Danish Intuitive Music
*In process of stocking. 2022 stock* "The Group for Intuitive Music originated in 1974 around the Copenhagen University Institute of Music with Jørgen Lekfeldt and his piano teacher, Elisabeth Klein, as the founder members. Carl Bergstrøm-Nielsen, Anders Keiding and Niels Rosing-Schow, also students at the same place, joined the group. Pieces from Stockhausen's verbally notated collections From the Seven Days and For Times to Come constituted the group's first repertoire. Soon, however, it devel…
Del serialismo al Multimedia
A tribute to Eduardo Polonio for his eightieth birthday and his nearly sixty years of compositional work. Eduardo Polonio is one of the pioneers of electroacoustic music in Spain. The book, beautifully edited and profusely illustrated, shows in its 196 pages a panoramic view of his work, from the first instrumental works of the sixties, in conventional or non-conventional notation, through the chapter on composition processes, installations and multimedia actions, electroacoustic operas, discog…
When No One Around You is There but Nowhere to be Found
*In process of stocking* As both an instrumentalist and composer, Jessica Pavone explores the tactile and sensorial experience of music as a vibration-based medium. Since 2012, she has established an individual body of material for solo viola, concentrating on these elements of performance. The structured yet indeterminate pieces stem from intensive long tone practice and an interest in repetition, song form, and sympathetic vibration. "When No One Around You is There but Nowhere to be Found," i…
Second Room
Limted LP edition. Second Room is Martin Taxt’s second album in a series of works investigating possible relations between music and architecture. In this work written for alto saxophone, two microtonal tubas, double bass, church organ, hand bells and modular synthesizers he is inspired by the Japanese architect Sou Fujimoto, and his ideas on different concepts of living. In a lecture at the Harvard University in 2011, Fujimoto sets up a comparison between the nest and the cave, as two fundament…
Love Songs
"The most striking sound in improvised music in years..." Love Songs by gabby fluke-mogul is a record of seventeen violin compositions for improvisation devoted to the multitudinous hues of intimacy.
Sextet & Double Sextet
*Limited Edition of 500 copies. 2022 stock.* "This release couples two of Reich’s “sextets” for the first time: the Sextet of 1984 and the Pulitzer Prize winning Double Sextet of 2007. A striking difference between the two pieces is that the rhythmic world of Sextet mostly consists of a single-meter grooving, while Double Sextet works in the angular, off-kilter shifting meters reminiscent of Reich’s Tehillim (also of Stravinsky). Ekkozone impart a uniquely chamber music feel and color to these w…
La Legende D'Eer
Tip! Individual LP from the Electroacoustic Works boxset. The second release in the Perihel series is one of the most famous electroacoustic compositions by Iannis Xenakis. When Iannis Xenakis (1922-2001), who had fought against the occupation as part of the communist resistance, moved to Paris in 1947 it was the start of a highly creative and impressive career. Xenakis not only studied composition with Olivier Messiaen and became one of the most innovative composers of the 20th century, he also…
Pacifica
*In process of stocking. 2022 stock.* Pacifica is a major new composition by the world-famous guitarist, improvisor and composer, Fred Frith. Over an hour in length and composed for a large ensemble of winds, strings and percussion, Pacifica sets the poetry of Pablo Neruda into a seductive and hypnotizing sound world that slowly metamorphoses into something altogether different. Lyrical written passages, inspired improvisations, sensual vocals and provocative sound effects all come together into…
Meander Selection
Meander Selection features chamber works by John Lely performed by Apartment House, foregrounding melodic fragments, repetition, gradual change, and the interplay between structure and spontaneity. The album's six tracks move through distinct instrumentations and atmospheres, revealing a composer attuned to understated detail and poised sonic balance.
Codex Vivere
A 75-minute piece for septet in nine movements by the young Texas-based composer.
Somatic Refrain
Somatic Refrain is a collection by Allison Cameron for varied chamber forces and ensemble, performed by Apartment House and the Allison Cameron Band. Her music combines delicate sound textures, unpredictable motifs, and hints of folk and experimental methods, rewarding attentive listeners with gentle surprises and new perspectives on instrumental color.
An Album
An Album by Tim Parkinson and Apartment House includes five works covering two decades of the composer’s creative evolution. From uncoordinated solo and ensemble pieces to re-imagined septets and violin-piano duos, the music is marked by matter-of-fact presentation, rhythmic independence, and a celebration of the mundane as fertile compositional ground.
Hymnkus Thoreau Drawings Two
Hymnkus Thoreau Drawings Two features three rarely encountered works by John Cage, interpreted by Apartment House. The album brings together the sparse, spatial interplay of “Two”, the poised transformations of “Thoreau Drawings”, and the hypnotic, layered repetitions of “Hymnkus” in performances marked by clarity, restraint, and ensemble sensitivity.
In the Asylum
This album collects works for piano through piano quartet by Irish composer Gerald Barry. All, except for In the Asylum are first recordings.
Mixtur 2003 Vorwärtsversion
*2022 Stock.* This recording of an updated version of Mixtur (for 5 ring-modulated orchestra groups, orig. 1964/67) features the Deutsche-Symphonie-Orchester Berlin, conducted by Wolfgang Lischke. In contrast to the original, graphic notation-based version of Mixtur (on The Stockhausen Edition no. 8), all of the orchestra parts for the updated 2003 version are completely notated.- Stockhausenspace.blogspot.com
In Freundschaft
*2022 Stock.* The Stockhausen Edition no. 105 contains chamber works recorded between 2011-15. In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In the following years, Stockhausen composed versions for many more instruments, including recorder, oboe, bassoon (w. teddy bear costume), basset horn, b…
Pole Für 2 (Integrale Version)
*2022 Stock.* 'The Stockhausen Edition no. 103 contains the first complete recording of Pole (Poles, 1969-70) for 2 soloists with shortwave radio (and small instruments). Vocalists Natascha Nikeprelevic and Michael Vetter are featured here. The score for Pole includes directions for spatial placement of sound sources, which were realized through panning and digital reverb. An earlier recording of this piece with Péter Eötvös & Harald Bojé can be found on The Stockhausen Edition no. 15.' - Stockh…
In Freundschaft
*2022 Stock.* The Stockhausen Edition no. 102 contains five new arrangements of the solo work In Freundschaft (In Friendship). In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In the following years, Stockhausen composed versions for many more instruments, including recorder, oboe, bassoon (w. ted…
In Freundschaft
*2022 Stock.* The Stockhausen Edition no. 101 contains four new arrangements of the solo work In Freundschaft (In Friendship). In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In the following years, Stockhausen composed versions for many more instruments, including recorder, oboe, bassoon (w. te…
The Complexity Of Distance
At the onset, we hear a single, heavily distorted power chord. The chord fades, and then we hear three more iterations of the chord in regular, pulsed attacks. To some, especially fans of metal and its many subgenres, this sound is welcoming and familiar. To others, this sound is surprising, perhaps arresting—an unexpected opening from a composer known for music of quiet, prolonged stillness. This chord and its four attacks signal the opening of The Complexity of Distance, a 58-minute collabora…