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Konstruktivists is the Industrial project of Glenn Michael Wallis from Kent, England. In the late ’70s Wallis was a “control agent” for Throbbing Gristle and the Industrial Records crew. Influenced by Krautrock bands like Can, Neu!, Cluster/Harmonia as well as Tuxedomoon, Yello, Chrome, and SPK, Glenn began to record his own material. After several cassette releases, Konstruktivists’ first LP ‘A Dissembly’ was released in 1982 followed by ‘Psykho Genetika’ in 1983 and ‘Black December’ in 1984. T…
Mr. P.C. C.P.’s handling of this 1981 “Private-Press” (c/o the Internationales Musikstudio - aka the Nürnberg vinyl pressing plant) abstract-synth stunner, comprised of three pieces composed during the mid 70s & early 80s by “Elektronische Musik im Unterricht” & “Musik aus Strom : Eine Einfuhrung in die Elektronische Musik” author & instrument designer (famously, he built the prototype of the “Synthi E” variant for EMS-Steinberg ... but a trail of custom-built analog designs like the “Doppelring…
Compendium of early German Electronic Music Composer Peter Hübner's first two self-issued releases - via his "Enjoy Records" imprint - covering a series of extended drone forms for Synthesizers & treated vocals composed & executed as his private "Studio für Elektronic Music Cologne / Kassel" between 1967 & 1970.A Student of both Herbert Eimert & Bernd Alois Zimmerman, Hübner studied Electronic Music at the Staatliche Hochschule für Musik in the early 60s before, amongst other things, establishin…
Whoah. Here’s one you’re not likely to have heard/seen evidence of; Mr. P.C. C.P.’s treatment of German Painter Günter Maas’ sole LP release, privately-pressed in 1969. “Klangbilder” contains four extended pieces, ranging from Oskar Sala-esque sheets of detuned electronic sound - composed on the then state-of-the-art Siemens synthesizer utilizing an experimental photo-electric coupler which converted his paintings into control-voltage !!! - to dark Musique Concréte pieces utilizing evil-sounding…
Upon first glance at this Creel Pone reproduction of an obscure 1980 private-press Synth / Art-noise LP - originally issued on “Vinyl Records” - two things caught my attention: the phrases “Electronic Instruments designed by: Serge Tcherepnin” & “Special thanks to California Institute of the Arts”, both in small text on the back of the jacket - as I understand it, Serge Tcherepnin himself was on faculty at CalArts from the early 70s until he left for San Francisco to start the serge company in 1…
LP version. Bureau B present a reissue of Adelbert Von Deyen's third album Atmosphere, originally released in 1980. Album number three from electronic musician Adelbert Von Deyen marks the end of his ambient phase. Whilst Atmosphere largely swathes listeners in familiarly vast expanses of sound, the driving analog drums of the opening track (Von Deyen's most successful, as it turned out) signal a shift towards electro-kraut terrain. Atmosphere showcases Adelbert Von Deyen at the peak of his powe…
* Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. * Recorded in March 2010, What's that for, mate? Is one of the first recordings the duo (Jack Harris & Samuel Rodgers) made together. At this time the two worked with a combination of no-input and acoustic feedback, digital processing and phonography. This recording sees a discourse resulting from the amalgamation of and conflict between the analogue and the digital, the gestural and the static, and multiple recorded spac…
**Gatefold double 180g vinyl LP, with 12" booklet of liner notes and photos**Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, f…
Split 12" between two of the artists at the forefront of the experimental dance scene, SND and NHK. Aside from sharing three-letter names, the two acts also nicely compliment each other via skewed electronics which come out of mutual dance and minimal electronic sensibilities. SND offer a cut of jacking minimal loops, flows of repetition that unfold before your eyes (and ears), while NHK is suitably equal part bass-squelch with rudimentary snare Motorik via pirate radio broadcast. Mastered…
On Tragedy & Geometry, Steve Hauschildt, one-third of Cleveland’s neo-kosmische revivalists Emeralds, crafts an hour’s worth of instrumental synthesizer vignettes. His pieces tend to evoke thoughts of bygone eras of technological pop culture — many of these tracks could be placed seamlessly into Blade Runner, or into some lost Playstation-era (you know, when Final Fantasy VII was cutting edge) videogame. Hauschildt doesn’t craft wholly formed songs so much as he works with detached, technologica…
Though classically trained Arthur Russell's major contribution to the music world was in the dance genre. Despite the fact that his pioneering work in the late '70s and through the '80s was only quietly acknowledged at the time his long term impact on the genre is best described as formidable Russell's innovative; left field dance records were way ahead of what people were used to hearing at the time, in part due to his involvement New York's downtown avant-garde music scene. He scored se…
The works included in 'hiSS [Synesthesia Sampler] vol.1' have been produced using only analogue devices and processing tools - such as no input mixers, analogue synthesizers and custom-built or hacked/reconfigured instruments. Without the use of computers or digital devices, the 4 pieces recall an era from the 1950s-70s, when most of the electronic music makers around the world had limited resources and quite primitive equipment.
LP version on 180 gram vinyl. Of all the Hans-Joachim Roedelius solo releases, this is the one which most closely resembles the work of Cluster. Wasser Im Wind sees Roedelius use a wide variety of musical and sonic ingredients hitherto associated with Cluster, almost as if he sought to erect a monument to the group. Right from the word "go," the familiar sound of the Drummer One rhythm machine can be discerned on the opening track, like a wood gnome crashing his way through the shire; then we he…
In recent years, Boston has become an epicenter for some of the best experimental music emerging out of the USA. A native of Brazil, Ricardo Donoso has floated under the radar until recently, but has become an integral piece of the Boston puzzle. Not only is he half of the exquisite Perispirit and the brains behind the Semata label, but he's also a member of avant-metal outfit, Ehnare. Donoso's previous two solo efforts were both cassettes (on Digitalis and Razors & Medicine, respectively) bu…
Terrific triple CD set...Formerly of 1990's dark ambient pioneers Endvra. Three previous full lengths on U.K. label Cold Spring. Over three hours of music focusing on subtle changes that command attention and focus; imagine if Philip Glass composed a three hour drone piece... Triple disc set, each disc with its own artwork, held together by a custom band with genuine letterpress printing. Original landscape photos reflecting the mood of each disc by Chris Walton himself, and packaging design by …
A sumptuous 5-CD box-set covering the entire discography of the cult Absolute Body Control band. Influenced by bands from the German and UK electronic scene, Dirk Ivens (synths & voice) formed the band early 1980, and was joined by Mark de Jonghe (synths) and Veerle de Schepper (backing vocals). After a first track on a compilation and a first 7" single (Is there an exit?), Mark leaves the band and Eric van Wonterghem (who was in fact a spectator at the first ABC concert), filled in the gap…
Pressed in an edition of 250 copies on 200 gram virgin clear vinyl. A new studio LP from this synth maverick. Primordial dance music comprised of pulsating analog rhythms and austere waves of mechanical tones. With beginnings in laptop electronics and his focus now turned toward analog synthesizers and modular manipulation, results vary from the extreme to the beautiful. Photography by Rachael Cassells."...the impression of countless banks of machinery being flicked into operation and the distin…
Amazing!! There is a murder in the beach. Ducktails arrives in his spaceship escalade to investigate the scene. Dracula Lewis is the principal suspect. They become best friends and decide to work on a split LP. When a vampire kills a body is never found. At the same time beautiful and terrifying cavern drone sounds from Dracula Lewis, Psychedelic spiraling melodies and electronics beats from Ducktails. Both investigate the limits of the space time continuum. This is the new dawn of expansi…
MINDBLOWING! Last copies available...Come see the utopia of plastic architecture. Discover the challenging world of Finnish scientist artist and philosopher Erkki Kureniemmi inventor of DIMI (Digital Musical Instruments) series. Witness mysterious scientific experiments enjoy a symphony for matrix-printers and see a team of robots challenge the reigning world champion football team. It features "The Future Is Not What It Used To Be", Mika Taanila's film about the Finnish electronic music visiona…