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Building on the back of a series of extraordinary reissues exploring some of the most exciting musical gestures ever produced in Japan, Wrwtfww is back with two of their most exciting releases to date, the composer Somei Satoh’s "Emerald Tablet / Echoes" and "Mandala Trilogy +1". Drawing on work produced between the 1970s and mid 2000s, the majority appearing here in their first ever vinyl pressing, these bristling hybrids seamlessly intertwine sound art, minimalism, ambient and experimental mus…
** Edition of 50 Black and White Splatter Vinyl + A3 Poster ** Other Voices Records and Kontakt Audio presents This Death House by Attrition. Old-school industrial live improvisation with overdubs on 4 track portastudio. Recorded at Black Prince Studio, Coventry, England. 1982. Influenced by classic zombie films, "Death House" lends truth to that rumor by delivering forty-six minutes of blackened paranoia-inducing ambiance. Split into two sprawling pieces, "Death House" conjures the grim, unsett…
Alan Vega’s name is synonymous with unfettered, tireless creativity. Beginning in the late 1950s, when he was a fine art student at Brooklyn College, through his years playing in Suicide, and all the way up until his death in 2016, Vega was constantly creating. That process naturally led to a wealth of material that didn’t see the light of day immediately when it was recorded, which came to be known as the Vega Vault. Mutator is the first in a series of archival releases from the Vault that will…
Machines of Loving Grace, available in half speed mastered 180g double lp housed in a heavy sleeve with UV spot varnish. Machines of Loving Grace, the new album by Para One, whose real name is Jean-Baptiste de Laubier could be called fiction. It is an object freed from constraints, formats, genres, territories: the gospel of a new world. Six years after Club, eight years after Passion, his previous LP, this lover of electronic music, who has also been putting his sensitivity to the service of mo…
CyberSongs is a 'transhuman song cycle for human-like computer voices' by composer/artist Barbara Ellison. She delves in this work into the sonic intricacies of voice avatars and the ‘musicalisation’ of TTS (Text-to-speech), a type of speech synthesis application that is used to create a spoken sound version of raw text in a computer document. In the 13 tracks of this album, she creates hypnotic textures of vocal utterances through the intensive and extensive use of repetition, as tools and mate…
Andy Moor (guitar) and Yannis Kyriakides (electronics) made a recording In at Xavier Veilhan’s ‘Studio Venezia’ at the French pavilion, Venice Art Biennale. They were in residence there for a few days in October 2017 recording and performing in an open environment.
Continuing our ambitious People Like Us vinyl reissue program with Welcome Aboard – a strangely relevant 10-year-old album (originally released in May 2011) when People Like Us aka Vicki Bennett became stranded in the US after the Icelandic Eyjafjallajökull volcano eruption closed much of northern Europe’s airspace. Volcanically marooned in Baltimore and NYC, Bennett utilized some of her “free” time to work on the album and even gained audio contributions from fellow experimental musicians Jason…
Eich presents Nos Cadavres by Jean-Philippe Gross - Jérôme Noetinger. Edited, mixed and composed by Jean-Philippe Gross & Jérôme Noetinger on October 31st (Cadavre 3), November 1st (Cadavre 4), 22nd (Cadavre 5) and 23rd (Cadavre 6), 2020 in Rives and Metz (France) using the exquisite corpse idea. Slightly corrected on December 31st, 2020. Mastering : Taku Unami. Photo : Oliver Clément. Design : Studio Punkat.
There is a great tradition of exchange and correspondence work in experimental music. I…
Eich presents Dénombrement by Stéphane Garin and Jean-Philippe Gross. Composed by Stéphane Garin and Jean-Philippe Gross. Edited and mixed by Jean-Philippe Gross in 2019. Recorded between 2017 and 2019 by Benjamin Maumus, Richard Comte, Nils De Deyne and Jean-Philippe Gross. Mastering : Taku Unami. Photo : Emilie Vialet. Design : Studio Punkat. Thanks to La muse en circuit, Densités festival, Gmea Albi, Fragment, région Grand Est.
Eich presents Recorded by Jean-Philippe Gross. Recorded in 2013, 2016 & 2018. Edited and mixed in december 2018 & april 2019. Mastering : Taku Unami. Photo : Guillaume Greff. Design : Studio Punkat.
Eich presents Curling by Jean-Philippe Gross. Edited and mixed in february 2018. Slicely remixed in april 2019. Mastering : Taku Unami. Photo : Oliver Clément. Design : Studio Punkat.
** Limited edition of 200 copies with gold/white silk-screen printed PVC sleeve ** Alkisah Versi Hitam is a radical deconstruction and reimagination of Indonesian duo Senyawa's most recent album Alkisah by Hamburg's Marc Richter aka Black To Comm. The original album was released to critical acclaim in February of this year as a decentralized release on a multitude of labels from all corners of the world, Germany’s Dekorder being one of them. Richter is now completely reinventing the original alb…
Room 40 presents Canto+ by Beatriz Ferreyra. "I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus. That said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pl…
Composer and percussionist Eli Keszler has very likely been a vital force behind some of the 21st century’s most forward-facing music. Among his CV highlights are collaborations with the likes of Oneohtrix Point Never, Laurel Halo, Kevin Beasley and Rashad Becker, as well as a hand in crafting the nightmarishly psychedelic score for Uncut Gems. Now, Keszler returns with a solo album of beguiling fourth world jazz.
Icons begins with an ambient synth swell, where the only hint of rhythm comes in t…
** Marbled Vinyl Re-edition of 100 for the very limited lathe-cut 10". First time on vinyl ** Released for the XV Congresso Post Industriale, OEC's Label festival, on January 26 2019 in a limited edition of only 45 lathe-cut copies. Finally those 2 tracks see the light into solid vinyl! Here you go for two exlusive tracks in best Danny Hyde / Coil traditions featuring Sleazy & John...
Tracklist:A. Coil - Where's Your Child / Moon Change Re-Mix (Black Antlers - Danny Hyde / Peter Sleazy Christoph…
** 2021 Stock ** Shinichi Atobe exists out of time, producing material that’s both inimitable and genuine. "From the Heart, It's a Start, a Work of Art” was released back in 2017 and is perhaps the most unique and enduring of all of his output over the years. Curiously, it has origins going all the way back to early 2000, when three of the tracks here were originally produced and cut to acetate at D&M in Berlin (in an edition of 5!), presumably lined up as a follow-up of sorts to Atobe’s legenda…
Kara-Lis Coverdale’s sublime sophomore album of post-sacred music is issued on vinyl for the first time following an impossible-to-find 100-copy run pressed on tape in 2015. It's the first release on her new label Gate, a vital reminder of the composer’s early and enduring genius, and a must-listen if yr into Coverdale's classic ‘Grafts’ or Arvo Part, Arca, Caterina Barbieri...
Abul Mogard makes an ever welcome return with a suite of starkly brooding shoegaze drone pieces mostly generated from an old Bechstein upright piano built in 1891. If yr into Cocteau Twins & Harold Budd's 'The Moon and the Melodies', Deathprod, Ryuichi Sakamoto or Jim O’Rourke, this one’s for you.
** Edition of 150 ** Member of the rhythm section of La Colonie de Vacances, Jean-Baptiste Geoffroy — the singularly sharp drummer of Pneu, Papaye or Binidu, and sound sculptor in Tachycardie (a shamanic project of polymorphic drones) — joins forces with Guillaume Brot, guitarist of Llamame La Muerte and Tu Brüles Mon Esprit for a project that’s light years from a guitar / drums two piece planet. United Color of Black Metal shows us “all the color” in abstract and experimental forms and offers t…
When two ex-Chausse Trappe and two members of Papier Tigre and La Colonie de Vacances got together mid-2017 to try out some of Meriadeg Orgebin’s ideas, it soon became the band Spelterini. Named after the tightrope artist Maria Spelterini, their music is always on the edge, tense yet flexible. They make their own fabric based on minimalism, drones, feedback and every accident, break or any other part is captured by the band and fuels the creative process, reenacting each performance and enhancin…