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*Limited, numbered edition of 100 copies.* New York City-based Kjostad is the moniker of Stefan Aune, who is also involved in Form Hunter and Breaking the Will, in addition to running the New Forces label. Capturing highly personal sounds focusing on northern Minnesota, Aune adds layers of electronics and magnetic tape, weaving an organic tapestry of man-made and natural sonics. Captive explores the physicality of organic sound and the productive tension that arises when it is captured via analo…
*In process of stocking.* 'Meth.O.Tapes' catalogue opens up on a programmatic framework in the form of Gil.Barte's first LP. Developped as an experimental exploration rather than a narrative, this object called « R.S.F » is a recollection of intriguing sonic pictures. Tracks neither really start nor they finish, pieces of an apparently unreasolvable puzzle like pages of a fantastic bestiary long forgotten.
*2022 stock* The Maze is a map of different territories I covered in my recent travels. But the mapped territories are not contiguous: I am the tunnel that links these places and times, I am the border that keeps them together. Now, a geographer who makes a map doesn't make a survey: these are two different things. The survey - the gathering - comes first, but the mapping process includes several subsequent steps: scaling, removing, enhancing, and adding. Scale allows to grasp a large territory …
When words trail off at the beginning of Claire Rousay’s “Everything perfect is already here,” ornate instrumentation is waiting to fill a void left by the breakdown of language. Yet it becomes clear as we trace rousay’s collaged sonic pathway that breakdown, of meaning and also of melody, is also a place to rest. everything perfect… is made up of two extended compositions that cycle between familiarity and unknowing. There are seemingly infinite ways to feel in response to these pieces of music…
*In process of stocking* Music For Listening, the sophomore album by Michael Scott Dawson. The album is comprised of twelve ambient works for guitar. It follows his 2020 debut Nowhere, Middle Of which was built around generative synths. Not wanting to repeat himself, Dawson entirely abandoned the synthesizer, his primary instrument, on Music For Listening. The resulting guitar pieces lean heavily on tape loops and manipulations, and are accompanied by field recordings and spare piano elements. T…
*100 copies limited edition* Tibor Szemző is presenting two compositions on his new album Snap #2 – The Other Shore and the first release of his CUBA. As the title implies, Snap #2 can be considered a sequel to his cult album Snapshot from the Island (released in 1987, 2000 and 2020). In that first album the island was a metaphor for isolation and now Snap #2 offers Szemző’s reflections of his visits to real islands, Cuba in 1988-1990 and Japan in 1992-1994. As usual, Tibor Szemző processed the …
*200 copies limited edition* ' t Geruis is a discreet musician from Belgium, working in the field of ambient, with a grainy texture from some lo-fi recordings. This is his third solo release on a label but coming from his first works (recorded between august 2020 and march 2021). His words on Bain D’Étoiles below: "This album is about searching for wonder. Stories that give a sense of adventure. A vague memory of a discovery, something that lurks in the forest. The night falls over you like a wa…
“I first met Jerry Blue when he left Oregon for northern California’s East Bay 25 years ago. He’s recorded and performed in numerous collaborations and iterations over the years, including guitar contributions for my Porest project. Naturally, in the USA, one must resort to unthinkable crimes in order to carve the time and space required to create art or music. Among other crimes, Jerry makes loads and loads of home-studio recordings. At age 42, he had a pacemaker installed and finally decided t…
*250 copies limited edition* A site-specific recording sporting a straightforward approach that i’ve grown to love in the works of Gonçalo Cardoso. An album of modern day exotica, a genre i usually pretty much dislike, yet Cardoso steers his vehicle easily aside the trapdoors and potholes. Combining found sounds, sparse playing and field recordings he creates a world that both invokes Treasure Island, and An Essay On Exoticism. Indeed questions are raised. But especially certain emotions are sha…
*200 copies limited edition* Third work for Richard B. Lewis, who, with "The Blue Horizon", takes us on a journey through the whirlpools of mental disorder that blur the unreachable blue horizon like a thick fog. Sounds that penetrate inside and leave you naked in a bond between nature and dream. Drones and noises that keep you suspended in an oppressive limbo but let you see the light... You can't touch it, but it seems to be there waiting to welcome you. With "The Blue Horizon", Richard B. Lew…
Austin's Andrew Anderson has released a number of solo cassettes (as well as an album with Thor Harris - see their duo, THAA's excellent 2020 album, Against Permanence). Vagrancies, Anderson's debut for Elevator Bath, however, is arguably his most ambitious and accomplished work to date. Each of Anderson's primary concerns is represented fully in this new collection. Mangled tapes, unidentifiable instruments, electronic wizardry, and wide-ranging found sounds / field recordings join forces here …
«Tolerance can be used to describe how things fit together. Another term is allowance. Situations do not always run smoothly alongside others. People are not always able to accept new situations presented to them. With this work, I have stated “Many borders crossed, communities welcomed by, moments shared, ideas exchanged. Everyone on the planet should have this basic human right.” I truly believe this and have grown in every way through my own experiences, here combined in a way to reflect both…
'Bergur’s first solo album. Composed, developed, and recorded between the winter of 2019 and the winter of 2020; between Lithuania, Iceland, The Netherlands; in the field and in the studio; with the help of friends. For instance, with the Singing Club of Rotterdam — of which Bergur is one of the co-founders, members, and organizers — which runs as a bi- monthly-meeting, informal-group-of-people interested in the potentialities of voice and choral sound. The Singing Club appear in Night Time Tran…
The work of noise musician Aaron Dilloway, formerly of Wolf Eyes, exudes a raw vulnerability and needling playfulness. His new album strikes a balance between dread and curiosity.
Lucy Liyou’s music carries with it deeply personal poetry, in a literal and metaphorical sense, conveyed using sound collage, noise, field recordings, and abstracted pop tendencies. When Notice first heard Lucy’s music, we were struck by its incredible honesty, vulnerability, and originality. For her first collaboration, A Need/A Want, she is joined by Philadelphia-based guitarist and lyricist Yska. Bizarre shards of Yska's electric guitar permeate Lucy’s deft and supple production techniques as…
**120 copies** “Outros Cortes”, from “A Casa E Os Cães”, ends with some of the characters from the film whispering random phrases with a vague tone. It is fast and, at first, it sounds incomplete, interrupted. After a minute or so it becomes clear that those first impressions are wrong. The soundtrack for the film by Madalena Fragoso and Margarida Meneses is composed of fragments that create a sustained harmony. Polido explores the concept of a soundtrack, using and reusing sounds of the film to…
**2022 stock. Edition of 100 copies ** My Home, Sinking is one of the many sound projects fronted by Venetian Enrico Coniglio, whose latest album King of Corns blends live instrumentation with field recordings and strange vocals to create a neo-classical work wherein the sum of the whole is greater than its parts. Like Baudelaire’s great book of poems, The Flowers of Evil, King of Corns seems to allude to the interplay between life and death as twin sides of the same coin. The beautiful, hauntin…
*Edition of 100* This release initiates a series of propositions between Bonnetta and Hamann exploring film sound design as a relation of anecdotal music. Each side is composed of location recordings, musical fragments, foley, in-studio recordings, outtakes, and sketches gleaned from various re-recording processes. In the absence of images, these sound propositions reflect on the possibilities of a particular form of ‘aural cinema,’ of fictional spaces constructed from the reordering and recasti…
‘On The Darkest Day, You took My Hand and Swore It Will Be Okay’ spawns out of reflections and realizations from the past year. The musical pieces themselves teeter between anger, anxiety, and hope, usually turning to distortion and noise. These were often an attempt to make sense of the happenings around the world. At times this process was a way to soothe my own frustrations with life at a standstill. A big influence on this album was watching events unfold online. Technology made it incredibl…