Split LP
Amazing!! There is a murder in the beach. Ducktails arrives in his spaceship escalade to investigate the scene. Dracula Lewis is the principal suspect. They become best friends and decide to work on a split LP. When a vampire kills a body is never found. At the same time beautiful and terrifying cavern drone sounds from Dracula Lewis, Psychedelic spiraling melodies and electronics beats from Ducktails. Both investigate the limits of the space time continuum. This is the new dawn of expansi…
The Mad Excitement, The Barbaric Pulsations, The Incomparable Rh
Smegma has been around, in one form or another, since 1973, issuing an average of a record a year out of odd tape-loops and jarring-yet-ambient original instrumentation long before electronic sampling was even a glimmer in Mr. and Mrs. Casio's eyes. They achieved a small degree of noteriety in the '80s as one of that proud elite of North American new-music acts hiply obscure enough to have European-only record deals. They're also known among the anti-pop sound exchangers of the international cas…
Teeth Mountain
Driven primarily by neo-tribal drums, which would seemingly put them in league with the rumbling sound of Bmore's Thank You. But "12 Plus Harsh Tanz" in particular is much more reflective. The guitar brings to mind the cracked post-1960s dream-psyche hangover of Pink Floyd, I'm thinking here of an instrumental interlude that might have been on Obscured by Clouds, or perhaps the contemporaneous Eastern-infused lines of Popul Vuh's Daniel Fichelscher. It's headspace music, to be sure, but in some …
Tiromancy
New recordings and a couple of their unreleased tracks. Another Japanese CD from 1997 by this oblique improv collective. In some ways, just as traditional as a bunch of Sun Ra acolytes, in others more bent than actual acid casualties, Tiromancy splashes down swaddled in rainbow dots, early Playboy chic, laughing gas electronics, conflicting vapors, surround-seep ooze-adelia, and highly agile mental capabilities. Japanese import.
Smegma is an American experimental noise group formed in Pasadena, …
Greatest Hits And Test Tones
Five of BCO's greatest performed by dAS, Robo, Daevid Allen, Brook Hinton, Mic Gendreau. Four test tones specially mixed by John Duncan, Monte Cazazza, G. X. Jupitter-Larsen.Tracks 1, 3, 5, 7, 9 comprise the "Greatest Hits" portion:"The greatest hits selections were derived by asking participants to pick from a list of previously issued BCO pop songs. No one played on the pieces they picked."Tracks 2, 4, 6, 8 are the "Test Tones":"While T-Bone takes recording classes at Mills College, das seizes…
Thrène
Three electroacoustic compositions from André Boucourechliev (1925 - 1997) : 'Thrène' (1973-74). 'Texte I' (1958). 'Texte II' (1959). And 'Concerto pour piano et orchestre' (1977).
Billowy Mass
'Alejandra Salinas and Aeron Bergman began making sound in the mid 1990s in New York City where they were among the first labels to take advantage of affordable cd-r technology to distraibute non-commercial works. They soon became known by their early use of folk and acoustic electronic sounds. Educated in the fine arts, by 2000 they were invited by art institutions to make large scale installations that included sound as an essential element. In 2002 they won an Award of Distinction in Digital …
The Evan Dando of noise?
Five blasts of Licht, from the excoriating to the spiritually uplifting. Mr Licht should need no introduction, this is minimalist mantra music for the end of the millennium.
Antiguos Dolmenes del Paleolitico
“Antiguos Dólmenes del Paleolítico (“Ancient Palaeolithic Dolmens”) is a composition in four parts created exclusively with processed no-input feedback and inspired by these stone monuments. It was created in early 2004 and is the first full-length solo CD from Argentinian composer Alan Courtis, a founding member of the group Reynols. Courtis currently lives in Buenos Aires, and has toured extensively in USA, Europe, Japan & Latin America collaborating with artists such as: Pauline Oliveros, Dam…
Volt
"If we recognize that each composer tends to privilege one dimension of musical discourse or another (for example: timbre, harmony, or instrumental virtuosity) in his work and thus conjure up a ‘style,’ listening to the music of Alain Thibault is like listening to a game of rhythms but mostly a game of attacks. The constant and abrupt contrast between silence (or an harmonic background serving a similar function) and the sound itself—cutting and incisive, percussive, vigorous and energeti…
L’Annecy de pierre
A new work from the French composer Alain Savouret made around the city of Annecy. Field recordings and little parts of music with percussion and prepared piano.
Petites musiques de bruits
Utilisant l'art de la boucle et de la récupération, Alain de Filippis crée un orchestre de bruits qu'il dirige avec virtuosité. Série II.
BWANA, Rex xhu ping
If, Bwana alias Al Margolis figure de la scène expérimentale new-yorkaise et boss de Pogus. Compositions pour bandes, voix, électronique... Franc, déterminé et tenu. Avec Al Margolis (bandes, clarinette etc), Laura Biagi (voix), Dan Andreana (voix, bandes), Detta Andreana (bandes, cymbales), Orchestre D'Fou...