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In 2019, at the age of 85, reductionist composer Ernstalbrecht Stiebler began an improvising duo, himself on piano, with cellist Tilman Kanitz.
What at first glance seems an uncommon move turns out to be a logical continuation of his minimalist compo…
Dietmar Bonnen (b. 1958) is a German composer, pianist and singer whose music moves between the cornerstones of art rock, chamber music, blues, and new music. He has extensively collaborated with a large numbers of musicians in his hometown Cologne a…
With Discreet Music (1975), Music for Airports (1978), and Thursday Afternoon (1985), Brian Eno invented a new music genre, ambient music, which he defined as "able to accommodate many levels of listening attention without enforcing one in particular…
Marcos Díaz has been part of Buenos Aires underground for many years, being in projects like Bosques and making solo music under the pseudonym Entidad Animada (animated entity). Under this project, Marcos has explored sounds that involve a mix of fee…
Saltern presents a thrilling new live recording of Naldjorlak for solo cello, composer Éliane Radigue’s first piece for an acoustic instrument, paired with a remastered version of the long out-of-print, original 2006 recording. Composed in 2005 in cl…
'Continuité, fragilité, résonance' is a 51-minute piece written by Jürg Frey in 2020-2021 for octet: string and saxophone quartets. The Montréal-based Quatuor Bozzini and the Bern-based Konus Quartett premiered the piece in September 2021, and later …
This release brings together three Dutch composers/performers, Reinier van Houdt, Germaine Sijstermans, and Koen Nutters, who have each released their own work on elsewhere music in recent years. Nutters, who has collaborated in the past with both va…
L’Occhio Del Vedere is a one-hour piece by the trio of Giovanni Di Domenico (piano), Silvia Tarozzi (violin, 1/16th of a tone tuned violin), and Emmanuel Holterbach (large frame drum). In July 2022, while Di Domenico was working on an artistic reside…
Matthias Kranebitter has written the odd piece without electronics in the past. However, the use of electronics in his music usually is a given. At the same time, the way in which electronics are employed in his work is anything but a matter of cours…
"In the past, I was interested in themes of sound, such as, 'new sound', 'expressive sound' and 'metaphoric sound'. In fact, I still enjoy these expressions. However, my obsession with expressing sound itself has decreased, and I instead want to expr…
If you enter into the music of Martin Smolka, prepare yourself to come face-to-face with profound and enigmatic conflicts. The music of Martin Smolka resonates straight into the core of a suffocated planet, suffering through unending catastrophes in …
If you enter into the music of Martin Smolka, prepare yourself to come face-to-face with profound and enigmatic conflicts. The music of Martin Smolka resonates straight into the core of a suffocated planet, suffering through unending catastrophes in …
"Commenting on the folly of war, eight independent voices and texts compete for attention, reflecting the tumult of emotions...The impeccable recording quality allows us to appreciate the fine..." — Gramophone Magazine
In music, we don't tend to talk about things. We're too concerned about the meaning of the story, about the dynamics of the performance, the reception, the syntax, the gesture, the movement; we're too concerned about how a sound got here, where it ca…
e piano-and-percussion quartet performs a series of pieces by the Los Angeles composer that wrestle with the aftermath of 2020’s wildfires; McIntosh’s own field recordings flesh out a sense of place.
Anne LeBaron’s music us a mixture of elements and influences–a combination of modern compositional techniques with rock, blues and gospel. The many facets of her talent are showcased in The Musical Railism of Anne LeBaron.
The cornerstones of the CD …
Stunning document of a one-off performance by Powell and London Contemporary Orchestra at Barbican Centre, London. Captured from a three-hour multi-channel recording of unheard music. Unique acoustic rendering of a unique moment in time.Performed in …
“It is not enough just to play the right notes at the right time in the right way; one must also have the right consciousness. It places the performer in the role of explorer of the interior in order to produce, and being still in order to be active.…