We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
All music by Hara Alonso (piano) and Concepción Huerta (tape recorders and electronics). This album was recorded at Elektronmusikstudion EMS Stockholm. during Autumn 2023 thanks to the support of the Swedish Arts Grants Committee. Voice in track 2 by Heba Habib narrating a poem by Menna el kiey. Special thanks to Lucía Hinojosa Gaxiola and all the technicians at EMS.
This is the recording corresponding to a radio broadcast produced for the program Perspective contemporaine (France Culture) on April 17, 2007. In it could be heard “Dichte”, an extensive sound poem that the author Charles Pennequin created with the musicians Jean-François Pauvros (electric guitar) and Yvan Etienne (electronics). A sound poem made up of several poems that are, to a large extent, love poems. Pennequin said them in French. His vocal realization, effusive, repetitive, and even tran…
Schizo-improvisations by Swiss artist Joke Lanz (turntables and electronics) and American vocalist and composer Shelley Hirsch (vocals). Recorded 1 July 2011 in Berlin / 25 September 2011 NY
Joke Lanz and Christian Wolfarth are two of the most interesting and extreme Swiss improvisers. They combine ritual reductionism with anarchistic playfulness, atmospheric soundscapes with cut-up noise and physicalness with unpredictability. Physical and electro-acoustic experiments are the flesh and bone of Tell. They break the boundaries between Improv, Experimental and Noise.
Joke Lanz - turntables, electronics // Christian Wolfarth - percussion
*2025 stock. 200 copies limited edition* 'Variierende Töne' series by Melantónia's collaborators.
Produced and mixed by Lindsey Wang, Mattia Onori, Andrea Cossu, Simone Giovannetti, Natasha Giordano, Filip Sijanec and Camilla Pisani.
Mastered at Dadub Mastering, Berlin
Photograph and visual design by Pablo Diserens.
'Flipperen' takes the randomness of pinball and turns it into music. Using recordings from old pinball machines, the music mixes chaos and structure, reflecting the Fluxus spirit of play and chance. It's a wild ride through sound, where things don't always make sense--but that's the fun of it.
*300 copies limited edition* Russell Haswell and Florian Hecker have both a long history with Mego/Editions Mego. Individual releases have peppered the Mego catalogue since Haswell’s Live Salvage 1997->2000 cd release (MEGO 012) in 2001 and the debut Hecker release IT ISO161975 (MEGO 014) in 1998. The individual exploration of sonic phenomena by these two practitioners has resulted in both being highly regarded for their uncompromising approach to sound as matter. Russell Haswell and Florian Hec…
Huge Tip! *Limited edition of 400 copies.* Since 1983, Justin K. Broadrick (Godflesh, Jesu, Council Estate Electronics, The Sidewinder, etc.) has been producing largely solo, but sometimes collaborative, work under the Final moniker. Beginning as a more obviously power electronics-inspired project it has during the past two decades or so evolved into one which still retains that sonic intensity but has a more expansive sound. 'I Am the Dirt Under Your Fingernails' is the latest album, closely fo…
1995 release ** European CD re-issue with 2-panel cover. "The Man-Machine is closer to the sound and style that would define early new wave electro-pop - less minimalistic in its arrangements and more complex and danceable in its underlying rhythms. Like its predecessor, Trans-Europe Express, there is the feel of a divided concept album, with some songs devoted to science fiction-esque links between humans and technology, often with electronically processed vocals (The Robots, Spacelab, and the …