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Founding work of minimalism, Music with Changing Parts is a piece with free instrumentation. The musicians choose which part to play among the 8 staves of the score. At each indicated cue, the musicians can change part, which produces an abrupt change of instrumentation. While the music is based on a melodic material limited to a few notes that are repeated in patterns that expand or contract, the changes in orchestration refresh the listening experience by producing sonic contrasts. These tec…
Big Tip! Listening is the foundation of Raven Chacon’s (b. 1977) wide-ranging artistic practice. “I am a listener,” he simply declares, but the attention he gives to sound is complex and vast, encompassing far more than what is immediately audible. From his earliest works, Chacon has been dedicated to amplifying the unheard, calling attention to what is absent or unknown. Although Chacon classifies the compositions on this recording as chamber music, all three of these works “zigzag” through his…
Tip! *40 copies limited edition, uv-printed tapes with case and no cover* The original tape was found in a very poor condition, luckily transported in caring hands of Nazlo labs and by accident was succesfully restored, digitalized and mastered using special professional vintage French equipment in a medieval castle somewhere in the center of France.
*2025 stock. 300 copies limited edition* Håkon Thelin is a generation-defining double bassist whose exuberant musicality and high-level technique have been heard in a wide array of album releases and concert performances over the past 25 years. Known both as an interpreter of contemporary music, where the notes resemble mathematical equations with both 8 and 9 unknowns, the musically omnivorous three-headed troll Poing with Frode Haltli and Rolf-Erik Nystrøm, and as a composer of both solo and e…
1991 release ** "Alexander Kandov graduated from the State Academy of Music majoring in Composition under Professor Dimitar Tapkoff and in Piano under Professor Liuba Obretenova. He worked as a music editor at the Bulgarian National Radio and in Musica Publishing House, and as a lecturer in Polyphony at the State Academy of Music. From 1982 to 1990 he was Chairman of the Young Composers’ Section at the Union of Bulgarian Composers. One of the founders of the Society for New Bulgarian Music (1990…
1989 release (RARE) ** Contemporary Italian music for piano by: Arduino Gottardo, Bruno Cerchio, Nicloas Bacri, Elisabetta Brusa, Alessandro Lucchetti, Paolo Ugoletti, Riccardo Riccardi, Luca Mosca.
*2025 stock* New York City-based, Puerto Rican-born composer, guitarist, and visual artist Gabriel Vicéns releases his fourth studio album Mural, a recording devoted to his chamber works.
Vicéns continues his musical journey by releasing a record of contemporary classical music including pieces for piano trio, wind quintet, Pierrot ensemble and more; featuring some of today's finest performers of the New York City classical scene.
The immersive and mood-inducing music on this record spans a four…
Pianist Masako Ohta and trumpet player Matthias Lindermayr are back on Squama with 'Nozomi', the follow-up to their 2022 debut 'MMMMH'.The Japanese title, which translates to ‘hope’, felt fitting, as the album was conceived during a time of personal loss for Ohta, during and after which music proved itself as a beacon of hope.
The music on Nozomi unfolds gently, with Lindermayr’s airy tone and lyrical playing being wrapped in Ohta’s chordal backing that moves from tender to tense and back over t…
1998 release ** Music for recorder by Paul Hindemith, Harald Genzmer, Francis Poulenc, George Auric, Jacques Ibert, Walter Leigh, Gail Kubik, Ulrich Staeps, Benjamin Britten, Hans Poser, Ervin Henning, Konrad Boehmer, Marjo Tal. "In thinking of the recorder, one normally sets his or her sights upon the many composed musical works from the 16th and 17th centuries, when the instrument was accorded the status of an official court instrument, as well as being the choice for regional folk and ceremon…
1994 release ** "The Arditti Quartet here performs all three of Kurtag's string quartets, along with Lutoslawski's one quartet, and Gubaidulina's second as well -- the recordings are from 1990. Kurtag's quartets are some of the finest of the 20th century, clearly fusing Webern and Bartok. What distinguishes Arditti's Kurtag from the Keller Quartet on ECM? (see my review). The AQ takes the tempos slightly faster. Not too fast, in fact I'd say if anything the KQ has slowed them down for dramatic e…
1993 release ** "Sur cette gravure, Irmela Nolte propose un beau jeu allié à une technique nécessaire quant à ce répertoire, agile, au service des œuvres regroupées ici et dont l’on n’entend pas outre mesure son souffle ni sa respiration. Un panorama intéressant, avec 2 des 4 pièces en solo (1,3) et l’autre moitié où la flûte sera aidée d’un autre dispositif (synthétiseur en 2, bande et enregistrements préalables en 4) qui diversifie les procédés et rompt une monotonie possible dans ce genre de …
1990 release **
Syrinx – Claude DebussyDensity 21.5 – Edgard VarèseMusica Su Due Dimensioni – Bruno MadernaSequenza I – Luciano BerioDas Atmende Klarsein (Fragment)– Luigi NonoCarceri D'Invenzione II/b – Brian FerneyhoughCome Vengono Prodotti Gli Incantesimi? – Salvatore SciarrinoCanzona Di Ringraziamento – Salvatore Sciarrino
1989 release **
Marubatoo (13:05) John Wyre Fauna (13:17) William CahnCymbal (11:55) Bob BeckerRain Tree (11:10) Toru TakemitsuRemembrance (9:36) Robin Engelman
"This is a fine collection of pieces performed by one of the premier percussion ensembles in the world. The Canadian quintet Nexus approaches the notion of the percussion ensemble with an ear for innovation and a discipline for virtuosity. Nowhere is this clearer in this disc than on the album's centerpiece, "Cymbal," by group leader Bob…
1992 release ** "I’ve long been interested in the extension of instrumental resources by electronic means, so when the Equale Quintet invited me to write a piece for them I decided to write in a part for a sixth player controlling a range of devices which would extend the sound of the five brass instruments. The title Equalisation is a slightly ironic reference to the technique, often used in rock music recording, of filtering a sound in certain ways to heighten its effect. Officially, the filte…
Tractus emphasizes Arvo Pärt compositions that blend the timbres of choir and string orchestra. New versions predominate, with focused performances from the Tallinn Chamber Orchestra and the Estonian Philharmonic Chamber Choir under Tõnu Kaljuste’s direction that invite alert and concentrated listening. From the opening composition Littlemore Tractus, which takes as its starting point consoling reflections from a sermon by John Henry Newman, the idea of change, transfiguration and renewal resona…
A double CD with location recordings - recorded by Christophe Albertijn - of organ and carillon music plus a 32 page booklet of/for the unveiling of Katharina AW, a relational artwork by Joris Martens.
Nicolás Melmann (born in Buenos Aires and now based in Barcelona) explores sound's social and poetic dimensions through transdisciplinary projects. Drawing inspiration from Erik Satie's concept of "furniture music," Melmann's compositions transform the listening experience into havens of calm and contemplation. Música Aperta is a fusion of acoustic and electronic sounds, rich in beautiful harmonies, where carefully soft elements interplay with delicate raspiness. Made up of three parts, the musi…
2007 release ** "Reinhold Friedl’s “Schoenberg Pierrot Lunaire Cheap Imitation“ is exactly what the title says: an endless funny parody of Schoenberg’s Pierrot Lunaire, a composition often taken far too seriously. At the same time, it is a compositional condensation of Schönberg’s techniques, conducted in a great way by trumpet player Franz Hautzinger from Vienna, a longtime-member of zeitkratzer; sung by the soprano Marcus Weiser, who succeeded already in Berlin as a singer under the name Mark …
2025 stock ** ""Marcin Masecki, an outstanding Polish cross-genre pianist, composed the new work inspired by famous composition of Frederic Rzewski and invited another pianist Piotr Nowicki to perform it. Marcin Masecki (born 1982 in Warsaw) is an avant garde pianist. His father was a clarinetist who started playing musical games with him at age 3 and by age 7 Marcin took up piano. He began playing at clubs at age twelve and by the time he was fifteen, he had his own trio. In 2005 he won the mai…