Voces
Voces documents many of Walter Zimmermann’s compositions for voices from 1979–2016. The words set range from Meister Eckhart and Hadewijch to Lermontov, Mandelstam, Jabès, Tranströmer, Ingold and Robert Creeley (with his voice accompanying the musicians). Performers include: Claudia Barainsky, the musicians of the Merce Cunningham Dance Company (including David Tudor & Takehisha Kosugi), Tehila Nini Goldstein, KNM Ensemble, Meitar Ensemble, Neue Vocalsolisten Stuttgart, Peter Schöne / Jan Phili…
Señales
Señales —Señales, “Homenaje a Jonathan Harvey” for violin & ensemble (Irvine Arditti, violin. Ensemble Signal/Brad Lubman); Páramo de voces for piano & tape (Alberto Rosado, piano); Intermezzo malinconico for bass clarinet solo (Adrián Sandi); Homenaje a Remedios Vario; Recuerdos del Porvenir (ensemble recherche)
Afterglow
** 2021 Stock ** Keeril Makan composes without assumed expectations of an instrument’s sound or a performer’s capabilities, but by exploring the possible, by discovering the beautiful in the unexpected and following where that beauty leads. Makan’s relationship to the world of sounds has its connection to the work of Edgard Varèse and John Cage and by a broad American experimental tradition, with touchstones in the work of some of the European modernists. Afterglow is the outcome of hours spent…
Songs Of Innocence & Experience
** 2021 Stock ** This is the first complete recording of Walter Zimmermann’s string quartets. The 10 Fränkische Tänze, from the project Lokale Musik (Local Music) explore the folk music of Franconia in Germany. They are built on research of old peasant books of dances, some dating back to the early 19th century and the beginning of the notation of folk music. The many dance melodies including waltzes, Schottische [German polka], mazurka, galop etc. are captured, rejected and presented in just in…
Undersong
** 2021 Stock ** An American who came of age in the late 1980s, Jason Eckardt’s music captures the essences of the genres that led him first to performance (as a guitarist), and then to composition: heavy metal and art rock, jazz, gagaku and p’ansori, the Second Viennese School, American post-serialism, and the new complexity. It evokes the power of inspired, virtuosic improvisation, the incisiveness of classical ensemble playing, and the raw expressivity of ethnic music. The first complete CD o…
Signs, Games and Messages
This is the first complete recording of the 24 Signs, Games and Messages by Hungarian composer György Kurtág. Signs, Games and Messages is a collection of very personal miniatures which Kurtág began writing almost 50 years ago, and which he continues to add to through the present day. Many have been written, dedicated or inspired by a particular person; they pass, sometimes impertinent, sad, serene, cheerful, joyful, thoughtful, or melancholic. This CD is completed by the first recordings of fo…
Bolt From The Blue - Music For Piano & Voices
Howard Skempton’s music strikes a chord with many listeners through its deceptive simplicity, beauty and accessible nature. A student of Cornelius Cardew, Skempton was greatly influenced by Satie, Cage and Feldman. This CD of miniatures intersperses choral works with solo piano pieces. The texts for the choral works come from Mary Webb, Edward Thomas, Emerson, Judith Cramond and Longfellow. Liner notes by the composer, who also supervised the choral recording sessions. Skempton was born in 1…
Maim (Water)
Maim, a major piece in Chaya Czernowin’s œuvre, is a large scale, 50-minute orchestral tryptch with 5 soloists. The 5 soloists are include regular interpreters of her music: Rico Gubler, tubax (a hybrid of a saxophone & tuba); Peter Veale, oboe & musette; John Mark Harris, piano & harpsichord; Seth Josel, guitars; Mary Oliver, viola. Maim, “water” in Hebrew, is the metaphor which dominates the piece. Elementary forms of water appear throughout Maim, musically translated. Scattered droplets — ar…
Made In America: The Complete Works Of William Russell
** 2021 Stock ** William Russell was, along with his friends John Cage, Henry Cowell and Lou Harrison, one of the seminal figures in modern percussion music. Russell composed his landmark percussion during the 1930s, eventually abandoning composition to work in jazz and settle in New Orleans. He was the first composer in the western tradition to integrate African, Caribbean and Asian instruments along with found objects and the influence of jazz into his work, all the while maintaining a distinc…
Wolpe in Jerusalem
** 2021 Stock. Deluxe packaging in slipcase, including essays by Austin Clarkson and Yuval Shaked, and historical photos. Liner notes in English, German, French and Hebrew ** In 1931, Stefan Wolpe escaped from the growing Nazi threat, eventually arriving in Vienna to study with Anton Webern. When the Austrian authorities threatened to deport him back to Germany, he left and eventually settled in Jerusalem in 1934 where he began to teach composition and direct the choir at the Palestine Conservat…
The Echoing Green
** 2021 Stock ** Like Morton Feldman, whose music he acknowledges as an influence Walter Zimmermann (b.1949) is fascinated by the relationship between painting and music, and how material of an apparently simple nature played by apparently “normal” instruments is capable of almost infinite subtlety. Frankfurt’s HCD Ensemble are also members of Germany’s infamous Ensemble Modern. They are joined here by the superb violinist Peter Rundel and cellist Michael Bach. Wüstenwanderung [Wandering in the …
Holy Fools - Music of Luke Altmann
** 2021 Stock. Comes in a six panel case with 16 page booklet, designed by Sam Songailo ** One-composer records have somehow slipped out of fashion, but the chance to delve more deeply into the psyche of a single composer is a special indulgence for both performer and listener. Luke Altmann's music first graced our music stands in 2007, when we performed the slow and achingly beautiful ‘Prelude to New York’ at Manchester Lane in Melbourne. The piece’s honest conviction, simplicity and deep expre…
Listen How They Talk
** 2021 Stock ** One of Mexico’s leading composers, Hilda Paredes went to London at age 21 where she studied with Peter Maxwell Davies and Richard Rodney Bennett. Parades says that the longer she has been away from Mexico, the more she has felt drawn to it. For her, ‘Mexico’ means not the territory immediately beneath the US border, but the far south of the country – the home of the ancient Mayan cultures. Significantly, most of her titles are not in Spanish, but in Mayan (a language her grandfa…
Music for Strings
** 2021 Stock ** The present recording traces the development of Harrison’s creativity over a half century – from 1948 to his last large-scale composition (1997). The Suite No. 2 for Strings was written while Lou Harrison lived in New York. Having spent his formative years in San Francisco, Harrison had a great deal of trouble adjusting to East Coast big-city life. A nervous breakdown required him to be hospitalized for about nine months. The Suite No. 2 dates from the year after this traumatic …
La Terre et le Feu
** 2021 Stock ** This disc of French composer Joël-François Durand’s music amplifies his ongoing interest in the classical ‘four elements’: air, earth, fire and water. World class performers include the London Sinfonietta, BBC Symphony Orchestra, conductor Pierre-André Valade, and renowned Swedish organist Hans-Ola Ericcsson. The oboe concerto, La terre et le feu features a hallmark of Durand’s work: rising figures that gradually strain upwards. The work consists of an introduction and four prin…
Out of Chaos
** 2021 Stock ** An American who came of age in the late 1980s, Jason Eckardt’s music captures the essences of the genres that led him first to performance (as a guitarist), and then to composition: heavy metal and art rock, jazz, gagaku and p’ansori, the Second Viennese School, American post-serialism, and the new complexity. It evokes the power of inspired, virtuosic improvisation, the incisiveness of classical ensemble playing, and the raw expressivity of ethnic music. The first complete CD o…
Labyrinthe de Minotaur
** 2021 Stock ** French composer Alain Bancquart (b.1934) is one of the leading composers of microtonal music in Europe. Labyrinthe du Minotaur explores the myth of the Minotaur and the labyrinthe. This large scale piece constantly delves into microtonal and harmonic relationships together with a lyrical polyphony. It is based on texts by his wife, author Marie-Claire Bancquart. The unusual instrumental ensemble incorporates (in addition to the above musicians): pianos in quarter- and sixteenth-…
Shadow of an Idea
** 2021 Stock ** The influence of two American composers – John Cage and Morton Feldman – has been decisive on Walter Zimmermann. With Cage, it was his music from the late forties – works like the String Quartet, the Suite for Toy Piano and the Six Melodies – that caught his attention: works underpinned by precise numerical construction, yet with an engaging directness of expression. Feldman has been an inspiration to Zimmermann’s lyrical impetus, and Cage to his constructivist urges. Yet the t…
Another Sunrise
** 2021 Stock ** Peter Garland’s music is uniquely American; a blend of minimalism with influences from South/Central America, Asia and the Native Americans; along with American mavericks John Cage, Harry Partch, Lou Harrison, Henry Cowell, and Edgar Varèse. Born in 1952, he studied with Harold Budd and James Tenney. The works on this record share a special meditative, and at times ecstatic, spirituality. Garland has a long artistic association with the performers on this disc. Essential Music’s…
Look She Said (Complete Works For Bass)
** 2021 Stock ** “The double-bass – the paradox of its large size and basically quiet sound, and its low registral grounding – has long attracted me. I’ve also been fortunate in knowing outstanding double-bass players.” – Christian Wolff This disc collects all of Wolff’s large body of works for the bass, including a piece for solo electric bass guitar. Two of the works were written specifically for Robert Black, who prepared these pieces with Wolff. The composer attended all of the recordings se…