We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*In process of stocking.* Best yet from Luke J Murray’s multiple, ‘nuum-surfing personas; a murky deep topographic reading of East London’s palimpsest of paranormal energies, hardcore and pubcore.
Splicing fragments of overheard convos from East London public houses with a palette of sawn-off jungle, Eski grime, drill, UKG and plasmic ooze, Murray’s first act as Superior London Pulp is a logical successor to turns as Stonecirclesamper and with Nonexistant and The Iceman Junglist Kru.
Coming int…
*In process of stocking.* “In the face of whatever it is that is breaking our names apart” – Sean Bonney Score for as many players as you like – the recording is for nine. Play any frequency between 264.94 Hz and 277.18 Hz, held, bent or gliding, between B3 and C#4 – hold this note for as long as your breath and/or heart permits. If you feel you are in the same heart or breath rhythm of another player, cluster with them, or squirm out from under or over them. Imagine a pink nerve inside your gut…
*In process of stocking.* The Howling is a collaborative project started by writer Ken Hollings and sound artist Howlround devoted exclusively to their shared love of text, audiotape and trash aesthetics.
"An intense collision of spoken word and analogue tape effects, the Howling's first performance took place at the Iklectik in September 2019 as part of a special programme to celebrate The Tapeworm's 10th anniversary.
Despite the pandemic, they have managed to continue working and conferring t…
*In process of stocking.* Alex the Fairy is an artist based in Berlin producing music with an emphasis on electronic and concrete methods. Alex the Fairy is also part of the 3Ddancer trio, a live act focusing on improvisation and expression using electronics. Alex The Fairy writes “I had sent The Tapeworm tracks before, but I was being difficult so was asked to send a new bunch, with a deadline. I sent the new bunch, a fairly odd collection expecting perhaps some of them to be combined with the …
Jac Berrocal, David Fenech and Vincent Epplay are back with a true gem of an album: Transcodex. Turning more towards pop than in their beginnings, this fourth record follows the footsteps of their previous album, Exterior Lux. The trio seems limitless: they experiment with a large variety of styles (pop, dub, electronica, dark jazz), always colored by their very own touch. Jac Berrocal’s trumpet, richer than ever, plays over an ever-changing sonic landscape engineered by the duet of musicians/pr…
"Band Of Cloud’s David Owen has previous. Hailing from Leeds, he knocked about with Soft Cell early doors, hoovered up 80s synthpop, got distracted by The Sisters Of Mercy, formed The Hollow Men, dropped out for a couple of decades and popped back up in 2011 with the utterly brilliant ‘We Know Where The Time Goes’ by The FLK – a folk version of The KLF’s ‘Chill Out’. Yes, it’s as great as that sounds. Judging by all that, ‘This Is Tomorrow’ should be good. David reveals that the first album he b…
*200 copies limited edition* Ferns Recordings presents Do you Believe in a Pencil? by Small Cruel Party. Reissue of the first Small Cruel Party CD with different artwork done by Abo (Mark Schomburg/Petry Supply).
Tip! waves...I’m not sure if the ocean is our sequestered delirium; feverishly complex, almighty and delicate, irreconcilably teeming with life that we physically cannot co-exist with, or colonise. Effortlessly overpowering to our multicellular selves, yet an accommodating host for even the single-celled amongst us. Ancestral, integral but largely peripheral, a container for consumerist miscellanea and other sinister debris and, most urgently, it is something that needs to be dealt with… later. …
*In process of stocking.* Dreamy hazes of swirling melodies from a master imagineer of the Rhône-Alpes! A true and prolific veteran of the French DIY scene as a member of outfits like Omertà and Balladur, key editor of the cult zine Fond de Caisse and one of the heads behind the compelling Echos festival, Romain de Ferron has paved multiple paths for himself with ever-surprising outcomes. Solo, he’s been going at it for years, becoming renowned for melodies that evoke utopias of differing scales…
A house is something that is so deeply temporary, yet it can hold so much energy. How do we carry or leave behind those energies while transitioning into new spaces? How does each space we occupy for some time shape us and how do we tear ourselves away from it and its influence once it’s time to go? These are some of the core questions behind CC Sorensen’s new album for Mappa, ‘Phantom Rooms’ – it’s a record about movement, change, transformation, family, juxtapositions… but most of all, home.CC…
*Limited Edition of 300 copies.* Fortified by his collective experiences as a drummer and percussionist on the margins of free rock and improvisation - in Pneu, Papaye, Binidu or La Colonie de Vacances - Jean-Baptiste Geoffroy imagined Tachycardie, a project in which he initiates a paradoxically complex and raw vibratory art where rhythms and drones are born from matter and objects. For his third disc under his fluttering pseudonym, Geoffroy blurs the lines between compositions/improvisations an…
Tip! Milanese sound artist Alberto Boccardi explores eerie electro-acoustic interstices reflecting his time spent in Cairo, and move back home to Italy, for Room 40. ‘Petra’ unpackages the artist’s mind in quiet, spectral designs after spending five years in the humid swelter and febrility of the Egyptian capital. Recording in a Milan studio he set up years before, Boccardi embraces silence after so long without, prizing his studio’s relative familiarity and controlled settings as a space to ru…
Misha Sultan offers a twin set of deeply mystic shapeshifters for his outing on Patience, entitled Translucence. On both sides Sultan mines the depths of the mystery to summon two unique cuts both earthly in origin but stirring with an undeniably cosmic energy. Incorporating sounds arising from the Far East of his Russian origins, Sultan displays an affection for the esoteric and a mastery of instrumentation that, combined with a deft grasp of contemporary production, makes for a lush, beguiling…
Repress of this chiller classic from 2015. "Talk From Home" showcases Suzanne Kraft's emotional depth as a producer, and skill as a multi-instrumentalist. Recorded over a few weeks in the winter of 2014, the intimacy of the recordings shines through in a melancholic yet hopeful world of melody and tone.
** finally repressed - a real beauty! Jonny Nash returns to Melody As truth following his " Phantom Actors" EP. "Exit Strategies" puts Nash's layered guitar textures at centre stage, further demonstrating his ability to draw emotion from the simplest of elements. A glimmering mini LP of lush and spacious compositions, surrounded by Nash's own unique air and atmospheric touch.
** Limited edition of 125 copies with mounted text on front and back (as the original 1975 LP), silkscreened by Alan Sherry. This edition includes two inserts, a Japanese text sheet and the English text, translated by Alan Cummings ** Toshi Ichiyanagi, Michael Ranta and Takehisa Kosugi originally got together in the summer of 1975 for an open-air concert in Sapporo. The concert felt like a great success but was unfortunately not recorded. As the desire arose to record together, they managed to a…
*300 copies limited release. In process of stocking* Keith Fullerton Whitman brings his 3-part Generators series for Japan’s NAKID label to a close with a third and final instalment that ravishes the senses with hybrid analogue/digital systems tekkerz. Hazing into a solemn start of floating organ and slurred drums, the first part fizzes into action with pranging irregularities, tentatively allowing the system to voice varying pitches and nimble rhythms that resemble balletic footwork plies as mu…
Working outside normal record business market mechanisms, Einstürzende Neubauten recorded this album over some 200 days in their own studio funded by their world-wide network of subscribing supporters via www.neubauten.org. Possibly informed by the title of 2000's Silence Is Sexy, the word on the international music scene was that Einstürzende Neubauten had become calmer, quieter even. Alles Wieder Offen blows this assumption out of the water; it is an urgent and compelling album in every aspect…
It's by some strange inversion that since his untimely death in 1999 Bryn Jones' Muslimgauze project has become evermore enigmatic as his publicly available recordings have become evermore vast. The Mancunian artist's sudden passing at the age of 37 prematurely resolved a body of work that remains as experimental as it is diffuse, with an informal archive that was left spread between favoured labels and confidantes. And though this monadic project never abided by genre specifications, it all fee…