Poised at the Edge of Structure
Ana Fosca has emerged as presence to be reckoned with. Here stands a woman raging, wrestling, communing, and plainly preoccupied with the humanity's propensity for tragedy, violence, and blight. And it is with a particular strain of noise - one that is dour, miserable, frightening - through which she harnesses these conditions. While her catalogue of recordings is brief, Ana Fosca (born Linn Hvid) honed her craft by performing on a constant basis throughout Denmark, Sweden and Germany, especiall…
The Origins Of ...
**Limited Edition of 199 copies.** Akifumi Nakajima was probably best known for his work under the name Aube, which was one of the more prolific and most interesting noise acts from Japan. He had an impeccable and marvelous sense of design and appreciation for the materials, taking packaging beyond just using regular old paper with his wonderful and unique label G.R.O.S.S., dedicated to releasing experimental music and noise, in addition to his own recordings as Aube. Hiroshi Hasegawa formed the…
The Enemy Is Listening
Following the red thread of history that wove its way through the 20th century, Junta Cadre previously targeted the development and overtake of Communism throughout China and South-East Asia. Now, the iron-sights are set on the era of the red scare and Cold War - “The Enemy is Listening” draws heavily from personal research and reading, aiming to document the years of paranoia, intimidation, and political terror of Soviet Communism, and its tense relationship with the United States. Recorded dir…
Deformation Of Tone
Joe Colley’s skeleton key is an intra-dimensional sense of humor. It exists in a place between and beyond dry, deadpan, and defeatist, and is not actually funny. He has a knack for unlocking the essence of the absurdly uncomplicated, elevating it to a place of near-iconic significance and leaving it there. Hovering in a void. Or mashed in the jowl of an insect getting doused with regurgitated chyme and rumen bacteria. Consistent with his past efforts, Deformation Of Tone contains no sturm und dr…
Brezel Göring / Barom One
Split LP of Brezel Göring and Japanese noise pop band Barom One. Göring, prime minister of Stereo Total and Count of Sinister Forests, where he creates his wacky scratchy minimal electro punk, pleases our filthy fantasies with swinging moods, from new wave disko to distorted Hawaii shuffle to fucked up Bollywood crash music. Barom One from Tokio create a blend of Euro-Disko-Gabba-Trash and pure noise with hysteric voices and catchy melodies. “Das ist eine anstrengende Schallplatte, Felix” says F…
In The Guts Of A Year
*300 coipes limited edition* Since 2014 Gary Mundy of Ramleh has been releasing most of his solo work through Fourth Dimension Records. 'In the Guts of a Year' is his sixth such album for the label (not including a reissue of 2009's 'The Return' album, originally released as an LP by USA's Noiseville, and the reissues of the Broken Flag LPs 'Mobility' and 'Do Not' that are also presently in production) and brings together another six lengthy new cuts. Keeping in line with where his work has been…
Unknown Legacies
Nazlo Records presents Unknown Legacies by If, Bwana and Emerge. Transparent recycled tapes and 2-sided printed j-card edition of 40.
Thallium
Nazlo Records presents Thallium by *L* and The Church Of Hate. Clear hifi stereo lathe-cuts in handmade fold-over covers with hand-printed artwork on photographic paper made from found glass negative from abandoned optics institute, with outer and inner plastic bags and handtyped info, hand-numbered to 20.
Ougonyu
Nazlo Records presents Ougonyu by Buffalomckee. New transparent red tapes, one-sided j-card numbered on the inside cover art by @agendatnetaim
Техническая Эстетика
** Limited edition of 30 copies ** Nazlo Records presents the split tape Техническая Эстетика between Torturing Nurse and The Church Of Hate. Recycled tape in solid-yellow case with vinyl sticker.
Gymnast Of Gaps
Tip! Tanzprocesz presents Gymnast Of Gaps by O Reche Modo. Poetic Arte Povera. Blind landscapes. Cinemascope for mumps. Welcome to the magnetic forest.
Data Divinarum
Jean-Marcel Busson is controlling 6 altered/mistreated mac SE. Performative installation, organic technology, acoustic persistence, electrical ceremony, computer spectra. 6 mac SE are controlling Jean-Marcel Busson
Oh My God, And Yours
*Edition of 200. Mirror cover, transparent vynil* "Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exactly Yan Jun’s open-input feedback means, I am not sure, but I love the noise coming from both! Some sounds are as if they come from distorted guitar, I hear earth hums and glitches, there are a lot of different dynamics and small events in the pieces, but all in all it’s enervating music that a…
7 Poems And Some Tinnitus
Hsia Yu is a legend in Taiwan’s poetry scene. She is one the most influential figures of youth subculture for decades. Under several pen names such as Li Gedi, she is also one of the top lyrics writers in the Mandarin pop music scene. She publishes her poetry only on her own independent label. Yan Jun is a Beijing based musician and poet. In later 90’s and early 00’s he was a key figure in China’s underground rock scene as music critic. Since early 00’s he works on the margin of music with field…
Anti Social Realism
*In process of stocking* Anti Social Realism (2012: Bilbao, Stockholm, Lausanne). Mattin in collaboration with Oier Iruretagoiena, Marcelo Expósito, Germán Navarro, Santiago Mostyn and members of the audience at LUFF festival. Length: 116’30”; all-region; subtitle in French, Spanish, English and Chinese
1) Nobody Answered, Club Le Larraskito, Bilbao, February, 11th February 2012; 24’28”2) The Audience Is Not The Mother of Self-Invention, Index, Stockholm, 29th September 2012; 59’39”3) An Audienc…
噪音 Noise
Tip! *2022 stock. 215 copies edition* 2 discs great compilation of noise makers from China on Sub Jam's sublabel Kwanyin and Tenzenmen.
Noise As A Language
“So the point is that so much words existing, and we get better and better to use them for hiding the truth. You can use sound in the same way, stimulating some nice and warm feeling in middle of chaos, but from time to time we all should stimulate strictness, clearness, intensity, directness, set free some anger to bring up the basic truth of our present. Noise can be seen as the chance to go into the back of things, as a therapy which is able to confront ourselves with others lesser good looki…
Cat's Squirrel
Cat's Squirrel is a live recording of Masami Akita & Oren Ambarchi's performance in Sydney, Australia in May 2012. Although Akita & Ambarchi have known one another since 1993 & performed together as part of larger ensembles, this was their first performance as a duo. Together they create a massive wall of sound that moves from the cavernous to the blisteringly psychedelic, laying down shifting low-end structures over which pointillist details ricochet across the stereo field. Akita & Ambarchi's …
Kookaburra
"There is no argument; Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita has appeared on over four hundred albums since 1979. The name comes from German artist Kurt Schwitters' famous work Merzbau, in which he transformed the interior of his house with found objects. This is reflected in Akita's junk art / collage aesthetic. Other influences on the Merzbow philosophy range from ritualised eroticism (fetishism & bondage), surrealism to extreme…
Fog Maps
The new album from Phil Mouldycliff has finally arrived. A full length CD in a digipack featuring his artwork. These are tracks that Phil has been working on for many years, mainly at IC Studio, using sampling, field recordings & sound manipulation An immersive journey from Z to A.