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*In process of stocking* Anita Clark’s new Motte album, »Cold + Liquid«, builds glacial atmospheres, frozen moods and isolated impressions. Portraying New Zealand through socio-geological sound, breathing in Christchurch cultures and locales, the album embodies an artistic simulation of the Kiwi environment. Motte borrows from an array of sound sources to create an immense entity, with each piece situated precisely along the path. »Cold + Liquid« offers this rich sensory experience, transporting…
Is this recording an environmental activist art statement or ambient spa music? Maybe both? The fourth release from São Paulo label Lugar Alto is not a Brazilian production but it still has strong ties to the country, it is the psychotomimetically heuristic ambience of The Dreambird by Mitar Subotić (Suba) & Goran Vejvoda. The album was produced in Paris in 1987 and 5 years later was the first release by Suba in Brazil as a limited edition CD put out by the Brazilian Catholic label Paulinas COM…
** Limited edition 160 gram transparent blue vinyl** 'Symmetry Systems' is the new EP by Dennis Huddleston AKA 36. Inspired by Warp's 'Artificial Intelligence' releases from the early 90's, it's a melodic, synthesiser-driven record, with a wink to the past and a nod towards the future.
"I have a deep love for those early Warp albums, particularly the Artificial Intelligence compilations. It was a wonderful time for UK electronic music. That beautiful, warm machine sound, with an optimistic (if …
Widely-loved electronic maestro Gigi Masin returns with ‘Vahinè' – a mini album of beautiful and distinct music that is unmistakably his, sounding better than ever.
Masin always pours his heart into composing, but here it takes on a potent new level of heavy emotion – as it’s a tribute to his late wife, who sadly passed away last year.
“There is a Tahitian dance called ‘Aparima’. It consists of graceful, sinuous and fascinating movements, which tell you stories and legends about love or traditio…
Based in rural New Mexico, William Fowler Collins (b.1974) is a composer, recording artist and performer. His music extends across and beyond many genres including drone, minimalism, and free improvisation. He records and performs in both solo and group contexts. Collins has released music on the SIGE, Type, Blackest Rainbow, Handmade Birds, Sicksicksick and Root Strata record labels. In addition to his work as a solo artist, Collins has several collaborations including Thalassa with Aaron Turne…
*In process of stocking.* Goth ASMR hardcore flex from Opal X, alias of Astrud Steehouder (Nonexistent, Paper Dollhouse) exploring a sort of dank hypnagogic sound mulched from zonked electronics, gynoid vox and graveyard atmospheres - one for fans of Christoph De Babalon or Ectoplasm Girls
Chasing up 2020’s ’Something like the sun fell’ tape as Process XXI Opal, Steehouder veils herself under the Opal X aegis for a particularly maudlin session that repeats on both sides, all primed for looping t…
*In process of stocking.* Best yet from Luke J Murray’s multiple, ‘nuum-surfing personas; a murky deep topographic reading of East London’s palimpsest of paranormal energies, hardcore and pubcore.
Splicing fragments of overheard convos from East London public houses with a palette of sawn-off jungle, Eski grime, drill, UKG and plasmic ooze, Murray’s first act as Superior London Pulp is a logical successor to turns as Stonecirclesamper and with Nonexistant and The Iceman Junglist Kru.
Coming int…
*In process of stocking.* “In the face of whatever it is that is breaking our names apart” – Sean Bonney Score for as many players as you like – the recording is for nine. Play any frequency between 264.94 Hz and 277.18 Hz, held, bent or gliding, between B3 and C#4 – hold this note for as long as your breath and/or heart permits. If you feel you are in the same heart or breath rhythm of another player, cluster with them, or squirm out from under or over them. Imagine a pink nerve inside your gut…
"Band Of Cloud’s David Owen has previous. Hailing from Leeds, he knocked about with Soft Cell early doors, hoovered up 80s synthpop, got distracted by The Sisters Of Mercy, formed The Hollow Men, dropped out for a couple of decades and popped back up in 2011 with the utterly brilliant ‘We Know Where The Time Goes’ by The FLK – a folk version of The KLF’s ‘Chill Out’. Yes, it’s as great as that sounds. Judging by all that, ‘This Is Tomorrow’ should be good. David reveals that the first album he b…
*In process of stocking. 80 copies limited edition* Past Inside The Present co-founder Isaac Helsen - a multi-disciplinary artist from Michigan, creating photography and paintings as well as music - in action on this double cassette alone after a string of collaborations with labelmate 36 and fellow label co-founder zake. Helsen's sound works on a grand (electronically) orchestral scale at times, the proverbial cathedrals of sound coming to mind, at others (see 'Duniskwalgunyi') understated and …
*Limited edition* Regular collaborator with label boss zake, City of Dawn teams up with From Overseas, an aptly named producer based on Reunion Island in the Indian Ocean. The result is classic Past Inside The Present - quivering, celestial ambient music that would fit into the drone category if it weren't for the fact it's constantly, subtly changing and evolving almost imperceptibly. Utterly horizontal in attitude, utterly heavenly in realisation, this is a corker even by PITP's very high stan…
* Edition of 300. * Collaboration is key to the practices of both musicians. Both Rimbaud and De Waard exhibit long histories of collaborating with others from very different fields. They both understand that the ability to exchange and share ideas is crucial, and how these collaborations allow both parties to work as both negatives and positives of each other, recognising spaces within the work fields and ideas. It teaches the respect of space and the relevance of context and extension of one t…
Tip! waves...I’m not sure if the ocean is our sequestered delirium; feverishly complex, almighty and delicate, irreconcilably teeming with life that we physically cannot co-exist with, or colonise. Effortlessly overpowering to our multicellular selves, yet an accommodating host for even the single-celled amongst us. Ancestral, integral but largely peripheral, a container for consumerist miscellanea and other sinister debris and, most urgently, it is something that needs to be dealt with… later. …
*In process of stocking.* Dreamy hazes of swirling melodies from a master imagineer of the Rhône-Alpes! A true and prolific veteran of the French DIY scene as a member of outfits like Omertà and Balladur, key editor of the cult zine Fond de Caisse and one of the heads behind the compelling Echos festival, Romain de Ferron has paved multiple paths for himself with ever-surprising outcomes. Solo, he’s been going at it for years, becoming renowned for melodies that evoke utopias of differing scales…
A house is something that is so deeply temporary, yet it can hold so much energy. How do we carry or leave behind those energies while transitioning into new spaces? How does each space we occupy for some time shape us and how do we tear ourselves away from it and its influence once it’s time to go? These are some of the core questions behind CC Sorensen’s new album for Mappa, ‘Phantom Rooms’ – it’s a record about movement, change, transformation, family, juxtapositions… but most of all, home.CC…
Tip! Milanese sound artist Alberto Boccardi explores eerie electro-acoustic interstices reflecting his time spent in Cairo, and move back home to Italy, for Room 40. ‘Petra’ unpackages the artist’s mind in quiet, spectral designs after spending five years in the humid swelter and febrility of the Egyptian capital. Recording in a Milan studio he set up years before, Boccardi embraces silence after so long without, prizing his studio’s relative familiarity and controlled settings as a space to ru…
*Limited Edition of 300 copies.* Three years after Pergélisol/Chorémanie, their first diptych album crossing post-punk radicalism and minimalist ambition, the quartet named after Maria Spelterini (an Italian tightrope walker who crossed the Niagara Falls on a wire several times in 1876) released a second record that transcends this delicate aesthetic balance and navigates well beyond/below rock and electronics. When Pierre-Antoine Parois, Arthur de La Grandière (members of Papier Tigre), Meriade…
Repress of this chiller classic from 2015. "Talk From Home" showcases Suzanne Kraft's emotional depth as a producer, and skill as a multi-instrumentalist. Recorded over a few weeks in the winter of 2014, the intimacy of the recordings shines through in a melancholic yet hopeful world of melody and tone.
** finally repressed - a real beauty! Jonny Nash returns to Melody As truth following his " Phantom Actors" EP. "Exit Strategies" puts Nash's layered guitar textures at centre stage, further demonstrating his ability to draw emotion from the simplest of elements. A glimmering mini LP of lush and spacious compositions, surrounded by Nash's own unique air and atmospheric touch.
*Limited edition of 300 copies.* “Is all that we see or seem but a dream within a dream?” This quote from a poem by Edgar Allan Poe sums up the lamenting, primal work that is "All That We See or Seem"; a project conceived between Finland, England and Brazil. The self-titled album consists of two long-form pieces of droning mysticism hailing from the trio of Gruth (concept, production, electronics), Ellen Southern (vocals, field recordings, percussion) and Johanna Puuperä (violin, modular synthes…