Experimental & Parametric Music 1976-2017
Through 'Experimental & Parametric Music 1976-2017', more than 40 years of the Joris De Laet's work are unveiled. We discover here for the first time the great coherence of this work: from 'Signalisations' (1976) to 'Mnemosyne pour une acousmaman' (2017). The twelve compositions are annotated and explained in detail by the composer, as well as a kind of wild autobiography.
Inspired by the deep control on electronic sonics, he has been defining his work since 1979 as 'Parametric Music,' music whe…
Violostries
Another remarkable reissue from the hallowed GRM archive, three major works of ultra-vivid, immersive and inventive music by Bernard Parmegiani, one of the 20th century's most revered and important electro-acoustic composers
African Electronic Music 1975-1982
2018 repress; Double LP version. Cameroonian musician Francis Bebey is truly one of a kind. He entered the music scene with his African compositions for classical guitar. He gave recitals while pursuing a career in journalism and then as an international civil servant. The same creative impulse also led him to write pop songs, some of which (based on novels he had written) became big hits in Africa and in the French-speaking world. But few people know that in the '70s, Francis Bebey delved into …
Primitivo
Second release in Buh's "Sounds Essentials Collection," documenting the history of Experimental Music in Peru. Miguel Flores is, alongside musicians such as Arturo Ruiz del Pozo, Luis David Aguilar or Manongo Mujica, one of the most important representatives of that period that spans from mid 70s to mid 80s, when experimenting musically in Peru united modern composing techniques of avant garde music and the search of the sounds of mother land. Miguel Flores’ Primitivo is as mind-blowing as they …
Um Argentino No Deserto
** Edition of 200** René Bertholo Alhandra (1935-2005) was mainly know as sculptor and visual artist, and his musical work, though including classical composition, largely focused on a digital modular sequencer/synthesizer of his own design. This story began when I had to learn something about electronics, in order to make objects with electric movement, which I call “small-scale models”, and which I was making between 1963 and 1973.In 1973, when tired of repairs I had decided to give up making …
The Electronic Tapes
In the early 1980s, Ahmed Malek was already in his 50s, when he discovered synthesizers and electronic music for himself and started to experiment with sounds. None of it was ever released but we got a huge box of master tapes from his family and we're happy to present this different side of Ahmed Malek's music. It was compiled and co-produced by Flako, a fan of early electronic and synth music. This is not a remix album though, Flako's aim was to create an album out of 2 hours of materia…
Trip-Tych
Originally brought to light in 1977 by Serenus - the same folks that unleashed the early Creel Pone “Hit,” “The Inside of the Outside ... or the Outside of the Inside”) this is a fine example of a record that straddles the divide between library-music style conventions - many of the pieces are short, melodic numbers of the sort that would dot the silent spaces in a public-tv science program - and wild, free-form synthesizer filigree. Thematically linked into three “Themes”, the A-side’s “The Bi…
Elektronische Musik
Mr. P.C. C.P.’s handling of this 1981 “Private-Press” (c/o the Internationales Musikstudio - aka the Nürnberg vinyl pressing plant) abstract-synth stunner, comprised of three pieces composed during the mid 70s & early 80s by “Elektronische Musik im Unterricht” & “Musik aus Strom : Eine Einfuhrung in die Elektronische Musik” author & instrument designer (famously, he built the prototype of the “Synthi E” variant for EMS-Steinberg ... but a trail of custom-built analog designs like the “Doppelring…
Faust, Electronische Chöre, Lichtfäden
Compendium of early German Electronic Music Composer Peter Hübner's first two self-issued releases - via his "Enjoy Records" imprint - covering a series of extended drone forms for Synthesizers & treated vocals composed & executed as his private "Studio für Elektronic Music Cologne / Kassel" between 1967 & 1970.A Student of both Herbert Eimert & Bernd Alois Zimmerman, Hübner studied Electronic Music at the Staatliche Hochschule für Musik in the early 60s before, amongst other things, establishin…
Triptych
2021 small repress. "Back to music after three years of silence... On the suggestion of Robert Ashley, Douglas Dunn commissioned this piece from Éliane Radigue for choreography. Only the first part of Triptych was staged at the premiere at the Dancehall/Theatre of Nancy on February 27 1978. Recorded in the composer's studio in Paris. After the premiere of Adnos I (IMPREC 028CD) in San Francisco in 1974, a group of French students introduced Éliane Radigue to Tibetan Buddhism. When she returned t…
Diagonal Flying
1994 CD release, with some incredible early 70 (1973-1975) recording for Cello And Tape Delay (or Trombone and tape delay)... Gehlhaar is a pretty interesting cat ... long Stockhausen’s personal assistant he blossomed into a composer in his own right in the early 70’s and proceeded to experiment with “computer controlled interactive musical environment(s)” and the sort of computer-free tape-delay manipulation studies as featured on this disc ...(Mimaroglu)In this extended composition, veteran av…
Oto No Hajimari Wo Motomete 7 Tsutomu Kojima Work II
Recent issue of Japanese electronic music made by NHK electronic music studio after EXPO'70. This CD consists of 4 works assisted by engineer Tsutomu Kojima who assisted many electronic works of avant-garde composers. (Jean Claude Eloy's well known concrete music "Gaku-no-Michi" was also assisted by him.)
1. “Palace of Green Space for Electronic Music” Kiyotomi Yoshizaki (1979)
Opposite concepts such as “Science and Art, Yang and Yin, Symmetry and Dissymmetry” are generally constructed based on…
Oto No Hajimari Wo Motomete 4: Shigeru Sato Work
These pieces were recorded between 1963 and 1973 at the NHK electronic music studio, Tokyo. Includes 12-page booklet with liner notes in Japanese. This version was withdrawn from sale due to objections from Takeisha Kosugi. His track was then replaced by one by Michael Ranta, and the album was re-released under a different catalog number.
1. “Divertimento” Keitaro Miho This is a live performance of live percussion instruments and electronically produced percussion instruments. Until then, …
Oto No Hajimari Wo Motomete 3: Shigeru Sato Work
The 3rd issue of early Japanese electronic music made by NHK (Nippon Housou Kyoukai : National Broadcasting association) electronic music studio. Engineer Satou assisted many electronic works of avant-garde composers. Contents : Makoto Moroi 'Shosange' (1967), Minao Shibata 'Display '70' (1969), Toshiro Mayuzumi 'Mandara with source of Voice and Electric sound' (1969), Joji Yuasa 'Voices Coming' (1969), Makoto Shinohara 'Broadcasting' (1973)
1. “Small Confession” Makoto Moroi The works ar…