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Color of Time is a long distance, ambient and drone project featuring Kévin Séry (From Overseas) and Nick Turner (Tyresta). Created with guitar, synthesizers, Mellotron and effects, their music focuses on themes of impermanence, loss and the impact that humans have on each other and the planet.
Cat Tyson Hughes is an Australian composer and artist working in experimental music and contemporary art. ‘Crossing Water’ is her debut album with Past Inside the Present, in addition to it being her first formal full-length. She has spent the last few years working on various music projects including her appearance on our compilation ‘Healing Together: A Compilation For Mental Health Recovery’ 2LP and appearing on zakè’s long-player ‘Remembrance’ 2LP with a beautiful rework. She has also worked…
“Composed during one of London's endless dark and locked down winters, Fever Dreams is a fantastical, speculative take on high density living. From dark, mouldy rooms, subterranean depths, symbiosis and multi-species entanglements, it cloaks itself in the claustrophobia, excitement and despair of living in a metropolis. It is a work which both celebrates and fears the weeds, spores, vermin and grime of London. The dark fantasies, frustrations, and utopian aspirations of its urban survivors. Froz…
Orchestral Tape Studies II is an enthralling amalgam of orchestral textures carefully crafted by zakè. It is a continuation of its predecessor, Orchestral Tape Studies which was released to high acclaim in 2019. Bringing forth pastoral meditations with becalmed, atmospheric intent, Orchestral Tape Studies II is a convincing display of beautiful scores primed for the self-reflective moments that are both contemplative and thought provoking. These delicate repetitions, reticent sound treatments, a…
*300 copies limited edition* Accumulation and assembly in the Derbyshire Dales in the Caroline K studios. Digital mastery achieved in Silver Octopus studios Buxton, Derbyshire, England, 29th July 1989. Mastering : Paul Lavigne March 2023. Layout : Pole Ka. Dedicated to the new active listener.
Pauline Hogstrand's music – and Áhkká, in particular – is deeply inspired by both inner and outer influences, by the mystical as well as the rock-solid, by fictitious conversations and the queen mountain of Lappland (Áhkká).
Here the work of the last 4 years by Capricorni Pneumatici. A double CD with 8 medium/long sound dissections recorded in Sweden, UK and Southern Italy. Dissection 1 is a frizzling track based on Tibetan bowl, maracas and music machine. Dissection 2 is a very long suite introducing low, calm waves of a forgotten sea that you should listen in a dark room. Dissection 3 is shorter with the addition of percussive echoed noises. Dissection 4 has a harsher sounds produced by synth, el guitar, tubular …
Since relocating to Brazil some years back, Needs Music co-founder Lars Bartkuhn has returned to his long-held love of musical improvisation. Although it’s a product of his jazz roots and classical training, the German producer has constantly found new ways to apply it to his work in the sphere of electronic music. ‘Dystopia’, his first solo album for almost nine years, was born out of two interlinked ideas: a desire to create improvised music without the aid of computer sequencers or an electro…
Electronic Music from 1972-2022 seeks to frame fifty years of Carl Stone's compositional activity, starting with Stone's earliest professionally presented compositions from 1972 ("Three Confusongs" and "Ryound Thygyzunz", featuring the voice and poetry of Stefan Weiser – later known as Z'EV) up to the present. This collection is not meant as a definitive history but rather as a supplement to be used alongside the previous two archival releases. It is simultaneously an archival release marking Ca…
This is the second release from our dear friend Sebastian Bruun. He makes truly beautiful ambient music, with a slightly melancholic but still optimistic sensibility, uniquely his own. His music is primary based on warm synth-loops and Field-recordings recorded to tape. This is a quite minimal release hence the limited nature of 4 track tape recording, but the compositions are filled with emotion and care for detail in sound. This is a beautiful tape that we are happy to put out.
A note from Christina Giannone
Dissociation is the driving force behind the composition. The act of surrendering, the attempt to observe our existence from the outside.
Giving in feels like giving up.
Acceptance feels like resignation.
The process included digital sound experimentation by means of observance and detail orientation and the idea of sound presenting itself in different identities depending on the listener. This attention to detail acts as a hologram, changing shapes depending on th…
*300 copies limited edition* New album from Josiah Wolfson’s X Or Size project, all washed out and reverberating dub. X Or Size throw just the right amount of darkened ambiguity into proceedings to render the sound at its most compelling, borrowing from the classic dub techno playbook with wave after wave of luxurious, eroded dub chords and fractured percussion somewhere between vintage Chain Reaction and the more contemporary wave of late night zoners as best exemplified by Actress’ ghost-in-th…
After issuing an incredible stream of collections featuring archival and recent material in the last years, electroacoustic journeyman, Stephan Mathieu, returns with “Mauve District”, his first physical solo stand-alone release of new material since 2017’s “Radiance”. Created as the soundtrack for an exhibition of the American painter, Helen Frankenthaler, at the Museum Folkwang in Essen, Germany, earlier this year, it encounters Mathieu weaving a truly mesmerizing minimalist work for piano and …
Tip! "Nothing is fixed, nothing is permanent, nothing holds for anyone, any time or anything.
As stable as we might choose to think it is, this planet is anything but that. A paper thin crust, the zone in which we find ourselves, and mostly concern ourselves with, exists as a modest veil cloaking a dynamic seismic turbulence that is as powerful as it is unknowable.
There are moments though where ruptures occur. The pressure from within carves its way to, and through, the surface of the planet si…
From Lawrence English: "A few years ago, my dear friend and bandmate Jamie Stewart and I were talking about Swans. I started to mention how much I admired the utterly personal approach to guitar that Norman Westberg had developed on those early records and moreover how that had blossomed out so richly on this latest incarnation of the band. During the course of the conversation Jamie mentioned a CDR that Norman had passed to him, which collected a few pieces of solo work that Norman had been wor…
2023 Stock. Drawing deeply on the earliest recorded period of Japan’s history, the Kofun era, Chihei Hatakeyama’s Mirror meditates on the importance placed on reflection during this age. The mirror was a source of great inspiration, not only as a metaphor for the sun, but also for its ability to shift and reflect light from one location to another. This act of transplanting light, considered almost magical by many during that time.
Similarly, this idea of reflection spurred Hatakeyama to underta…
100 copies limited edition. Housed in high quality card stock with art silk screened by Alan Sherry at SIWA Printing * Swirls of guitar artifacts, collateral noise, percussive events, and synthetics all processed, looped, layered and mystified in improvisations by No-Neck Blues Band members Pat Murano (aka Decimus) and Dave Shuford (aka D. Charles Speer & The Helix). Scary textures and ticklish surprises. In some distant future? No, you say. Now, there’s a logic in being skeptical about seers, b…
2023 stock. From Scanner, aka Robin Rimbaud: "There were three performers and one witness. I can remember this day well, even though it was some twenty-four years ago. Standing up before a mixing desk in a dark room in an apartment in South London, Jim O'Rourke, Robert Hampson, and myself, literally all hands-on deck as we each took responsibility for the faders on the desk. Introducing sounds to the mix, the accident reigned supreme. Sometimes the high frequency of cellular noise would pervade …
Francesco Gennari is trained as a classical pianist and he commits himself to sound exploration through modular synth practice as further evolution of his musical journey. Gennari's origins are with black and white keys, noise-punk bands and DIY instrument building. This stunning debut, titled Frammenti, is the culmination of all of Gennari's interests. Through simple ideas developed with classical techniques like counterpoint and harmonic expansions, Francesco uses the modular setup as a virtua…