Mutualism
Filterbeds was Jim Whelan, Natalie Williams and Mark Courtney. I have typed this first sentence out so many times in my mind and broken down. Left wondering the incomprehensible fate of friendships; the loneliness of death; the staggering shock of grief. And then there’s the sheer marvel of sharing, caring, crying with laughter, revelatory joy, smiles, dancing, hugs, trips and….and….creating something from ordinary nothing.
This release comes with the heaviest of hearts. The exhilaration matched…
Lucid Dreams
First Terrace are thrilled to present the new album Lucid Dreams from the prolific Japanese artist Chihei Hatakeyama on January 24th 2025. Renowned ambient composer Chihei Hatakeyama is set to release his latest album, Lucid Dreams, an evocative sonic exploration that invites listeners to drift between the waking world and the dreamscape, to experience “dreams you are aware that you are dreaming”. Known for his deep atmospheric textures and minimalist approach to sound, Hatakeyama’s new project …
Heroin
2025 stock ** "Between Christmas 2000 and New Year 2001 producers Ekkehard Ehlers and Stephan Mathieu recorded an album of warm, soft, delicately crackling electronic music in the space of that week. It was christened with the ambivalent title "Heroin" and was released on CD via the label Brombron in 2001 and later in 2003 re-issued on Kit Clayton's Orthlorng Musork on double-LP with remixes the pair had commissioned as expansions.
And indeed, "Heroin" is an album that embraces the happy acciden…
No Fidelity Audio
1998 release ** Limited edition of 500 hand-numbered copies. "Cut-up, lo-fi electronics. Ambient, drone, modern classical. Foom (no reference to the old Marvel Comics fan club) is a catch-all name for musical projects by Boston's Whitehaus Family peripheral member Chris Lichatz. His solo output dates back to the 1990's, and ranges from the demented blues-based Butthole Surferisms of 1994's Six of My Favorite Turds (Stomachache Records) to the abstract lo-fi electronics of 1998's self-released No…
Cyber Totem
2007 release ** "Marek Styczyński uses technical achievements to create folk, ethnic music of various kinds - both in recording "in the field", in the studio, and in computer processing. He effectively transfers the world forgotten and rejected by pop culture into the digital sphere, processing it a lot. He writes: "I used sounds as the initial building block for designing sound environments and I completely processed some of them, moving them significantly away from the original". He uses many …
Indistinction #2
“indistinction #2” comes from the same session as ‘indistinction #1’ and creates the same immersive pull. here, too, rsn works exclusively with his bass and a series of effect devices - no overbuds. everything is created live in the flow and reflects the intensity of the moment. often everything sounds deeply distorted, then it clears up again and metaphorically lets light into the scenery. the mixture of drone and ambient gives “indistinction #2” a broad and balanced sound palette that is best …
Indistinction #1
The game with quiet and loud is not new, but it has not lost its effect. “indistinction #1” proves this impressively, as the three songs on rsn's debut album create a highly immersive moment. they move and yet remain rigid in their depths. they build up and break down. like a current through which you are sucked - wild, yet somehow safe, always moving forward. if you allow yourself to do so, “indistinction #1” is an excursion into your inner self.
Clarity #1
The collaboration between pianist Merle Louise and rsn follows an improvisational approach, as all the songs were created spontaneously and in a flow. while the use of piano is or has become a main element in ambient music, the sound of “clarity #1” is different. instead of reproducing the typical patterns and harmonies of the genre, two styles meet here and interweave at the moment of creation. the drone and ambient soundscapes of rsn are enriched by piano melodies and patterns that are atypica…
Porosity #1
The permanence and recurrence of “porosity #1” by Rsn creates a kind of meditative permeability. the musical maelstrom creates a seemingly endless surface that develops from the two-dimensional to the three-dimensional. but this surface is porous and has loopholes. it is not a fast ride through this soundscape, but rather a walk - and the landscape hardly changes noticeably, but there is a resolution, a small aftermath. “porosity #1” is slow and deliberate, waiting and gentle.
Shift #1
"shift #1" is a collaboration album by the two drone/ambient artists rsn and N. the album comprises three songs that deal with semitone shifts, creating an aesthetic depth of sound on the one hand and building up a long arc of tension on the other. "shift #1" is a musical colossus - sound, structure and length create an immersive sound experience. quiet, rather contemplative sounds gradually develop into an alert sound construct. sometimes, however, it remains calm and inward-looking, meditative…
Interweaving #1
“interweaving #1” is the sound-aesthetic result of an improvised session by rsn and NAGEN. With a setup of stereo guitar, bass, electric kalimba, selfbuilt instruments like the "portanuum", sampled field recordings and some little synths, seven songs or sound collages were created, which combine the drone and ambient of rsn with the improvisational art of NAGEN. “interweaving #1” is a dynamic sound experience with a focus on noise and drone, but much more.
Five Years of Failure
Five year anniversary compilation from Discreet Music featuring new or unreleased music from Facit, Eftergift, Demeters Döttrar, Sewer Election, Juho Toivonen, Leda, Shadow Pattern, Livskraft, Arv & Miljö and Franciska. As stated in the extensive liner notes, a little bit of everything and something for everyone, capturing the very essence of Discreet Music while at the same time looking forward rather than back.
Interior Music
After a collage tape collab with Bardo Todol back in 2022 (SUC52, Magnetic Road to Hell) Robert Millis finally gets his Discrepant debut proper, a much overdue entryin our random catalogue of lost musical oddities.
The not so self explanatory title Interior Music explores Millis obsession with hidden sounds and its anomalies. An hermetic rearrangement of emptiness could be another more big headed title. But I leave the man to talk about his thing:
‘’The phrase interior music occurred to me a few…
Accumulation
2025 stock ** "Extreme electronic music act/original harsh noise sound seeker from Tokyo, renowned for tons of gigs, “BLACKPHONE666” drops his long-awaited 1st official release. “BLAZE” is started with nervy electronic sound, then, gradually torture your ears. “OXD” destroys your audible field with rough energy. When you listen these 2 tracks, you must notice why worldwide listeners from various genre rocks out by his sound. “BLACKPHONE666” is the leading act of relentless electronic music in th…
Mudra
2001 release ** "Mudra is an introspective CD made of Tibetan Singing Bowls. The sound pattern of the Singing Bowls is developed in a gliding way, to enhance the subtle vibrations of the overtones. The circular mode of the melody is meant to include a trance - like tranquility in the listener. The CD should be heard at a low volume as a meditative background and can be used also for therapeutic and massage - settings."
Cold Star: A Noise Inc.
*200 copies limited edition* "Cold Star: A Noise Inc." is a collaboration between Deison and Cranioclast. From 2019 to 2024 there were continuous virtual exchange processes to create long sound-themes. The sounds were recorded, collected and manipulated by Deison at 1st Floor Studio and by Soltan Karik with the virtual succour by Sankt Klario. Tracks are segmented as circular encyclicas and the notorious use of anagrams is adopted for each title. Michael from Kallabris, helped to start the colla…
Landscape 2024
*200 copies limited edition* After a careful evaluation of numerous international proposals, Landscape 2024 announces the official selection of the ten finalist works in the SoundArt category. Curated by the Zeugma Collective and now in its fourth edition, the project has established itself as a reference point for sound artists and video artists exploring the concept of landscape through sound and image.
This year's selection stands out for its diversity, featuring works ranging from experiment…
Behind Your Very Eyes
2003 release ** "A collaboration between Colin Potter (Nurse With Wound) and Paul Bradley (another Preston-based composer, who manipulates sound with his computer in a most un-computer like way). Over 68 minutes the four tracks visit different soundscapes, exploring organic and electronic sources, sometimes peaceful, sometimes unsettling.."
Faint At The Loudest Hour
2001 release ** "Faint at the Loudest Hour is the astonishing solo debut by guitarist Alexander Turnquist, part of a young generation of guitar players who have taken their incredible virtuosity and turned it into something actually worth listening to. Like James Blackshaw, Jack Rose, Glenn Jones, etc, this could roughly be described as "raga" guitar, with its long, modal compositions and hypnotic overtone play. Unlike most of his peers, Alex employs a variety of extended techniques ala Hans Rei…
Azimuth
Azimuth is the first full-length collaboration from Tyresta (aka Chicago-based Nick Turner) and cellist Simon McCorry (Gloucestershire, UK), featuring a quintet of impressionistic arrangements that combine swells of harmonic guitar with delicately composed strings and accents of modular synth. The resulting formations convey both the acoustic resonance of chamber music, and the experimental wash and warmth of shoegaze, making for a unique creation that is equal parts meditative and narrative.
“S…