Composition / Contemporary

All of Morton Subotnick's piano music on one disc for the first time, with four first recordings, including Liquid Strata and The Other Piano with electronics, played by SooJin Anjou and supervised by the composer.

Elliott Sharp's Dispersion: Flexagons, Dispersion of Seeds, The Hidden Variable and Palimpsest, four processes-based works for large ensemble, played by the young musicians of Veni Academy under Marián Lejava, with Sharp on electroacoustic guitar.

Volume 10 of Mode's John Cage piano series, with Thomas Schultz playing Two Pieces for Piano (1935), Solo for Piano from the Concert for Piano and Orchestra, Two Pieces for Piano (1946) and Swinging (1989).

Soprano Sarah Maria Sun and The Gurks perform fifteen songs about bad people doing bad things, from Bernstein, Weill, Tom Waits and Joe Walsh to Schubert, including the first recording of Stefan Wolpe's Hitler.

Four chamber works by Gerald Eckert from 2006 to 2015, for piccolos and percussion, voices, flute and cello, and violin and contrabass clarinet with electronics, played by Ensemble L'art pour l'art, Auditivvokal and Ensemble Reflexion K.

Roberto Fabbriciani plays the complete flute works of Henri Pousseur, including Flexions I, Éclipticare and Zeus joueur de flûtes with live electronics by Alvise Vidolin, plus the 1957 tape piece Scambi.

Morton Feldman's For Bunita Marcus (1985), an hour-long solo piano work, played by Aki Takahashi, for whom Feldman wrote all his piano music after Triadic Memories.

Four late cello works by Horatiu Radulescu played by his widow Catherine Marie Tunnell, with Ian Pace at the piano: L'Exil Intérieur, Das Andere, Pre-Existing Soul of Then and Lux Animae. Recorded in 2018.

Second volume of the Horatiu Radulescu Edition: his complete organ works played by Christoph Maria Moosmann, plus Intimate Rituals III and Immersed in the Wonder II with cellist Catherine Marie Tunnell, all first recordings.

Olivier Messiaen's Harawi (1945), a cycle of twelve songs for soprano and piano on the composer's own text, sung by Sarah Maria Sun with Stefka Perifanova, on a deluxe 2LP set with a 12-page book.

"We know Belgian-based pianist Giovanni Di Domenico from his album with Tetterapadequ, and his recent collaboration with Alexandra Grimal, Seminare Vento. On this album, he is joined by John Ruocco on clarinet, Ananta Roosend on violin, Anja Naucler on cello, Claus Kaarsgaard on bass.The music is slow, intimate, precise, and quite expressive. The album starts with solo piano, an eery melody, with sparse notes of the right hand repeating a bluesy phrase. Yet it starts for real with the second pie…

**CD version** Bram De Looze is a Belgian pianist and composer whose distinct musical vision has found its way through both solo projects and collaborations. His unique technical skill and musical maturity have earned him considerable critical acclaim back home as his work spotlights his far-ranging interests – from traditional classical piano music, to solo improvisations that have often been compared to Keith Jarrett and Jason Moran.

This CD offers the first recording of Frank Denyer's extraordinary hour-long piece for large ensemble The Fish That Became the Sun (Songs of the Dispossessed), composed between 1991 and 1996. The ensemble includes a huge number of home-made percussion instruments made from discarded materials, as well as obscure instruments such as eunuch flutes, ocarinas and crumhorns. The album comes with a booklet with notes by Frank Denyer and an essay by Michael Turnbull.Musicians include:Octandre Ensemble …

This CD offers the first recording of Frank Denyer's extraordinary hour-long piece for large ensemble The Fish That Became the Sun (Songs of the Dispossessed), composed between 1991 and 1996. The ensemble includes a huge number of home-made percussion instruments made from discarded materials, as well as obscure instruments such as eunuch flutes, ocarinas and crumhorns. The album comes with a booklet with notes by Frank Denyer and an essay by Michael Turnbull.Musicians include:Octandre Ensemble …

This CD offers the first recording of Frank Denyer's extraordinary hour-long piece for large ensemble The Fish That Became the Sun (Songs of the Dispossessed), composed between 1991 and 1996. The ensemble includes a huge number of home-made percussion instruments made from discarded materials, as well as obscure instruments such as eunuch flutes, ocarinas and crumhorns. The album comes with a booklet with notes by Frank Denyer and an essay by Michael Turnbull.Musicians include:Octandre Ensemble …

This CD offers the first recording of Frank Denyer's extraordinary hour-long piece for large ensemble The Fish That Became the Sun (Songs of the Dispossessed), composed between 1991 and 1996. The ensemble includes a huge number of home-made percussion instruments made from discarded materials, as well as obscure instruments such as eunuch flutes, ocarinas and crumhorns. The album comes with a booklet with notes by Frank Denyer and an essay by Michael Turnbull.Musicians include:Octandre Ensemble …

The French pianist and composer Melaine Dalibert possesses an exquisite touch and engagement with his repertoire. On this new album he tackles the stripped-down music of Greek composer Anastassis Philippakopoulos, a key member of the post-Cagean Wandelweiser Collective, tracing out the delicate, sparsely mapped notes from a dozen contemplative, spacious miniatures.  The pieces are built around austere melodic fragments, all of which hang pregnant in the air, unfolding carefully before the next p…

Black Sarabande expands upon pianist-composer Robert Haigh’s beguiling debut for Unseen Worlds with a collection of intimate and evocative piano-led compositions. Haigh was born and raised in the ‘pit village’ of Worsbrough in South Yorkshire, England. His father, as most of his friends’ fathers, was a miner, who worked at the local colliery. Etched into Haigh’s work are formative memories of the early morning sounds of coal wagons being shunted on the tracks, distant trains passing, and walking…

Since the mid-1960s, Jon Gibson has played a key role in the development of American avant-garde music. As a versatile reed player, he has performed with everyone from Steve Reich and Philip Glass to Terry Riley and La Monte Young. In the 1970s, Gibson would emerge as a minimalist composer in his own right and release two exceptional albums, Visitations and Two Solo Pieces, on Glass' Chatham Square imprint.Songs & Melodies brings together recordings from 1973 to 1977 (mostly previously unrelease…

Improvement (Don Leaves Linda) is the first of four operas about the "American" consciousness. The tetralogy, including Foreign Experiences, eL/Aficionado and Now Eleanor's Idea, is based on the notion of a sequence of events seen from four, different points of view. The operas share principal characters and vocal techniques (including the relationship of the voice to instrumental settings). The singers are used interchangeably as soloists and members of a chorus. The immediacy of choral respons…

This CD offers the first recording of Frank Denyer's extraordinary hour-long piece for large ensemble The Fish That Became the Sun (Songs of the Dispossessed), composed between 1991 and 1996. The ensemble includes a huge number of home-made percussion instruments made from discarded materials, as well as obscure instruments such as eunuch flutes, ocarinas and crumhorns. The album comes with a booklet with notes by Frank Denyer and an essay by Michael Turnbull.Musicians include:Octandre Ensemble …

British composer Frank Denyer presents seven beautiful chamber works dating from 1974 to 2018, opening a door to his unique soundworld. Released by Another Timbre in November 2019, The Boundaries of Intimacy features sublime, unexpected pieces of delicate intimacy performed by a variety of artists including Luna String Quartet, Juliet Fraser, Elisabeth Smalt, Jos Zwaanenberg and Nobutaka Yoshizawa. "Most of the music on this CD is soft, some of it very soft indeed. To achieve the optimal listeni…

Puma Court is a project initiated by Australian born instrumentalist and composer Jon Heilbron, who now lives in Berlin. The CD consists of two pieces both scored for two double basses and two hardanger fiddles – violins with extra sympahetic strings, which are most frequently used in Norwegian folk music. The performers are Heilbron himself and Hakon Thelin (double basses), and Helga Myhr and Rasmus Kjorstad (hardanger fiddles).

**300 copies** "There have been quite a few releases of Antoine Beuger’s music over the past several years and it’s an odd, and very pleasurable thing to consider them en masse. On the one hand, his music is so diaphanous, so air-suffused that you’d think it might be difficult (not to mention unnecessary) to differentiate them mentally. On the other, they’re always very different. There’s that old AMM aphorism: “as alike or unalike as trees” that conveys something of my feelings about Beuger’s w…

**300 copies** "There have been quite a few releases of Antoine Beuger’s music over the past several years and it’s an odd, and very pleasurable thing to consider them en masse. On the one hand, his music is so diaphanous, so air-suffused that you’d think it might be difficult (not to mention unnecessary) to differentiate them mentally. On the other, they’re always very different. There’s that old AMM aphorism: “as alike or unalike as trees” that conveys something of my feelings about Beuger’s w…

Hermann Nitsch's String Quartet No. 2 in six movements for two violins, viola, and violoncello, was performed by the Viennese Koehne Quartet. Recorded during the exhibition Nitsch. Spaces of Color at the Albertina Museum, Vienna on the May 29th, 2019.The music is played by The Koehne Quartett: Joanna Lewis - 1. Violine; Anne Harvey-Nagl - 2. Violine; Lena Fankhauser - Viola; Mara Achleitner - Violoncello. Recording and Mastering by Christoph Amann.

Kayn before the machines: orchestral scores from 1957 to 1966 on the first disc, Sequenzen, Aggregate, Vectors I and II, Signals; ensemble works to 1974 on the second, including Phasen for speech sounds and four percussion groups. Premiered at Darmstadt, Venice, Warsaw and Hamburg.

**500 copies** British experimental musician, composer, performer and producer Anthony Moore was a founding member of Slap Happy and has worked with Henry Cow, Kevin Ayers, and Pink Floyd among other great names in the British scene. In 1971 he moved to Hamburg, Germany, and worked in the boiling experimental scene of the city. As a result, two LPs were issued on Polydor Germany in 1971 and 1972, right before forming Slap Happy with old school pal Peter Blegvad and Dagmar Krause.Secrets of the B…

Expanded 3-CD reissue of Walter Zimmermann's Lokale Musik, first issued in 1982 as a 3-LP set: two CDs remastered from the analog tapes, a third with new supplemental recordings and revised works, and a 60-page book.

Philip Thomas presents a major 5CD collection of virtually all of Morton Feldman's music for piano, the most extensive survey of Feldman's piano music to date. Released by Another Timbre in September 2019, exactly 20 years after John Tilbury's pioneering but long unavailable 4CD set, this box includes several pieces which weren't included there, and three works which have never been released on disc before. Feldman (1926-1987) was part of a radical group of experimenters alongside John Cage, Chr…

In essence, the sound of the piano comes in two parts: its attack and its decay. The striking of a hammer is followed by the resonance of a string or strings. (Much the same might be said about the vibraphone, as it happens.) This dual quality of sound comes to mind when listening to Moments by New York-based composer Michael Vincent Waller. Performed by pianist R. Andrew Lee and vibraphonist William Winant, Moments − his third album, following Trajectories (Recital, 2017) and The South Shore (X…

Violin was Milan Knizak's first instrument. He has composed hundred of works of this ilk; the first one DHK, 45 years ago. Next to his destroyed works, Milan took notations of different composers, cut them and put them together (with his own score) into a collage, expressing his feelings and his apprehension of music.Fama Q is a string quartet founded in 2005 in Prague. Its members, being also orchestral musicians with the Prague Philharmonia, were always devoted to chamber and string quartet mu…

**500 copies** Not to be confused with the first volume released by Karlrecords in 2017, here comes the second installment of 'modern composition supergroup' - as nailed down by The Wire - Zeitkratzer's re-interpretations of early compositions by electronic pioneers Kraftwerk. Founded in 1997 by Reinhold Friedl, Zeitkratzer have since been creating an impressive broad catalogue of recordings, from the obligatory (20th Century avant-garde composers like Cage, Stockhausen or Lucier) to the unexpec…

Three detailed and fragile compositions from German minimalist composer Eva-Maria Houben reveal themselves over two CDs, performed by the Boston-based experimental music ensemble, Ordinary Affects, with Houben herself on organ recording at Memorial Chapel, in Wesleyan University. Disc 1: Echo Fantasy I, IV & VDisc 2: Gesang XI, Unter AnderenPerformed by Ordinary Affects: Morgan Evans-Weiler (violin), Laura Cetilia (cello), J.P.A. Falzone (vibraphone/piano), Luke Martin (guitar) with Eva-Maria Ho…

Nine – for John Cage (2010) by Zeirkratzer with Reinhold Friedl (inside piano), Frank Gratkowski (bass clarinet), Hilary Jeffery (trombone), Hild Sofie Tafjord (horn), Burkhard Schlothauer (violin), Anton Lukoszevieze (cello), Ullrich Philipp (double bass), Marc Weiser (electric guitar), Christian Lillinger (percussion). The well-known Zagreb music biennale, which has been a hotspot for contemporary music for more than 30 years, asked Reinhold Friedl, musical director of Zeitkratzer, to perform …

**2019 stock, reduced price** The Photographer is a chamber opera by world renowned composer Philip Glass, first performed in 1982 at the Royal Palace in Amsterdam. The story revolves around the life and work of photographer Eadweard Muybridge, the 19th century pioneer in photographic studies of motion and motion-picture projection. The centerpiece of the story is the trial for Muybridge's murder of the alleged real father of his child, an accusation Muybridge was indeed found guilty of. Remarka…

UK ensemble Apartment House performs two landmark works for the same instrumentation of violin, cello, clarinet and piano: Olivier Messiaen's Quatuor pour la fin du temps (1941) and Toronto based composer Linda Catlin Smith's Among the Tarnished Stars (1998). Released by Another Timbre in August 2019, this recording takes a fresh modern approach to the Messiaen, drawing out its experimental character, while revealing the sense of drama and intricate gradations of sonority in Smith's rich and mys…

The first piece composer Catherine Lamb has written specifically for acoustic guitar was commissioned by Chilean guitarist Christián Alvear. Extending concepts from an installation piece titled Secondary Rainbow with Bryan Eubanks, Lamb employs electronics over an infinite cycle of four "environmental chords" which overlap and resonate with one another.

Three compositions exploring breath as a musical regulator

**425 copies, 3-color letterpressed jacket with large 20-page booklet containing the full score and a lengthy interview with the composer** Catherine Lamb’s work is characterized by an insistence on what she calls the “interaction of tone”. Precisely tuned intervals, played slowly at subtle volumes, blend and generate a host of difference and combination tones, phasing, beating and aural illusions. Her ensemble and orchestral compositions have been performed in grand halls and d.i.y. spaces alik…