Sèlection des musiques traditionnelles d’Afrique
'Selection des musiques traditionnelles d'Afrique' is a live recording session of ritual dance from Italian composer Luca Garino and the first release on tape of Details Sound. A fascinating musical document that incorporates percussion ensembles, rural soundscapes and improvisation taken from the traditional African heritage of C.N.R.S. and Ocora catalogues. The selection reveals the artistic practice and tireless research of the Turin based artist who is locally renowned for the most div…
Early Works 1969-70
Milestone! This LP of early compositions by Jacques Lejeune features three seminal works: D'une Multitude En Fête and Petite Suite, originally released on the Perspective Musicales series in 1970, and a previously unpublished composition, Géodes, from the same period. These three pieces (not included in the recent Parages and other electroacoustic works 3CD set) are some of Lejeune's earliest music for tape and may be considered a "prequel" to his later, more thematic works. Still, his concise m…
Bikini Tennis Shoes
*totally sold-out at source, few copies back in stock* The origins of Le Forte Four are those of the Los Angeles Free Music Society itself. Chip Chapman joined forces with Rick Potts (and shortly thereafter Tom and Joe Potts), taking up the LAFMS name in 1974. Ultimately baptizing themselves Le Forte Four, they began threading imagined lines between John Cage and The Residents, Cecil Taylor and Henry Cow – generating sounds completely unlike any of these and anything since. The inaugural release…
Klangbilder
Whoah. Here’s one you’re not likely to have heard/seen evidence of; Mr. P.C. C.P.’s treatment of German Painter Günter Maas’ sole LP release, privately-pressed in 1969. “Klangbilder” contains four extended pieces, ranging from Oskar Sala-esque sheets of detuned electronic sound - composed on the then state-of-the-art Siemens synthesizer utilizing an experimental photo-electric coupler which converted his paintings into control-voltage !!! - to dark Musique Concréte pieces utilizing evil-sounding…
Chimie Du Son / Stoeien Met Geluid
I hope you're been enjoying the Creel Pone 19x "Doubles" series; some great multi-disc titles that simply couldn't wait for their usual "every ten catalogue number" positions, especially as the series is running out of spots approaching its intended 200-title terminus. Here we've got an absolute corker, offering a mid-50s, private-press 10" release by Swiss sound engineer Francis Jeannin, who, verbally, takes us through the techniques of making Tape Music before letting loose with a side of home…
Electronic Music, Experimental Studios In Prague, Bratislava, Mu
Welcome back everyone! Hope you enjoyed those few weeks off from the natural Creel Pone "Cycle." We continue, as promised by Mr. P.C. C.P., "Unabated throughout the end of the summer." First up, "Electronic Music - Experimental Studios in Prague, Bratislava, Munich, University of Illinois, Warsaw, Paris" - this is just a great compilation, assembled by one Vladimir Lébl and released on the Czech Supraphon label in 1968 - on glorious, crackly Eastern-European wafer-thin vinyl no less - featuring …
Electronic Music by Caron, Perron, and Dawson
Reproduction of this 1981 collection, issued by McGill University (making it the other covetable French-Canadian collegiate-issue Electro-Acoustic side ... along with the Bengt Hambraeus “Concrète & Synthesizer Music” set) covering the work of three Québécois composers :: Claude Caron, Serge Perron, and Ted Dawson.Caron’s side-length “Japa” is a gorgeous (extended) stretch of post-Philip Glass modal fury, replete with churning arpeggiated analogue synths & a nice, light, wafting tonality. On the…
Musiques Électroacoustiques
Creel Pone treatment of two issues of Chilean Composer Edgardo N. Canton’s Early Electro-Acoustic music, entirely composed & executed during a residency at the GRM that started in 1959 & ended in 1965 - although he stayed on as an adjunct composer until 1973 - inlcuding a hen’s-teeth rare 1984 Moshe-Naim label collection, then two variants of his score to Serge Roullet's film of Sartre's "Le Mur" on Disques Ades.As the central & southern-american territories have been fairly under-documented - a…
Avant Garde
Trucking right along, here’s the 1974 second entrant from British library Studio G’s “Avant Garde” series, featuring a trilogy of pieces composed by none other than “Acezantez” head Dubravko Detoni - only his second LP release following the storied “Graphie I.II.III / Phonomorphia 1.2.3” LP for Philips’ Prospective 21e Siècle series from a few short years prior.Laid out with familiar Library-lexicon panache - the three pieces are described as “Acoustics for Piano Effects and Cello,” “Piano Effec…
Herbstpathetique, Bildnis
Issued by the mythical “Musikalische Jugend Österreichs” (the same who bestowed Anestis Logothetis’ “Hör!-Spiel / Nekrologlog 1961 / Fantasmata 1960” LP onto a confused, irradiated public a few years later) in 1972, this, frankly, batshit outing of Sound-Poetry lineage vocal gymnastics (courtesy of the composer’s wife - noted actress Gunda König) & analogue blat ℅ Dieter Kaufmann hits an ardent stride during the A-side’s Rilke adaptation before launching into the stratosphere via the B-side’s ex…
Sonoma
While Creel Pone has done a bang-up job at documenting non-Subotnick alternatives such as Michael Czajkowski's "People the Sky," Douglas Leedy's "Entropical Paradise", etc. there's, simply, not a lot of music out there made on the early Buchla systems; which makes this hiterhto undiscussed collection of pieces by the composer Carter Thomas, all recorded between 1971 & 1977, then issued in 1985, something of a unheralded gem.
Starting with "800th Lifetime" - an 11-minute suite for Buchla 100 & 20…
The Woodcarver
An acousmatic track based on field recordings mainly collected on the mountains of Northern Italy during two different phases of a wood harvest work. "please close your eyes, just close them" Luca Garino (Italy, 1978) is an Italian composer active since 1996 in the fields of electronic and concrete music. He started as self-taught and then continues his research at computer music at LaSDIM (Laboratorio per la sperimentazione e la didattica dell'informatica musicale). Previously active under…
Musiques concretes 1988-91
Brocoli continues to unearth Michel Chion’s unreleased gems, after the concrete melodrama Tu and the collection of early works Musiques Concrètes 1970-71. This time it focuses on the period from 1988 to 1991, starting with 10 études de musique concrète, a series of obsessive pieces, sounding in turns dry and liquid. While Variations smashes a waltz theme to pieces, Crayonnés Ferroviaires is a work and manifesto, an ode to the tape recorder and to the possibilities offered by the microphone and m…
Musique Concrète
Temporary Super Offer! Reissue of 1960 BAM label release. Musique Concrète represents an important milestone in the development and progression of the genre of the same name. It marks a crossroad for the genre and its originator, Pierre Schaeffer and another of the genre's most important protagonists, Pierre Henry. In 1942, Schaeffer and Jacques Copeau founded the Studio d'Essai (renamed Club d'Essai in 1946) as part of Radiodiffusion Française studios in order to experiment with radiophonic tec…
Beton-studie / Zeitmass Fur Funf Holzblaser
A collection of some of Karlheinz Stockhausen's earliest work, including his earliest piece of musique concrète "Beton-Studie" (aka "Étude") written by Stockhausen in 1952-53 at Pierre Schaeffer's studio at the RTF in Paris. Until 1992 this piece was believed to have been lost. The LP also includes the celebrated "Zeitmass" (1955), and "Klavierstück XI, parts I-IV" (1956), both of which helped to cement Stockhausen's role as one of the leading German composers of the 20th century
Live
Atsuhiro Ito, visual artist and sound performer, has held live show many times. This CD is consist of his two performances selected from them in Tokyo. Track 1 is at Hara Museum in 2009. Ito used his hand made 'fluorescent lamp' instrument OPTRON and some junk objects that they were exhibited as installation. Track 2 is at Harajuku Vacant in 2010. This performance was acted with a female actor and tech-noise unit Miclo Diet. Ito's junk noise by OPTRON and industrial rhythm of Miclo Diet were mix…
Le Minuit de la Foi
'Le Minuit de la Foi' ('The midnight of the faith') (2014) for electronic and concrete sounds, around selected sentences by Edith Stein recorded by German actress Gisela Claudius. New work from Jean-Claude Eloy, a long piece under the power of expanded sounds and sacred words.'Le minuit de la foi' is a double album, each CD of which forms a stand-alone entity. Each CD can therefore be listened to separetly. However, you do need to liSten to the full album for it to become meaningful through its …
Untitled #274
Untitled #274 was composed by Francisco López and performed by Kasper T. Toeplitz at GRM Studios in Paris, France. Francisco López is internationally recognized as one of the major figures of sound art and experimental music. For more than thirty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from th…
Musiques concretes 1970-71
Brocoli is pleased to announce the release of seven early works by Michel Chion, the celebrated musique concrète composer. Composed before he joined the Groupe de Recherches Musicales (GRM) in 1971 his characteristic style and sounds are already present. The abrasive electronics and sanctity in Blanche prefigure 1973's Requiem; Sonatine and Train de pianos are based on prepared piano improvisations; Habanera and L'Oiseau en Cage evoke La Ronde, and Le Ciel Tremble is the composer's first…
Etats-Limites ou les cris de Petra
“Borderlines or Petra’s shouts. Songs for the other half of the sky N°VII” (2013) After some reissue or first edition of old composition, here’s a brand new composition from Jean-Claude Eloy. Made mostly with voice, bells and synthetic sounds this piece works like an electroacoustic lightning. “A kind of salutary madness”.