Musica Elettronica / Computer Music 1966-1972
** Edition of 210. Deluxe cover with handmade silver foil printed on 450g paper, also includes a 30x30cm double-sided insert with detailed notes and a SMET / Enore Zaffiri exhaustive chronology. ** The Italian early electronic music scene has been at the core of Die Schachtel’s activity since their very beginnings in the early 2000s. The record that inaugurated the label’s venture was Pietro Grossi’s “Musica Automatica” (2003), followed in 2004 by the very first recording in LP format by Enore Z…
Space Tuning Box (3LP Box)
The wooden box set of 4 audiocassettes, limited to only 99 copies, with three seven inch inserts, is a unique and exquisite collector's item. Crafted with precision and attention to detail, this wooden box is a testament to the artistry and dedication of its creators. Whether displayed as a centerpiece in your collection or enjoyed through the act of listening, this box set is a true embodiment of artistic craftsmanship. It is a treasure trove of sonic delights, encapsulating the spirit and esse…
Les Vraies Richesses
Two concerts by improvising keyboardist and vocalist Jean-Marc Foussat, on the LP a recording at the Tout Rennes S'Emmerde event organized by From Town to Town, Capital Taboule, Consternation, L'Effroyable Association Western Soviets Satanist and Dream'in Noise, the 2nd a DVD of Foussat performing live on the beach as part of the 13th Farniente Festival.
Nouvelles
A vinyl reissue of improvising synth, vocalist and multi-instrumentalist Jean-Marc Foussat's 2001 Potlatch album, originally released as a CD-ROM and here with an accompanying DVD titled "Hope for Happiness" including 3 silent films, two of which relate to the album; performed with Francesco Pastorelli : voice, Louise Foussat : laughs, Marc Bohy : drums, Pascal Bouscailloux : bass, Jac Berrocal : trumpet, Jean-François Pauvros : guitars, Roger Turner : voice
Canadian Electronic Ensemble
David Grimes, David Jaeger, Larry Lake, and James Montgomery met at the University of Toronto in the early 70s and formed The Canadian Electronic Ensemble in 1971. The group was one of the first in Canada--if not the very first--to experiment with electronic synthesizer music, and to this day remains one of the longest-running electronic groups in North America.
In 1977, Music Gallery Editions, (currently housed at the archives of York University) released the Ensemble’s first record, a self-ti…
Plein Soleil
2021 Repress. In "Plein Soleil", Fitoussi explores the continent of his electronic instruments, watching them move along with him on his journey, like uncharted territories, beyond what’s already been said, done, composed and played. In these tracks, or should we say, between them, something new unfurls.
Music for Xavier Veilhan
Jonathan Fitoussi is a French composer that explores an electronic music versed in futuristic tones that evokes the vision of the future as it was perceived in the 60s or 70s, mixed with the perception of a unique, utopic world, yet to be reached, yet to be build. After his last album Plein Soleil on the label, he offers here a limited run of 300 copies for his new release, contained in a transparent sleeve with postcard."Rayons" illustrates Les Rayons (Sarus), 2016, a sculpture by Xavier Veilha…
Natela
Awesome unreleased before recordings from 1974 on Synthi 100 (recorded at Melodya, Moscow) that has never been released - this is the first electronic music piece in Georgian music - composed by female composer Natela Svanidze
DeeWee Sessions Vol. 01
**180gr LP + 48-page book in a clear PVC bag, to be released in early June 2020** "David & Stephen Dewaele (aka Soulwax/2manydjs) have always been fascinated by collecting instruments and recording gear. Their passion hasn’t been born by completism: simply every new item inspires a world of possibilities. The one item that always eluded them was the EMS Synthi 100 —a huge and rare analogue synthesizer, of which there were only 31 ever produced, that can create a near infinite array of sounds.Sho…
Imagine Something Yesterday
Recorded by The Pathfinders – Roger Cleghorn and Malcolm Garrett – Imagine Something Yesterday is a compendium of playful explorations with analogue synthesisers and distorted found sounds, made without an actual release in mind.
One Instrument Sessions 05
**500 copies** For the fifth release on Grand River’s experimental label, One Instrument, synthesizer maestro Donato Dozzy gifts us with an incredible, psychedelic 38-minute journey. Slow Train has been created using the EMS Synthi AKS, an extraordinary and rare portable modular analog synthesizer, first manufactured in 1972.One Instrument Sessions 05 highlights the artist's most experimental side on what is his 7th studio album. These tracks are the honest outcome from a long and intimate engag…
Rules
**Last copies**Long-awaited second pressing of Erkki Kurenniemi's key recordings and sonic experiments made between 1963-1975. One of the great unsung pioneers of the electronic age, Mr. Erkki Kurenniemi. The tracks released here - produced during 1963-1975 - include Kurenniemi's focal works and previously unreleased raw material composed as solo works - as well as works in collaboration with Kari Hakala, Jukka Ruohomäki, Otto Donner and Eino Ruutsalo.
"Erkki Kurenniemi, a brilliant, eccentric …
Ciclul „Cosmofonie”
The second title in Creel Pone's 23x survey of Romanian Early
Electronic Music, offering both pieces from the lone Electrecord LP by
Composer Dinu Petrescu, along with a composition from one of the many
Corul Madrigal offerings, here conducted by Marin Constantin. "Space Doina", or possibly "Doina Space (1978)", "music
for symphony orchestra, mixed choir, children's choir, synthesizer,
magnetic tape and electronic modulation" starts off with a gaseous drone
of distant reverberance, seguei…
In Course of Time
**original warehouse find** In Course Of Time, his third LP was originally issued in Canada in 1982 and in France in 1983, although it contains works that he had began working in 1979. The material was originally shelved due to legal matters, although he continued to add some changes even after that. The Canadian edition came out in Les Disques Solaris, a recently created label that wanted to specialise in "cosmic" music. Zanov used the same equipment he had used on Moebius 256 301, albeit this …
Moebius 256 301
Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer…
Green Ray
Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing wo…
Abattage
Recorded in 1981 & issued “privately” in 1983 (on Jean Marc Foussat’s own Pyjama imprint) this is a screamer of a record, taking in a decidedly unique approach to minimal musique concrète assemblage (there’s an emphasis on presenting banal, interstitial in-situ sound-events [coughs, footsteps] that reminds of Luc Ferrari one minute ... before a sudden barrage of jackhammer-noise, plunderphonic mangling [is that ... Barbra Streisand !?!], and high-end oscillator scree takes over pushing this clos…
Ramasses-Miettes, Nouveaux Modes Industriels
Long on the Creel Pone radar has been this pair of LPs by French bandleader Philippe Doray, recorded in conjunction with the aid of his five "Asociaux Associés" & issued in 1977 & 1980, respectively, via Jean-Marc Patrat & José Serré's Gratte-Ciel & Invisible, the house-label of the inimitable Jacques Pasquier's Société Coopérative d'Ouvriers-Producteurs Artistiques. Centered around Doray's Synthi VCS3 playing & sprech-stimme vocal stylings, the selections here run the gamut from puerile, absurd…
Te Deum - An Electronic Realization
"I have a soft spot for "Religious" Early Electronic Music outings - secular or not, the "Provocative Electronics" LP is one of my favorites in the C.P. series, as are Ralph Swickard's "Sermons Of Saint Francis" & "Hymn Of Creation," both present on the first "Creelpolation" - so this "Private" 1979 outing, the sole release by Composer Henry Sweitzer of beautifully hand-played advanced synthesizer motifs & home-studio Musique Concrète is a real find. Starting with the side-length title piece, Sw…
Greek Electronic Music-1
Jeeeezus ... so here’s just about the best record ever, a collection of late 60s pieces from 6 Hellenic composers, only one of which even rates a single listing in the Hugh Davies book, Michael Adamis. See that on the cover? it’s the patch-bay of an EMS VCS3, arguably the most legendary / covetable analogue synthesizer. Here is an exchange that i’ve fabricated as a possible explanation of how this record came to be: Adamis: “I’ve just come back from London and look what i have: it’s an EMS VCS3.…