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"What I remember … a car on fire alongside the highway in the middle of the night. Waking in someone else’s bed in London with an entire poem spilling into my head, and then recording it with Tim in the kitchen after breakfast. Seemingly endless car, bus and train rides full of the country side splintered and refracted through glass and fatigue, always the same, always different. The screaming woman at the airport who pulled the fire alarm, evacuating the terminal. Some guy in Brooklyn talking t…
On Music is Not a Copy Kink Gong turns crystal pop into syrup musak, a skippy glitch digital re-configuration of Chinese popular music, sounding like a broken unrelenting CD player under Beijing’s main underpass. We can’t think of anyone else making music like this, being it destructive or celebratory, dive in, never come back.
The first Josh Landes solo full length! Released Thanksgiving 2020. He used a Molasses Industries Rat King, the Greenwood Electronics Limbs Box 2.0, a Boss DD7, and field recordings of a lake and a pig on this record. A sample is taken from Richard Kelly's "Southland Tales" (2006). Electronics recorded in Pittsfield, Massachusetts on 8/25/20. Pig recorded at the Hampshire College Center on 7/26/20. Lake recorded at Ward's Cover in Wilmington, Vermont on 7/30/20.
*200 copies limited edition. 2022 stock* Line Spectrum is the new project by Oleg Puzan from Ukraine, who also released some excellent works on the Cryo Chamber label as Dronny Darko. Line Spectrum is a sound art project that is created to expand sonic boundaries through sound manipulations, often in a form of severe minimalism using a vast palette of microscopic sounds forming an immersive auditory monsoon. Slowly evolving textures mixed with field recordings and synthesized particles suits as …
"Du Y Moroedd" (Welsh - the black of the sea) is the album of abyssal dark ambient - environmental soundscapes and atmospheres from above by Llyn Y Cwn (Ben Powell), below and beside the ocean; field recordings made onboard vessels at sea; sounds from submerged recording devices deep underwater; recordings from the coasts of North Wales to Greenland and the Arctic Ocean. The tracks were created onboard the RV Prince Madog whilst conducting research using multibeam sonar to locate, survey and ide…
Hsia Yu is a legend in Taiwan’s poetry scene. She is one the most influential figures of youth subculture for decades. Under several pen names such as Li Gedi, she is also one of the top lyrics writers in the Mandarin pop music scene. She publishes her poetry only on her own independent label. Yan Jun is a Beijing based musician and poet. In later 90’s and early 00’s he was a key figure in China’s underground rock scene as music critic. Since early 00’s he works on the margin of music with field…
*In process of stocking* "There was this large, abandoned, cylindrical metal object, maybe an oil tank. In 2009, several people cam to the site and made some noise. They were Otomo Yoshihide, Ryu Hankil, Yuen Cheewai, Yan Jun, Sachiko M, Yang Ge, Xian Qiang, Hong Qile, Gogo J, Olivier Heux and Junyuan. The sounds chosen are refreshingly non-obvious, no fist-banging on the interior walls. There are soft clocks and drips as well as a number of sustained sounds–whistling, moaning, keening–that don’…
Parade is organized by Tadashi Yonago and Kayu Nakada living in Osaka. It is an event in the open air for sounds since Aug 2017, that held on an irregular base. Artists play at a spot they choose, such of a road side of downtown, residential area, parks, riverside... And we can listen the performance fused with the situation/atmosphere of the place.
Death Is Not The End presents London Pirate Radio Adverts 1984-1993, Vol. 1. The first volume in a two-part collection of pirate radio adverts & idents, taken from recordings of London stations between 1984 & 1993. Many thanks to Wayne Anthony, Simon Reynolds, Stephen Hebditch & The Pirate Radio Archive.
**2022 stock. 200 copies limited edition** The album 'untitled (2019)' by Francisco López was entirely created in 2019 and composed of a variety of very different pieces. Even though the pieces have very different origins, they all come together in a fascinating sonic trip, with the supreme quality and attention to detail you've come to expect of Francisco López. He himself humbly refers to this album as 'a killer'. Couldn't agree more. Francisco López is internationally recognized as one of the…
Tip! ** 2021 stock ** Vidna Obmana (whose real name is Dirk Serries) evokes the sunless wet gloom of his native Belgium in this CD which, as its name says, is music composed by Obmana as background sound for an aquarium installation. It has seven sections of his atmospheric (or rather, aquatic) ambience, dating from '92 and '93. Obmana stays with his familiar repertoire of long, floating electronic drone tones over percussion and sound effects. When he uses tonality, he favors somber open eleven…
"The Wind In Kirtipur is a piece in two parts using normal and treated location recordings, pitched Tibetan thigh bone horn and singing bowls. Recordings were made at the Bagh Bhairab Temple in Kirtipur, at the Swayambhunath Stupa in Kathmandu and inside the walls of the Kumari Ghar where the 'Kumari Devi' (Living Goddess) lives in Kathmandu, Nepal. The title is inspired by a text written by poet Ira Cohen as a foreword to a book of early texts/poems by Angus MacLise entitled 'The Map of Dusk': …
The first full-length vinyl outing from Berlin-based musician and visual artist David Roeder. The LP features original and re-worked tracks from his previous self-released tapes as well as new material.
A gateway to the work of this shape-shifting artist whose Pessoan approach presents us with 23 tracks ranging from ensemble pieces, bedroom pop, field recordings, improvisations and electronics. Disparate elements unified by a layered, textural and DIY approach to sound. Indeed, the whole is some…
"It’s not my normal Sunday morning post-liturgy music, but there is a gloriously horrendous feel to it, marking in some way, a societal collapse we all seem to be witnessing worldwide." - Music You Need To Hear
Notes from Steve Roden on Oionos :'Oionos was created for the exhibition The Grand Promenade, in Athens, Greece. The exhibition took place in various archaeological and historical sites in central Athens, creating a situation for contemporary site specific works to be in dialogue with their historical surroundings. While it was not originally offered as a possible site, I pleaded with the curator to allow me to work with architect Dimitris Pikionis’s Church of St. Dimitris Loumbardiardis, abo…
Magisterial, psilocybic stuff from Windy City electro-acoustic explorer Olivia Block, returning to Room40 with a filmic new album inspired by mushy trips during lockdown. "During the lockdown, unable to do anything in the world, I turned inward, adopting a regular practice of listening with intention while on psychedelic mushrooms. The mushrooms helped me to listen somatically, pulling my ears towards low tonal patterns and the warped sounds of a broken Mellotron I had recorded earlier. I starte…
Tip! that bring together two established composers for the first time. On one side (who knows if it is side A or side B?) we find Silvain Vanot, who was at the forefront of 90s French indie rock alongside the likes of Dominique A and Jean-Louis Murat. He has also collaborated with Jim O’Rourke. The other (side B or perhaps side A?) goes to Pierre-Yves Macé, a stalwart of the label. A composer of instrumental (his work is regularly performed by the Ensemble Intercontemporain) and electroacoustic …
* Edition of 200 12" Turquoise Colored Vinyl. Hand-numbered. * "Odeyalo" is a Russian word that means "blanket". This blanket is made from many rags. It's hard to tell where one ends and the other begins, but the main thing is that you can cover yourself with this blanket. Foresteppe is the musical project by Egor Klochikhin, artist and history teacher from Russia. Foresteppe's music is a constant experiment with the sounds of tape cassettes, acoustic instruments, field recordings and electronic…
* Limited to 200 * Field recordings realized by Thomas Tilly, at Saül and on the Rorota road, French Guiana, May 2015. Composed using field recordings, electronic sounds and microphones dysfunctions, from 2015 to 2018 by Thomas Tilly.