Momente
*2022 Stock.* This is a 2 CD presentation of a new recording of Momente from 1998. Momente has a "mobile-form", which means that the individual segments can be rearranged from performance to performance (typically pre-arranged at the conductor's discretion). Therefore this version is again unique from the 1965 and 1972 versions of Momente found on The Stockhausen Edition no. 7. Like the 1965 version, it does start with the "clapping" sequence, but in this performance the transition from "audienc…
Mittwochs-Gruss
*2022 Stock.* Mittwochs-Gruss (Wednesday Greeting) - Electronic Music from Mittwoch Aus Licht/Wednesday from Licht (developed during Michaelion's 1998 production, this final tape version was created in 2003). Mittwochs-Gruss is an 8-channel electronic music work realized with synth patches programmed by Antonio Pérez Abellán. It is featured as the entrance music for the opera, and is rendered live during Michaelion as a background element. Like the electronic music of Dienstag aus Licht (Oktopho…
Bassetsu-Trio / Mittwochs-Abschied
*2022 Stock. Includes a 32-page booklet in German and English.* Bassetsu-Trio / Mittwochs-Abschied, the Stockhausen Edition no. 55 contains additional works from Mittwochs Aus Licht (Wednesday from Light). Bassetsu-Trio (1997) für Bassetthorn, Trompete und Posaune is a version of the last section of the 4th scene ("Michaelion") of Mittwoch Aus Licht. It was recorded and mixed at the Sound Studio "N" (for Nedeltschev), December 1999 (Cologne, Germany). Mittwochs-Abschied (1996) für elektronische …
Sternklang
*2022 Stock.* Sternklang features a roaming studio recording, documenting the five spacially-separated electro-acoustic chamber groups of Sternklang, a harmonically-modulating piece structurally similar to the all-vocal Stimmung. Some soloists are also highlighted in the mix as they migrate from one group to another. This 2 CD recording features members of the English new music groups Intermodulation and Gentle Fire, as well as Annette Meriweather (vox), Harald Bojé (synth), Michael Vetter (vox,…
Für Kommende Zeiten
*2022 Stock.* Für kommende Zeiten is a relatively contemporary recording of some intuitive music pieces from Stockhausen's second collection of text scores, recorded by the Ensemble for Intuitive Music Weimar (Michael von Hintzenstern (piano/harmonium), Matthias von Hintzenstern (cello), Hans Tutschku (synthesizer), Daniel Hoffmann (trumpet)) on May 28, 2005. During a period of personal upheaval and crisis, Stockhausen wrote a set of texts, Aus Den Sieben Tagen, which are essentially verbal inst…
La Tempesta Colorata
Paradigm-shifting percussionist Valentina Magaletti stops time on 'La Tempesta Colorata', a long-form set that rolls thru tempos and time signatures with gymnastic flexibility, offering another spectacular entry to A Colourful Storm’s gravity-defying recent run of releases.
Magaletti is a regular and constant presence on these pages as a member of Moin, Vanishing Twin, Tomaga and CZN, as well as thru endless collabs with everyone from Floating Points to Nicolas Jaar, Jandek to Helm. For our mo…
Alvin Lucier
Alvin Lucier (1931 – 2021) was one of the most influential American minimalists. Some call him "sound physician" as his compositions are often based on acoustic research settings. His pieces tend to turn inside-out the properties of space and instruments: poems based on acoustic settings! zeitkratzer worked with the composer in Dijon, France in 2008, and presented his music in various places. These recordings have been realized at Philharmonie Luxembourg that turned out to be the ideal space for…
Continuum / Zehn Stücke Für Bläserquintett / Artikulation / Glissandi / Etüden Für Orgel / Volumina
*2022 stock* This CD of works by the Hungarian composer György Ligeti represents an extremely interesting combination of several of his serene works for harpsichord, organ, and wind quintet with two electronic compositions from the late 1950s.
Silver Apples of the Moon / The Wild Bull
Silver Apples of the Moon' is without a doubt the best known work from influential composer and electronic music pioneer Morton Subotnick. It was originally commissioned by Nonesuch records back in 1967, when electronic music was more of a series of ideas than a recognised art form, and since then it has achieved well deserved classic status, influencing so much that would come after it is impossible to conceive. Subotnick's instrument of choice was the Buchla modular synthesizer, a gigantic pat…
Kontakte
Kontakte is a Stockhausen classic from 1959, for electronics, percussion and piano (played here by David Tudor). One of his "moment form" compositions, which "...lead up to no climax, nor do they have prepared, and thus expected, climaxes, nor the usual introductory, intensifying, transitional, and cadential stages which are related to the curve of development in a whole work; they are rather immediately intense and -- permanently present -- endeavor to maintain the level of continued 'peaks' up…
Flicker Tone Pulse (Electronic Music 2001-2016)
A prolific composer, performer, and author, Curtis Roads says he “pursues research in the interdisciplinary territory spanning music and technology.” He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, co-founded the International Computer Music Association in 1979, and was a pioneer in the development of granular synthesis. Roads developed the Creatophone, a system for spatial projection of sound in concert, as well as the Creatovox, an expressive new…
Volume 1: Electronic Works
*2022 stock* Although this might be labelled 'Volume 1', this large collection of Morton Subotnick's work (featuring three of his pieces - 'Touch', 'A Sky of Cloudless Sulphur' and 'Gestures') actually showcases some of his most recent compositions. The pioneering electronic composer shot into the public eye with his very well known album 'Silver Apples of the Moon', but his work didn't end there and here we get 'Touch' which was composed just after 'The Wild Bull' in 1969 set next to 'A Sky of …
Velocity of Sleep (LP)
A somnambulant modern masterwork, Kali Malone’s 2017 debut full length album is made available again on vinyl some four years since its limited private press of just 100 copies.
Approdi 1, Avanguardie Musicali a Napoli - Volume I
Approdi is a cultural operation involving thirteen composers and numerous other artists from heterogeneous segments of the Neapolitan visual arts. The guest composers of the first volume are Carlo Vignaturo, Enzo Amato, Max Fuschetto, Girolamo De Simone, Giusto Pappacena, Piero Viti, Vito Ranucci, Gabriele Montagano, Patrizio Marrone, Enrico Iannaccone, Alessandro Petrosino, Carlo Mormile and Gaetano Panariello. The album was then joined by the poet Luca Buonaguidi, with a lyric for the late com…
Pulse Music
*CD gatefold wallet with tip in booklet* Presented together for the first time, American composer John McGuire’s Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe’s angular, intellectual, inscrutable high-modernism. McGuire, born in California, studied at Occidental College in Los Angeles and UC Berkeley before going to Europe to study with Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael Koenig. His compositions lock seria…
Electroacoustic Music, Vol. 2
Bruno Strobl has a soft spot for sounds – for decades, he has been tinkering with them, changing them, playing with them. In the past by means of analog sound processing machines, for a long time by computer software and electronic instruments. Mostly, however, it is an analog sound that he takes as a starting point. Three sound generators are the core of his interest for the pieces collected on this CD. Three working tools moreover: a circular saw of the craftsman, four old water mills of the L…
Elektronische Musik 1987-2018
From early beginnings to the present: The composer Bruno Strobl began his studies in composition comparatively late. First came his degree as a classroom teacher, the profession in which he worked until retirement, guiding countless pupils towards music, including contemporary art mu-sic. His own interest in electroacoustic music was triggered during his studies in the 1980s, and one of his early pieces for tape, Hiatus, can be heard on this CD. The Latin “hiatus” means gap, and the basis of thi…
General Theory Of Relativity
Wojciech Błażejczyk’s music feeds on scientific theories, internet streams and civilization waves or scrap. It sometimes looks like a nerd’s diary. Full of different colors and fonts, notes, charts, exclamations and underlined words. This diary is the composer’s reaction to what surrounds him every day. Global news often appear together with local events, fake facts – with perceptual illusions, war strategy – with a pacifist message. All of that put in a new music idiom spiced up with a pinch of…
Interialcell
Aleksandra Gryka is undoubtedly one of the most enigmatic and fascinating figures of the young generation of Polish composers. She does not comment on her works, does not give interviews, and does not provide critics with an insight into her scores (which even causes the occasional international scandal). She is also mysterious in her music: her works are like planets with their own atmosphere and laws. The narrative is usually torn, fragmentary and always incom plete, it leaves the listener uns…
Tombstones
Tombstones is a collection of twenty songs composed by American composer Michael Pisaro-Liu between 2006 and 2010, journeying into experimental pop with pieces that are "experimental or indeterminate but still a song". This disc features eleven songs under the artistic direction of the Lille-based pianist Barbara Dang. Dang and six members of the Muzzix collective (Yoann Bellefont, Ivann Cruz, Raphaël Godeau, Peter Orins, Christian Pruvost, Maryline Pruvost) recorded the pieces in June 2020, wit…