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These two contrasting pieces explore the age-old human quest to comprehend the transformative powers of life. The overlapping disciplines of anthropology, philosophy, the culture of memory, cognitive psychology, and environmental studies, are conceptually layered to extend the idea of formative traits of sound and to deepen the notion of listening to historically dense spaces.
A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959-2001) with art by Zofia Kulik. “Would it sound just as bad if you played it backwards?” assembles a collection of audio experiments created at the Polish Radio Experimental Studio (PRES) from 1959 to the beginning of the millennium. These exceptional works are presented alongside images from the Polish artist Zofia Kulik, whose career reached its apogee between the late 1960s and early 70s.
Polish Radio Experimental…
Bečva is a river located in the Eastern part of Czech Republic. In September 2020, several chemical leaks into the river caused the poisoning and subsequent death of 40 tons of wildlife in the waterway – an unprecedented catastrophe. Growing up in Přerov, Bečva was an ever-present part of Tomáš Niesner’s youth and this environmental disaster affected him deeply. In an effort to understand the river better and inspired by Werner Herzog’s ‘Of Walking in Ice’, Niesner set out on a journey from the …
*In process of stocking*Tanzprocesz presents Patrick Lombe self titled new EP. Back in solo after a neverending wait. Forbidden manipulations, secret guitars and vocal shamanism, years of mental fabrication finally in your hands
Tip! ‘Kyo Mu’ and ‘Hochtöner’ both reveal a mesmerizing symbiosis of innovative sound exploration and visionary interior music, a sublime compound of fine-drawn intricate arrangements skillfully projected in space and time, or perhaps beyond space and time. Johannes Fritsch (1941–2010) was an award-winning composer, musician, publisher, studio owner, author and music teacher. He studied viola and composition with Bernd Alois Zimmermann and was member of the Stockhausen Ensemble from 1964 to 1970…
Edition of 50. CD+CDR+poster CDR is included the following three tracks are recorded by using Rionocorder, a flexi disc cutting machine by Rion, released in 1962. Therefore, the sound range is narrow with a lot of scratch noises. Since there was a time limit to fix these issues, it was decided not to include the piece in the CD.The reason it was used despite this performance, is because they also had an experimental approach to the recording method.
tr.1_Hajime Yamashita : Mural (Abstract for Pi…
Tip! *In process of stocking* PKWST & Teuthis Galore take you into a multi-plane realm of drone, free jazz, ambience, and tape loops that comfort and confound the listener, leaving them free to roam in a Venn diagram of emotional states and experimental sounds. "Tantalus Arise! We offer our child for the sacrifice of your hearing!". Experimental sound and multimedia visual artist PKWST is involved with Butoh Sonics, Smogma, Sugar Pills Bone, Claustronaut, Schadenhaus, Bitch Hog and solo projects…
*In process of stocking. 2022 stock* 'Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. …
*In process of stocking* Studio Redactions comprised of field- & location-recordings of Wire Shelving in the Mimaroglu offices (Cambridge), the Long Island Ferry (Bridgeport to Orient Point), Windchimes (Somerville), Bell Tree & Bamboo (Banff), Coal-Powered Trains (Stamford), Vocoded actions from Kraftwerk (Berlin), and various musicians and environments captured in the Metro around Paris (Flute player, Senegalese drummer, ecc)
* Edition of 75. In process of stocking. 2022 stock* Roel Meelkop (born 1963) is a Dutch visual / sound artist based in Rotterdam, Netherlands. After studying at the prestigious Willem de Kooning Academy, Meelkop pursued a studio practice involving analog synthesis and manipulated sound engineering techniques. His earliest published output was during the mid 1980's experimental electronic collective THU20, which was documented by the legendary 80's tape label Midas Tapes. THU20 members included …
*In process of stocking.* Music made between Yser and Mystère during a silent year. Every tape were made by hand, Silksreen and Letterpress by Marius Cstlle.
** 2022 Repress, ltd. to 300 copies on clear vinyl** Flux is the 1981 debut solo outing of Robert Turman, an American multi-instrumentalist and avant-garde composer. Until recently, Turman was perhaps best known for his contributions to the ballistic NON project with Boyd Rice, as well as other obscured U.S. industrial acts such as Z.O. Voider. In the summer of 1981, Turman decided he would take a drastic turn from the noisy/electronic/industrial work of his compatriots, and began work on what i…
*In process of stocking* Outstanding!!! Ideologic Organ presents the complete version of electro-acoustic composer Ákos Rózmann's epic masterpiece 12 Stations presented for the first time in its entirety as a deluxe 7CD set, packaged in a hardcover slipcase with a pull ribbon, a 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer. "In 2012 Ideologic Organ released the 2LP set 12 Stationer VI (SOMA 00…
Tip! Ákos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours.
We can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images…
*In process of stocking* Since the end of the 1970s, industrial music has stood out as one of the most vital and innovative forms of all the popular culture of the 1900s. In Italy, industrial and post-industrial have generated one of the most interesting and popular music scenes on the international scene. The reasons for this success are to be found in the cultural matrix and in the inspirational models that underlie this artistic phenomenon. Unlike what happened previously, the roots of indust…
* In process of stocking. 80 copies limited edition * Recorded by Neil Campbell December 2021 using Bugbrand Weevil, effects, guitars acoustic and electric, pianos toy and thumb, fiddle and multifarious percussions.
*In process of stocking* The final installment of the electronic fusion projects that Walter Bachauer concocted for Klaus Schulze’s Innovative Communication label, Visions of Audio delves further into minimalist musique concrete, extending themes developed on Memorymetropolis in drawing on non-European vocal chants, here applied in dissociative layers. The diverse, complex arrangements include the symphonic synths of ‘Promised Land’ and the war-mode Sensurround of ‘1922 In Baku,’ as well as the …
Michael Valentine West is a composer/decomposer utilising lessons learnt from various musical disciplines such as minimal, ambient, glitch, hip hop, jazz and sound design. He has recorded, produced and remixed using aliases such as Twiggy And The K-Mesons, K-Meson 4, Suck Susan, Lower Third, Mikimo Sosumi, Anal Teens and of course MVW. He has also scored music and contributed songs to soundtracks for several independent films.
*In process of stocking* A classic masterpiece from 1981, never re-released before. Originally 1000 copies pressed on orange/red vinyl. 120 copies were sold through Rough Trade and Virgin Records. 800 copies were bought and later destroyed by the United Dairies label, makin this record even more rare.
Hastings of Malawi were Heman Pathak, David Hodes and John Grieve. They recorded the album in one night in 1981 with no plan and no idea of what they were doing. They played drums, clarinet, synth…