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** Hawaiian new age music from the early ’80s ** A key figure in Hawaii’s groundbreaking new age movement of the 1980s and early 90s, Robert Aeolus Myers’s sonic storytelling has echoed through the decades, growing in volume since the 2017 retrospective on Aloha Got Soul. Composing and performing music for dance, transformational theatre, worship or rebirth, Robert’s talent has taken him across the globe, allowing him to expand his mind and enrich the lives of those around him. During the mid ni…
**Limited to 100 copies only**Coquina Dose is an album of uncommonly intimate gestures and reflections, many of which are inspired by Josh Mason’s lifelong home of Florida—what it means to live there, other people’s perceptions of it, and its unofficial status a “humidity kingdom.” In evoking this atmosphere, Mason utilizes guitar and tape, which has been so emblematic of his work, but also further engages with new ideas in synthesis, and even the bio-feedback of plants. The processes are fascin…
Drone pursues new resonant frequencies with its twelfth release, a tonal, penetrating, and experimental album, Von Haze's VII. VII was recorded by laying full takes of synthesizers and guitar feedback with repetitive melodies as a nod to the tradition of ragas. Each song was written for a specific power center in the body and to engage both active and passive effects of sustained and concentrated sound.
**Restocked, reduce price** A true lost rarity of American ambient/cosmic music: Chris Spheeris and Paul Voudouris' 1982 album Passage. Living and recording in Milwaukee, Wisconsin, Chris and Paul composed and released several albums of folk-rock and album-oriented synthpop before their attentions turned towards sound healing music in the early 1980s. The duo was approached by a company doing Biofeedback therapy and asked to create an aural component for patients looking to regain control of ner…
Avant-garde and experimental musics are intrinsically connected to community, collectivism, support, and collaboration. Audiences and artists, stretching to every corner of the globe, continuously rely on each other to push into ever more ambitious realms. This spirit of discourse has always been central to the multigenerational contexts of avant-garde and experimental music from Italy. For decades, neglected and over looked by their international peers, the country’s musicians and fans spoke he…
One-time edition of 480. Eleh's Home Age series was composed and recorded over a period of five years and it reflects a search for color, form, connection, and growth. The handmade artwork contained in each package was created during the same period of time the music was composed and is an integral part of the meaning of Home Age. For this release, Eleh plays modular and analog synthesizers, piano, organ, bass, and symphonic chimes. Although Home Age is a two-part set, Eleh's upcoming Living Spa…
**Edition of 1000 copies**Eliane Radigue's Geelriandre / Arthesis is named for the pieces that fill its two sides. Geelriandre, realized on an ARP 2500 synthesizer in 1972, features Gérard Fremy on prepared piano. Arthesis, realized using the University of Iowa's Moog in 1973, comprises the full duration of side B. Eliane Radigue has received much deserved praise for her transcendent composiitions for tape, synthesizers, and acoustic instruments. Her work is deep, slowly changing, and timelessly…
A fluid dream logic runs deep in William Fowler Collins’ Field Music.
The New Mexican composer of dark minimalism has long centered his
practices upon the slow burn of the drone through guitar, electronics,
etc. That remains the case for Field Music, with Collins extending his
strategies through compositional exercises into rhythm and a diverse
array of conceptual signposts that push his work along unfixed, sometime
oppositional directions. The idea of ‘field music’ can relate to the
arch…
A little while back, with the release of German composer and musician Stephan Mathieu’s sprawling 12 CD box set, Radiance, we predictably touched on the overwhelming ambition of such a thing - especially being as good it was. It was hard to imagine we’d be hearing from him again so soon. But here he is before us, issuing another incredible body of work - 8 CDs in total, under the title Folio, on his own Schwebung imprint in an edition of 250. Our minds are bent. His ambitious heights never seem …
***Expanded CD Edition - includes 5 extra tracks not featured on the vinyl edition of this album. 300 copies only. This is a special non-profit publication for historical, scientific and educational purposes** Not so long ago, Italy’s remarkable movement of musical minimalism remained almost entirely unknown. Stretching from the 1970’s through the late 80’s, it rarely sounded like anything else - taking a remarkable range of cultural influences and ideas into its midst - a body of creative hybri…
Jim O’Rourke returns with his first physical solo album since 2015’s Simple Songs, following a relatively steady supply of download-only releases via his Steamroom Bandcamp (over 20 of them since 2015) and collaborations with John Duncan, Keiji Haino, Oren Ambarchi, Peter Brötzmann, Merzbow, Fennesz and others in the interim. Anyone familiar with his exceptional Steamroom output will have an inkling of what to expect here; this is Jim O’Rourke at his most meditative, absorbing and quietly subver…
**few copies back in stock, very last around** It hardly needs to be said that the context of experimental music is defined by incredibly ambitious efforts. But there’s ambitious, and then there’s ambitious. The German composer and musician, Stephan Mathieu, might have taken the cake. Back in 2016, he began issuing his sprawling Radiance project, the culmination of a decade of work, in the end amounting to twelve thematically linked album length pieces, built around the concepts of stasis, unfol…
At the dawn of the 1980’s, a few years before her now legendary LP, Through The Looking Glass, took form, a young percussionist playing with the Berlin Philharmonic, Midori Takada, found her creative ambitions looking further afield. Her ideas brought her home to Japan, then peculating with new notions of what avant-garde and experimental music could be, to form The Mkwaju Ensemble with fellow percussionist Junko Arase and Yoji Sadanari. The project quickly recorded two astounding LPs in 1981 – …
** edition of 200 copies only, few available** Franco Nanni’s ‘Elicoide’ is a lost gem previously released in 1987 only in few copies. The Italian musician has developed (with the assistance from Paolo Grandi on double bass) a minimalistic and repetitive structure expressed into five long compositions ranging from jazz, avantgarde and of course ambient music, each one with its own precise character. It is an album that showcases his idea of “Ascetic Trance” by referring to the music of John…
**Last copies. Limited to 100 copies only** Ned Milligan now presents his new album, Nature Always Needs Improving, building on the momentum generated by his admired third LP, Continental Burns. Echoing that album’s mode and structure, Nature Always Needs Improving offers a handful of tender, minimalist pieces before giving way to a spectral side-length conclusion. The deep intimacy of the album is enhanced by its process—primarily recorded outdoors on porches or in yards—and by the unpredictabl…
Exceptional recordings by Randall McClellan, a founding member of the electronic music studio at the Eastman School of Music in 1967 where he later received a Ph.D. in Composition, Theory and Musicology. A growing interest inesoteric mystical traditions and personal practice of North Indian music - between the years 1966 to the early 80s - prompted him to develop his personal compositional practice into an active platform for inducing altered states of mind. He constructed his concerts to be s…
Pulse Emitter’s Meditative Music series captures an artist’s dedication to evolution through years of traversing a myriad of textural and contemplative terrains. Active in the ambient, drone, and noise scenes of Portland, OR since the early 2000s, Pulse Emitter (the project of Daryl Groetsch) has grown fathoms since the project’s inception, from Groetsch’s humble homemade synthesizer, to his embrace of the worlds of possibility digital instruments and processing could unfold. Originally s…
Invisible Cities, the first collaboration between Aidan Baker (Nadja, B/B/S) and bass clarinetist Gareth Davis (Oiseaux-Tempête), offers the finest ambient/chamber jazz/subtle drones of a highly meditative quality. Be it solo, as member of the drone duo Nadja or B/B/S (his trio with Andrea Belfi and Erik Skodvin, aka Svarte Greiner) or in various collaborations with artists like Tim Hecker or Thisquietarmy, the Berlin-based Canadian is one of the most productive and versatile artists when i…
Fascinating one-off Computer Music curio from 1979, released, incredibly, on Book-of-the Month Records, "a Division of Book-of-the-Month Club, Inc." Much like Laurie Spiegel's Voyager "Golden Record" piece, "Harmonices Mundi," Johannes Kepler's star-math was used as a template for the cyclical periods of a series of Digital Oscillator algorithms, which were then sent spinning in & around each other. The result is not unlike the Pythagoron™ LP, or even Thorkell Sigurbjornsson's somewhat contempor…
Of all the works by Jean-Claude Eloy, the 1983 "Approaching the Meditative Flame...", for 27 instrumentalists of the "Gagaku" orchestra from Japan, and two choruses of "Shômyô" Buddhist monks (a work known partially in the West by a double LP album "Harmonia Mundi") and more particularly, "Anâhata", for five traditional soloists from Japan (three instrumentalists and two monk singers), percussions, and a major electro-acoustic part (presented in different festivals in Europe) – are the two works…