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Kaja Draksler states that “as a person who speaks and understands different languages, I have an impression that my identity is multifaceted, I have to lose something in myself in order to let the “spirit” of a new language inside me. So in this way I am constantly becoming in otherness myself.” In building this album pianist and composer Kaja Draksler worked on developing specific musical languages for each piece. She attempted to restrict herself to maintaining each language although as she po…
A two-part composition that combines two antagonistic and complementary dimensions: a text of data read by the artist Orlan and a virtual orchestra composed of four singers (Loré Lixenberg, Joan La Barbara, Wills Morgan and Jacques Lizène) and 124 different instruments.
Frédéric Acquaviva's new album - a record sleeve with QR Code but no record, limited to 100 copies: a 69-minute opera for voice (with Joël Hubaut, author of the text, Dorothy Iannone and Loré Lixenberg), "dead electronics" and video.
New tape from Michael Mørkholt, made during his winter residency at Polychrome. "Naturspil, Automatmusik, Syngeskål". The pieces are performed on an acoustic singing bowl and a self-invented digital system, an electroacoustic composition principle for triads and rhythm in pure atmosphere. The principle is that the tonal relationships are mirrored in the rhythmic. A computer program with an amplitude-controlled trigger records a sound clip each time the singing bowl is struck. The sound clip is d…
**300 copies** Starting with an open dialogue seems like a good way to approach a collaboration. Almost a decade ago, that’s how Joana Gama (piano) and Luís Fernandes (electronics) started to work together, and both quickly understood that it was an ideal moment to develop and explore new paths in their music. “There’s no knowing” is their fifth album, 50 minute piece in which the two artists' have a dialogue while interacting with the void and silence around them. The origin of this work explai…
Robert Hughes, composer and author, is a graduate of the University of Buffalo (now SUNY Buffalo) and composition student of Aaron Copland, Carlos, Chavez, Luigi Dallapiccola, and Lou Harrison. He has written for symphony orchestra, chamber ensemble, voices, performance art events and a wide variety of media, including twenty film scores and a large body of electronic music. His compositions include commissions from the San Francisco Symphony, Cabrillo Music Festival, Oakland Symphony, Arch Ense…
Other Minds is excited to bring you an EP of two archival works from Bay Area composer Charles Boone. Both pieces take their inspiration and titles from man-made landmarks across California. Solar One from a monumental power station near the desert city of Barstow, The Watts Towers from Simon Rodia’s outsider art masterpiece in the Los Angeles neighborhood of Watts. In much of his work, the composer seeks to create sonic landscapes that are simultaneously static and dynamic. Certain elements, ha…
Documenting a reunion of Musica Elettronica Viva's founders Frederic Rzewski (piano and vocals), Richard Teitelbaum (keyboards and computer) and Alvin Curran (keyboards, computer and shofar) at the 32nd International Festival Of Current Music in Victoriaville, Canada in 2016.
2022 Stock * With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time.
The "Studio Reihe” starts with a CD with works by Bernd Alois Zimmermann. His complex “pluralistic” style fuses past, present and future into a musical unit of the h…
* 2022 Stock * With the legendary “Studio Reihe Neuer Musik” series, Wergo created a trademark of advanced contemporary music in the Sixties of the past century already. On the occasion of its 50th anniversary, the label now releases these highlights of 20th-century music history in an excellent sound quality on CD for the first time."Studio Reihe” now continues withnow continues with works by Herbert Eimert: In view of recent events, especially in Japan, Herbert Eimert's piece “Epitaph für Aik…
**LP version. Individually hand numbered strictly limited edition 300 copies in premium white audiophile virgin vinyl** "Exclusive sleeve notes by Paul Roland, John Greaves, Michael Tanner and Max Marchini. Produced by Max Marchini. A decisive step forward, a new milestone in the extraordinary discography of Lino Capra Vaccina. An album of iridescent introspectivity; a mandala of unheard sounds, a new way for contemporary minimalism. My collaboration with Lino has led me to discover recesses, re…
**CD version. Individually hand numbered strictly limited edition 300 copies in golden audiophile cd** "Exclusive sleeve notes by Paul Roland, John Greaves, Michael Tanner and Max Marchini. Produced by Max Marchini. A decisive step forward, a new milestone in the extraordinary discography of Lino Capra Vaccina. An album of iridescent introspectivity; a mandala of unheard sounds, a new way for contemporary minimalism. My collaboration with Lino has led me to discover recesses, reflections and ref…
Isao Tomita, also known as Tomita, was a Japanese composer, regarded as one of the pioneers of electronic music and space music, and as one of the most famous producers of analog synthesizer arrangements. Many of his albums are electronic versions and adaptations of famous classical music pieces. In 1974 Tomita released his second studio album, Snowflakes Are Dancing. The album consisted entirely of Tomita's arrangements of Claude Debussy's “tone paintings”, performed on a Moog synthesizer and a…
The Swiss composer, sound and video artist Jannik Giger lifts the veils and creates access to the usually rather hidden, private worlds of music making on this album Krypta. The rage, teachings, interjections and body sounds of the mostly already deceased world-famous conductors are embedded like relics in the morbid-ritual accompaniment of the fictional orchestra.Can the ex-patriarchs one day be resurrected? At least they are brought to speak in a new way in their own requiem, come to unusually…
Bruno Strobl has a soft spot for sounds – for decades, he has been tinkering with them, changing them, playing with them. In the past by means of analog sound processing machines, for a long time by computer software and electronic instruments. Mostly, however, it is an analog sound that he takes as a starting point. Three sound generators are the core of his interest for the pieces collected on this CD. Three working tools moreover: a circular saw of the craftsman, four old water mills of the L…
From early beginnings to the present: The composer Bruno Strobl began his studies in composition comparatively late. First came his degree as a classroom teacher, the profession in which he worked until retirement, guiding countless pupils towards music, including contemporary art mu-sic. His own interest in electroacoustic music was triggered during his studies in the 1980s, and one of his early pieces for tape, Hiatus, can be heard on this CD. The Latin “hiatus” means gap, and the basis of thi…
Wojciech Błażejczyk’s music feeds on scientific theories, internet streams and civilization waves or scrap. It sometimes looks like a nerd’s diary. Full of different colors and fonts, notes, charts, exclamations and underlined words. This diary is the composer’s reaction to what surrounds him every day. Global news often appear together with local events, fake facts – with perceptual illusions, war strategy – with a pacifist message. All of that put in a new music idiom spiced up with a pinch of…
Aleksandra Gryka is undoubtedly one of the most enigmatic and fascinating figures of the young generation of Polish composers. She does not comment on her works, does not give interviews, and does not provide critics with an insight into her scores (which even causes the occasional international scandal). She is also mysterious in her music: her works are like planets with their own atmosphere and laws. The narrative is usually torn, fragmentary and always incom plete, it leaves the listener uns…
Written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise- sculpting, as well as invented and real instruments played by Fred Frith. This was a hard time and the mood is intense, lean and not cheerful, though there are some gruesomely cheery inserts. There's no fat but a lot of meat here.
A collection of writings with 2 CDs of sound examples, based on talks presented over several years, describing in some detail the compositional approaches and working methods involved in the production of many of Trevor Wishart's musical works. Includes a discussion of sound diffusion, and diffusion scores (with worked examples) for most of the electro-acoustics works. Sound Composition is a collection of writings with accompanying sound examples detailing the composition of musical works where …