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Electronic /

The Living City
Part of a series of three new archival releases from Ndeya that showcase Jon Hassell and group in the late 1980s exploring a radical tangent on his Fourth World sensibility.
Forget The Curse
"Troth is unknown colours, mist-soaked dreamscapes, strange misshapen cities belonging to forgotten lands. Troth is also a pop duo, though not of the kind nowadays subjugated by the algorithm. Forget the Curse is the group’s best demonstration yet that somewhere in the murky fields between song and sound, there is a lot of untilled soil. There are elements from previous recordings here: the diaphanous synth-pop of Oak Corridor; the bleary hypnagogic ambience of Flaws in the Glass and Small Movem…
Un Phénomène De Reliance
*300 copies limited edition. In process of stocking* After a few years, Maninkari returns to Zoharum with a new, already third studio album for the label. "Un Phenomene De Reliance" is a kind of concept album, it's something like a suite, consisting of four separate compositions. There are no spectacular twists or unexpected musical revolts here. The duo of Charlot brothers continues to follow the path chosen by them, masterfully developing the formula they developed years ago. We are dealing he…
Plastic Carved Out In The Shape Of The Music
6-panel digipack with a 12-page booklet. Edition of 500 copies * Plastic Carved Out In The Shape Of The Music compiles all the non-album releases of the 1990s by Dunedin free improvisation quartet-cum-trio, Sandoz Lab Technicians. One of many hermetic enclaves of creative endeavour in the nineties NZ underground, Sandoz Lab Technicians are James Kirk (also of King Loser, The Stumps, Black Boned Angel, Renderizors, etc.), Nathan Thompson (Sleep, Renderizors, Eye, Expansion Bay, etc.), Tim Corneli…
Tryghed
Tip! Tryghed is the debut album from Franciska, the alias of the now Copenhagen-based artist Jonas Torstensson. As one of the key figures in the young, vivid scene around the Forlaget Kornmod imprint, Jonas has released a good deal of music under different names during the last few years, often in very limited cassette editions with barely no distribution. In many ways, Franciska pretty much captures the very essence of the sound world their label now is associated with: melancholic and rather l…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
Geogaddi
Tip!  "Let's talk about what makes Geogaddi different. The first thing that comes to mind is the shift in mood from the previous Boards of Canada albums. While the band continues to traffic in childhood and nostalgia, the atmosphere on this album is a shade darker than on previous releases, and comparatively tense with a noticeable thread of paranoia. Boards of Canada have always had a disorienting cast to their music, in part because of their proclivity for the quivery modulation of their analo…
Smog, Musique Electroacoustique
Tip! Smog is an electro-acoustic work in five parts of equal duration (18 minutes) divided into several variable sequences. It was composed as the music score for the ballet Smog commissioned by the choreographer Michel Caserta. The work was premiered on October 18, 1974, by the Ensemble chorégraphique de Vitry at the Théâtre Jean-Vilar in Vitry-sur-Seine. Executive Producers of the Reissue: Nikos Giousef & Achilleas Stavrou under the supervision of Kyriakos Sfetsas.
Cr​é​puscule I & II
*100 copies limited release* In the early days of Mego prior to it’s transformation into Editions Mego a most unexpected release appeared amongst the radical roster. Out of all the twisted hard drive activity from Pita, General Magic, Farmers Manual etc appeared a very different kind of release. One made from a computer, but one with a softer atmosphere, cloud-like in sonic shape and even containing discernible melodies (!). This was the debut release from Japanese artist Tujiko Noriko which not…
You Always Will Be
Dylan Henner returns to AD93 with a follow-up to 2020's 'The Invention of the Human', plugging the teachings of Terry Riley and Steve Reich into a vivid digital dimension that touches Geinoh Yamashirogumi's "Akira" OST and Spencer Clark's tape-fucked neo-psychedelia.
Session One
*In process of stocking. 2022 stock* The inaugural 9128.live label release comes from the UK’s Jo Johnson and Hilary Robinson, featuring subtle, harmonic drones and manipulated piano, originally aired as part of the duo’s set for the Calma (Madrid) takeover on 9128.live, April 2021. Jo Johnson was a guitarist with punk band Huggy Bear in the 90s, inspired by and aligned with the riot grrrl and queercore movements. She organised underground techno parties with Bleep43 in the early 2000s and found…
Multiverse
*In process of stocking. 2022 stock* Italian composer Gadi Sassoon debuts on A Strangely Isolated Place with an experimental exploration of impossible physics; an intricate soundtrack based on newly created sounds and abstract atmospheres. In 2015 Gadi was invited to Edinburgh by The NESS Project to check out their groundbreaking sound synthesis work. With the help of a supercomputer, the NESS group had created new digital systems capable of creating sounds so complex, rich and realistic they we…
Pulse, Puls​-​ar, Procession
A sweeping composition for instruments, field recordings, and electronics that seems to gather and reflect the forces and creative impulses of the world. Originally realized as a quadraphonic piece, it has been reworked for stereo as a 24-minute study for a piece conceived to be without end. For water, granite, limestone, calcareous soil, tenor saxophone, violin, feedback, decay, distortion.
Fictions - Made To Measure Vol. 47
*In process of stocking* Eight distinguished artists wrote and recorded original pieces for this album which joins some dots between vintage, experimental & new ambient, and pays tribute to the relaunched Made To Measure composers’ series Featuring, by order of appearance: Kaitlyn Aurelia Smith, the American modular synth wizard (US) Christina Vantzou, the Greek-American orchestral composer (US/GR) Stubbleman aka maverick ambient composer Pascal Gabriel (UK/BE), with Norwegian trumpet player Nil…
Variolii Patterns
Duane Pitre's Varolii Patterns was made with an eight-voicesynthesizer, tuned in just intonation. These consonant pieces exploreshifting polyrhythms that slip in and out of rhythmic focus and "Common Rhythmic Pulses" that carry over as the pattern evolves withina piece. Artist statement:"While experimenting with microtonal electronics for a piece I waswriting for Zinc & Copper, which would eventually be titled Pons, Icame across a process-based technique that I was quite keen on.Although I would…
Pitreleh
"With Eleh having cemented themself as perhaps the modern minimalist, their collaborations have become a fascinating journey into the genre old guard such as Pauline Oliveros and Ellen Fullman as well as platforms for newer artists like Sun Circle, and in this case, Duane Pitre. As usual, Eleh hardcore analogue drones are well matched by Pitre feather-light just intonation harmonics. Both sides reflect different aspects of minimalism past without being pale shadows of those earlier pioneers. In …
Since It Turned Out Something Else
This is the first long form solo artist release by Corker since 2013. Sounds collected and forgotten about to be then re found and used as seeds of new compositions. Neither acoustic composition nor electroacoustic but somewhere in between, the music was recorded in many different spaces from Japan to Berlin and France, often remotely, whilst finally put together in one room in London. Rooms and our current shifting relationship with them as well as using space as compositional material are some…
Moths & Stars
"Coming from a background as a performer and clarinet player, the opportunity to record my own music opened up a whole new context to think about music. Sounds are freed from being confined to one place, one time, or even one perspective. I wanted the recording to have a right-up-in-your-ear kind of intimacy - so close, that you could hear the beating of a moth’s wing, but I also wanted the listener to experience the expansiveness of the recorded space, like the vast night sky.  The microphones …
Vålnad Av Fornskog
Tip! * Gloss laminated sleeve with double-sided insert.* Coming full circle, Vålnad Av Fornskog is the fourth and final part in Arv & Miljö's suite of seasonal ambient albums initiated with Svensk Sommar I Stilla Frid (Omlott, 2018) and continued with Himmelsvind (Discreet Music, 2020) and Ensam Är Nattens Rymd Över Vita Vägar (Discreet Music, 2021). Heavily inspired by the Swedish countryside autumns of the 80's, the album starts just at the tail end of the summer. Fragmentary memories of thing…
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