IKSRE (I Keep Seeing Rainbows Everywhere / Phoebe Dubar) presents "in all her forms (sound meditations vol. 2)", a deeply immersive one-hour sound bath album where water functions as both physical element and guiding metaphor for transformation.Across the work, water is understood as constant change within continuity. It moves through states of solid, liquid, and gas, yet always returns to itself as H₂O. This cycle becomes the conceptual foundation of the album, reflecting on how we as humans mi…
r beny returns with feedback memory, a new five-track album that moves through delicate textures, melodic fragments, and gradual shifts in atmosphere.The album opens with the concise title track, “feedback memory,” followed by “suspended in the lilt of desire” and “sursum corda.” “glittered in thaw” offers a brief, shimmering interlude before the album closes with the expansive “late fragment,” a 20-minute piece that gives the record its longest stretch of open-ended space.r beny is the ambient …
The idea for this record was inspired by a short script I read about ten years ago. It stayed with me, and I found myself wondering what might have happened beyond the small window it provided. I liked the idea of creating a score for an imagined narrative beyond the script.Your farmers grant you certain freedoms not because they care about your liberties but because they want to increase their profits.
Since his 2013 debut album, Body Issues, Max Ravitz—better known to you and me as Patricia—has been zeroing in on the kernel of an idea. Across seven albums for labels like Opal Tapes, Spectral Sound/Ghostly International, and Acid Test, he’s applied his hand to a lean, focused vision of electronic music, paring away excess to lavish attention on carefully sculpted acid lines, stealthy drum programming, and warmly emotive melodies. For all their restraint, though, his tracks could never be calle…
*40 copies limited edition* Recorded and mastered by Wassily Bosch. Design and layout by NeNe. Thanks to Secret Place crew and everyone who came to listen.
This album Mere Mortals is composer-producer Floating Points’s (Sam Shepherd) first full-length ballet score. Shepherd, who is known for mesmeric live sets that often combine acoustic and electronic instruments, wrote the work in response to a commission from Tamara Rojo, Artistic Director of San Francisco Ballet.
Inspired by the myth of Pandora and laced with metatextual poetry, Mere Mortals was premiered at San Francisco’s War Memorial Opera House in January 2024, directed by Rojo, with chor…
Duo of Lino Capra Vaccina and Luca Formentini recorded during a five-day residency at Ritmo e Blu Studio in 2025, five movements between improvisation and composition; CD in digisleeve.
Live set by Fabio Orsi at Kina in Rome on 31 May 2026, a ritual in three sections made alongside the a sad song for A. project, with samples by Hiseka; October 2026.
Short ambient-electronic tracks by Spielerei drawing on techno, IDM, downtempo, dub, glitch and Berlin School, mastered at Ultimae Studios; 200 copies.
Ambient and drone album by the Chinese sound artist Guofei (Oscpllex), from field recordings made in Venice during the 60th Biennale, in Milan and Florence, processed in Shanghai; 200 copies.
Recomposed by Carl Craig & Moritz von Oswald is an extraordinary album that combines classical music and electronic sound art in a fascinating way. The two electronic music pioneers draw on recordings of Ravel’s Boléro and Rhapsodie espagnole, as well as Mussorgsky’s Pictures at an Exhibition, conducted by Herbert von Karajan and performed by the Berlin Philharmonic, and use them to create an original, cohesive musical work.
In doing so, Craig and von Oswald do not simply juxtapose classical and…
The album Friendship Survival Guide by the late Icelandic composer Jóhann Jóhannsson and his close friend and composer Adam Wiltzie features a number of collaborative orchestral psychedelic drone compositions.
Wiltzie, co-founder of the now-legendary drone duo Stars of the Lid, and Jóhannsson, the award-winning composer and orchestrator, shared a decade-long friendship and creative partnership, writing, performing and recording together prior to the latter’s tragic passing in 2018. Friendship Su…
Intervals of waiting, in the in-between mind, strumming a keyboard as if for the first time. From sample to simple, child to child, womblike cocoon when awake, the world crumbling at night. They "dream the dream forward”, these lullabies. "Intervallo" is the second release by Teresa Cos on Futura Resistenza. It is no coincidence that it bears the same name as the last song in her previous one (Karnofsky's Score, RESCD005). What was then a reflection on the interval between diagnosis and death, i…
"Still flying under the radar but already something of a cult figure, Baldruin has patiently shaped a singular musical world where mystical synth folk meets a deeply personal vision of traditional music, drawing equally from Eastern and Western sources. On Aventüren, Johannes Schebler expands this universe even further, offering a unique take on musical minimalism refracted through his own dreamlike aesthetic.Raised in the rectory of a small Bavarian village, Schebler spent his childhood as an a…
Moon Glyph Records head Steve Rosborough returns as Omni Gardens with a brand new album entitled “Golden Pear”. The fuzzy, warm and buoyant moog timbres of “Moss King” return but “Golden Pear” is a dreamier and more lush affair; incorporating a wider palette including mellotron flutes, vibraphones, marimbas and self-captured field recordings. A tranquil, pop atmosphere permeates the album as the songs flutter between bleary, unhurried tunes, warbly soundscapes and odes to lazy afternoons. Create…
Omni Gardens is the experimental ambient/new age project by Moon Glyph head Steve Rosborough. Recorded at home in Portland during the early days of covid, "Moss King" is relaxed home listening for difficult times. The first Omni Gardens release, “West Coast Escapism”, was expansive with a broad selection of soothing synth tones and morphing samples. In contrast, "Moss King" is a smaller, more intimate affair, full of fuzzy new age moog drifters and self-captured field recordings. The tracks boun…
*100 copies limited edition* 180g black vinyl record housed in a full color, double-sided 350 GSM C2S board stock wraparound jacket. Anti-static, scratch-resistant inner sleeve. Full color center labels. Packaged in a premium protective poly bag. Includes a unique 35mm slide. Mixed and mastered by Brock Van Wey. Photographic compositing, layout, and design by zakè.
Welcome to the second chapter of “Glimpse into Horror,” a journey into the most twisted and bizarre corners of pulp horror. We return to the United States of the early 1950s—the brief but glorious era of horror comics that predated the Comics Code—a frenetic time when newsstands were overrun by walking corpses, vampires, severed heads, mad scientists, and outlandish monsters.Between 1950 and 1954, before the advent of the Comics Code Authority, American horror comics enjoyed a period of extraord…