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Electronic /

In Tenebris Ratione Organi
**100 copies** "The organ: in popular association, both the ‘God Instrument’ and the ‘Devil Instrument’, a purveyor of myriad densities and shades of massed tone, elemental fire and inexhaustible air, capable of inspiring wonder, awe, profound mystery and sinister darkness. The essential nature of the organ, as a synthesizer layering sound upon sound, is controlled by an alchemy very similar to that which generates electronic music. The natural hybridization of these phenomena allows one to expl…
Witchcraft & Black Magic In the United Kingdom
**200 copies** "Witchcraft has had a fascinating and turbulent history in the UK. Through periods of persecution and prejudice, it has survived to the present day and many people still practise the tradition now. From the 7th Century onwards, attitudes towards the practise began to change. During the medieval period, fears over so-called ‘black magic’ began to emerge. This referred to the power of witchcraft to bring harm to others. An association was also drawn between witchcraft and the devil.…
Anthology of Contemporary Music From Middle East
**Small repress available** Following the Anthology of Contemporary Music From the African Continent, this new collection released by Unexplained Sounds Group, focuses on experimental and alternative music from the Middle East and includes artists from Egypt, Lebanon, Turkey, Bahrain, Kuwait, Iran, Israel, Iraq, Palestine, Jordan, Afghanistan, Cyprus. A kaleidoscope of sounds by artists rooted in their traditions, but at the same time projected towards the new frontiers of music. The minimal mel…
Dome 4
With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of "using the studio as a compositional tool" and recorded and released three Dome albums on their own label in the space of 12 months: Dome (July, 1980), Dome 2 (October, 1980), and Dome 3 (October 1981). A final fourth album, Will You Speak This Word: Dome 4 was released on the Norwegi…
Station
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
2007
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
Dujang Prang
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
New Raceion
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
Power On To Zero Hour
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
Deuce Avenue
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
Berlin Super 80
2011 repress, originally released in 2005. This double LP compilation presents insights into the outstanding artistic means of expression of late '70s/ early '80s Berlin, which left their mark on subsequent generations of artists and bands alike, bringing the walled-in city's special attitude back to life. 16 groundbreaking tracks that speak across the Germanic spectrum, from performance art / noise to post-punk / new wave, post-industrial, post-prog electronic, etc., from artists such as: Mona …
Last Night
**2019 stock** Having recently contributed to Goner’s Yogascum LP, reissued in late 2017 as a vinyl release through Hallow Ground, Mark Godwin now returns to the label together with his musical partner Gareth Ormerod as zK. Formed in 1999 as a live project, zK first released on the legendary Mancunian Skam label in 2003, toured throughout Europe and were invited by Autechre to play the All Tomorrow’s Parties festival.In the following years, Godwin and Ormerod produced a slew of records that at o…
Just Dead Stars For Dead Eyes
"Just Dead Stars For Dead Eyes is the third release of the Swiss producer and sound artist Samuel Savenberg alias S S S S for the Lucerne-based Hallow Ground label. The multi-channel sound work is the result of a two-week-long artist residency at Lucerne’s Südpol in the summer of 2015, which in addition to its premiere in December 2015 has been presented live at Dampfzentrale Bern and London’s Café Oto.Originally briefly available as a small-run cassette release through the Italian Haunter impri…
Paths of the Errant Gaze
Reinier Van Houdt performed as a classical trained pianist premieres of works by Robert Ashley, Charlemagne Palestine and many others. He worked with composers as John Cage or Luc Ferrari and plays in Current 93, recently releasing an album with contributions by Nick Cave, John Zorn and Antony Hegarty. Paths of the Errant Gaze taps into the artists obsession with recording everyday objects, situations and moments. The act of recording seems to create a third ear, a little loophole in time throug…
Toilet Chant
**300 copies, white vinyl** "Toilet Chant was originally released back in 2004, in an edition of 99 numbered CDrs that each featured a no doubt highly collectable thumbprint / shitstain (Massimo and Pierce were, of course, no strangers to the base and scatological). Despite its more deviant, transgressive, and earthbound trappings, however, Toilet Chant is actually quite a complex and otherworldly suite of songs. In fact, parts of it are legitimately brilliant. Hallow Ground seem to have valiant…
19 Years Before the Beginning
**600 copies** “Sometimes our own creations surprised us,” says Inguna Rubene, flute player, guitarist, bassoonist and songwriter for 19 Gadi Pirms Sākuma (19 Years Before the Beginning). Created with the idea of lasting for a single performance, 19 Gadi Pirms Sākuma developed into one of the most delicate, intriguing groups in Latvia’s 1980s and early 1990s music scene. Formed in 1988, the band arrived at a time when the Soviet Union was showing the first signs of unravelling. Latvia remained a…
Au Delà
Au-delà is a collaborative record by La Scie Dorée and Meakusma. It features eight pieces of music by La Scie Dorée affiliates. For the 2018 Meakusma Festival, La Scie Dorée and Meakusma set up a collaboration that brought performances by Timo Van Luijk, Steven Stapleton, Christophe Heemann, Daniel Denis, Bart De Paepe, Kris Vanderstraeten & daniel duchamP to the festival in Eupen, Belgium. This was followed up with a night organized in the province of Limburg in Belgium featuring performances b…
Mu
** Last copies... ** Previously unreleased studio material from 1970 recorded a few months after the legendary Wired session. Hardboard linen CD box contains 2 CDs and a 28 page booklet with biography, text and notes (in Dutch, German and English) from Michael Ranta.The only time this ensemble got together before was for the singular and legendary Wired session recorded in 1970 and published on the Deutsche Grammophon box set Free Improvisation in 1974. The Wired session also included Karl-Heinz…
Medio Occidente
**Reissued at last, a dream come true!** As we’ve said in the past, it’s a great moment for reissues of ambitious, historical gestures of Italian music. Long neglected and overlooked, one after the other these artifacts have emerged from the shadows, entirely rewriting what so many of us thought we knew. Now, at long last, before us rest another piece in the puzzle - the first ever vinyl reissue of one of the most sought after artifacts from the 80s scene - Francesco Messina’s legendary, Medio O…
IsoMonads
Killer. edition of 50 copies. “For every un-universe, then, an un-philosophy that must also negate itself.” ― Eugene Thacker - Jarra’s artistic exploration started with painting abstract artworks in which he aimed to minimise his part as a painter. The technical approach, craftsmanship and the concentration devoted to this process should define the artwork in its final state. Jarra’s perspective on sound has been in a similar way when he started with field recordings in the late '90s. He consequ…