a product of the 1960s, promises no familiar idiom even today. Ligeti himself described the bizarre and exaggerated music of Le Grand Macabre to be “far removed from the territory of Wagner, Strauss and Berg.”A sense of the absurd, the unpredictable, the totally irrational, not unlike the Dadaists who made their debut in Zurich back in 1916. Le Grand Macabre is often cited as a quintessential work of a Neo-Dada genre, one as bombastic as it is exuberant.
Works For Piano, Toy Piano & Prepared Piano · Vol. III
*2022 stock* It may come as a surprise but one of the leading creators of keyboard music in the twentieth century is a composer by the name of John Cage. Cage’s reputation is so deeply associated with the avantgarde, with chance music, graphic notation, performance art, technology and Zen Buddhism that is early, conventionally-notated music for percussion ensemble and keyboards is sometimes neglected. Or was until recently. In the last few years – with the advent of performances and recordings l…
I Like To Think Of Harriet Tubman
*2022 stock* 'A true Leninist would argue that art in a smoothly running socialist state would become redundant and disappear, though while waiting for such a perfect society to come about, we have an idea of what socialist literature, painting, sculpture and cinema are like. But what does socialist music sound like? Luigi Nono? Eisler? Robert Wyatt? The Ex? Well, all four. and you may add Christian Wolff to the list. Like fellow experimental composers Cornelius Cardew and Frederic Rzewski, Wolf…
Tempi Agitati
On April 6, 1327, a 22-year-old Italian poet named Francesco Petrarca caught a glimpse of a young woman, Laura, in a church in Avignon. He later reported that “living sparks issued from two lovely eyes”. Those sparks enflamed Petrarch such that he spent the rest of his illustrious career coming to terms with them. Madrigals were developed in the 16th century by Adrian Willaert and Cipriano de Rore, which took Petrarch’s agonized images as justification for violating the rules that had guided mus…
Visions
Yamila reveals her most intimate catharsis in Visions, an album that brings together and provokes the hallucinatory powers of music. Like an ancient herald, she announces the profound feminine mystique while crossing epic melodies full of pleasure and pain. This album is a journey that prodigiously unites baroque accents, Spanish folklore –such as flamenco– and contemporary electronic music. Her voice and music –sometimes torn and others buoyant– could resemble the score for a biblical passage (…
Landmarks
Landmarks offers an immersive, contemplative collaboration between Katelyn Clark and Isaiah Ceccarelli, presenting a suite of works that draw from both ancient and contemporary sound worlds. The duo’s backgrounds in historical keyboard and percussion performance anchor the album, but the project transcends specific genres or traditions. Instead, it crafts a patient, ambient landscape shaped by resonance, modest gesture, and a shared reverence for the act of attentive listening. Throughout the al…
Gold
* Digipack CD* The lightning rod for Alabaster DePlume’s luminous follow up to the widely-acclaimed 2020 release To Cy & Lee: Instrumentals Vol. 1 was personal. “Someone was going through a thing,” says the Mancunian poet-performer. “I said, ‘go forward in the courage of your love’. And then I thought 'yeah, that's what I need to hear as well’.” Gold is a sonorous double album that celebrates the communal act of making music and the relationships that can be explored when you purposefully avoid …
Michael Pisaro-Liu: Radiolarians
Radiolorians (2018) finds Pisaro-Liu drawing inspiration from another gifted observer of this world-in-variation, the German zoologist, naturalist, and philosopher Ernst Haeckel (1834–1919), who promoted and popularized evolutionary thought via extensive monographs and artful renderings of insects, animals, sea creatures, and embryos. For Radiolarians, Pisaro-Liu creates what he terms “transcriptions” of individual radiolaria species depicted in Haeckel’s drawings. Radiolarians comprises fourtee…
World in World
Black Truffle is pleased to announce World in World, the latest solo offering from prolific Berlin-based guitarist-composer Julia Reidy. Where the recent trilogy of LP releases – brace, brace (Slip, 2019), In Real Life (Black Truffle, 2019), and Vanish (Editions Mego, 2020) – focussed on increasingly lush electronic settings for Reidy’s propulsive fingerpicking and auto-tuned vocals, arranged into wide-ranging side-long epics, World in World finds Reidy refocusing on the core elements of their a…
Caspar
This habit some experimental musicians have of applying forced context or stories to what is essentially pure improvised music does sometimes perplex me. Here Janek references Kaspar Hauser with the title and in the sleeve notes. He also states the intention “…to de- and reformulate the idea of beauty”. When referencing the case of Kaspar Hauser, I assume Janek sees himself as “…set free…” from traditional technique, and aims, on this disc at least, to “…redefine by discover[y] and recover the p…
58'
58' was composed in 2010 on the occasion of the tenth anniversary of d-zAkord. I wanted a very minimalist piece with few sound events and long silences. At that time we presented t'Drone(s)Scape', a sound/living installation lasting 3 hours. The public was invited to sit or lie down in the center of the sonic maelstrom for a multicast travel. It is in this context that 58' was imagined.
Although unconventional, the 58' score is extremely precise. The musicians follow a graphic score, with time p…