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Werke für Schlagzeug und elektroakustische Geräte (Works for Percussion and Electro-Acoustic Devices / Utwory na perkusję i urządzenia elektroakustyczne) is the second album of the Polish percussion duo Miłosz Pękala and Magda Kordylasińska.
*2022 stock* In autumn 2013, Hamburg's formaldehyd electronaut Felix Kubin and the ominous ninepiece Warsaw orchestra Mitch & Mitch joined forces to produce an avant-pop-backwards-jazz-library-record. Inspired by the work of the BBC Radiophonic Workshop, Polish and Czech film soundtracks, easy listening, musique concrète and various other bizarre style icons, they invited German producer legend Tobias Levin to be their electric conduit. With their faces turned to the dark side of the moon and th…
*2022 stock* Live recording from Issue Project Room, 22 November 2009. Scott Haggart, Lary Seven and Felix Kubin further expand the territory of the original conceptual vinyl record, “1:17", a continuous and lifelong composition by Scott Haggart. The original edit was psychotopologically derived from a 0.7 millisecond recorded extract of sound from a concert performed by the then anonymous Scottish art collective, Diskono (2000). It took many years for the artist to further superimpose and expan…
*2022 stock* This fantastic musical journey, written by French composer David Fenech back in the year 2000, is entirely produced on 4-track cassette. Its title refers to the French word for "roller coaster" and "looping", as well as to the symbol of infinity. "Grand Huit" ("Big Eight") is a rare example of "cinema pour l'oreille" made of songs. The music already bears the strong handwriting of its creator: a unique mix of field recordings, outlandish singing (mostly in fantasy language) and exp…
*2022 stock* In 1930 the German composer Paul Hindemith (1895-1963) wrote a series of small pieces for school orchestras. It was described as a “play for children” depicting the construction and survey of a modern city. The unusual thing about it is the age of its inhabitants:“In our city the grown ups have no say (…) Our mayor is seven years old, and all uncles and aunties are children. Even the traffic warden is a child.” We Build A Town comes across as strange in more than one way. Firstly, …
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*2022 stock* On his first Gagarin release, Gunter Adler, formerly known as the vicious violinist of Groenlandorchester, created a soil-resisting electronic razor-record in his search for Miss Amanda Lear's true gender. He didn't even need to pay bounties for the cover girls who he fetched from Paris Moulin Rouge. While unpacking the goods, Gunter was suddenly overwhelmed by two hungry hyenas that he would never get rid of again. Hypnotized by the new sound they asked him for a hot bath in order …
Split LP of Brezel Göring and Japanese noise pop band Barom One. Göring, prime minister of Stereo Total and Count of Sinister Forests, where he creates his wacky scratchy minimal electro punk, pleases our filthy fantasies with swinging moods, from new wave disko to distorted Hawaii shuffle to fucked up Bollywood crash music. Barom One from Tokio create a blend of Euro-Disko-Gabba-Trash and pure noise with hysteric voices and catchy melodies. “Das ist eine anstrengende Schallplatte, Felix” says F…
Castles in Space presents the first ever vinyl release for Mordant Music’s landmark 2006 release “Dead Air”. Remastered for vinyl with all new artwork from Admiral Greyscale.
In every story of things that go bump in the night, there are two possibilities. One, that it's a hoax. Two, that there is something going on beyond the grasp of the human mind". And so begins 'Two Knocks for Yes', Black Channels' radiophonic exploration into the poltergeist phenomenon, initially released in 2015 by Castles in Space on a limited edition cassette. This new remastered vinyl edition presents the same mix of real life stories of paranormal activity with otherworldly vibrations and o…
Dalham is the long term of project of Suffolk born Londoner, Jon Michaelides. Here he discusses “Fünf” (his fifth release), which is subtitled “The Past Is a Foreign Country”: “There have always been “ambient” tracks on previous albums but they have in some ways served as a bit of peace and respite from the more busy percussive tracks. The purchase of some effects units triggered the decision to use delays and reverbs during the composition process much more and an entirely ambient record seemed…
The idea for a remix LP came about following the incredibly positive reception that greeted “The Flow Across Borders” upon its release in may last year. After the services of The Orb and Richard Norris were secured by the label, Frazer and Ali asked some of their favourite artists on Castles in Space to contribute remixes for the project, which subsequently grew into a wonderful overview of both the scope and diversity of the band’s output and the skill and sensitivity of the remixers. Frazer: “…
St Leonard’s premier manipulator of drones, loops and echoes delivers his most buzzed out, kosmische and beat driven work to date in a deluxe white vinyl album release for Castles in Space. Kieran explains the genesis and production of his masterwork: “Eternal Return was unusual for me in that I actually set out to make an album, rather than find myself with a set of tunes that evolved into a project. “The “Eternal Return” is a concept I have been inspired by before. However it clicked with me i…
Australia's premier exponents of electronic warmth and light captured live in Sydney in January, while the bush fires raged around them. Kl(aüs) are Jonathan Elliott and Stewart Lawler. Originally from Tasmania, now living and working in Sydney, the pair have known each other for several decades and formed Kl(aus) in 2013 over a beer and a shared appreciation of Tangerine Dream's 79-85 period. They both have long experience in the music industry – Lawler, formerly a member of Sydney techno-pop o…
The unreleased 1984 follow-up to the groundbreaking albums Kakashi and Mariah's Utakata No Hibi, Kiren is Yasuaki Shimizu's work for experimental dance music. Employing cutting edge production to create lush new wave soundscapes, it bridges the gap between his early 80s recordings and his later work with the Saxophonettes, filling a key lost chapter in his discography. Full liner notes in English and Japanese by Chee Shimizu.
Big Tip! Uwalmassa shape their relationship with various forms of musical heritage into technical and stylish forms on Malar, marrying acoustic sonics with a contemporary outlook that reflects their Indonesian identity; evolving, mutating, and scavenging traditions to draw parallels to dance music, and to test the adaptability and flexibility of those sounds. Here the collective go dark and deep in their first album-length collaboration with Mana, casting long shadows and moving snake style at s…
*300 coipes limited edition* Since 2014 Gary Mundy of Ramleh has been releasing most of his solo work through Fourth Dimension Records. 'In the Guts of a Year' is his sixth such album for the label (not including a reissue of 2009's 'The Return' album, originally released as an LP by USA's Noiseville, and the reissues of the Broken Flag LPs 'Mobility' and 'Do Not' that are also presently in production) and brings together another six lengthy new cuts. Keeping in line with where his work has been…
Emotional Rescue pulls deep from the esoteric well with the first of several avant albums over the coming year. The self-styled “Ethno-Industrial” Vox Populi! present their 1989 Aither album, remastered and repackaged with love nearly 30 years later.
Initiated by artist Axel Kyrou in 1982, Vox Populi! was soon joined by long term collaborator Pacific 231 on a series of coldwave/industrial cassette only recordings. Things changed considerably, however, with the meeting of the siblings, Mitra and …