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"Unseen Descending And Lamentations shows the naked, minimal approach of Dirk Serries, alone on a chair with his guitar and a huge array of effect pedals. I've witnessed this set-up many times and each time it has the same enchanting atmosphere. This album, containing two lengthy parts, is more of the same goodness. This is music to enjoy with your eyes closed, in a very comfortable position. Just let your mind wonder off, along with the drones and soundscapes. Somewhere along the line you wi…
*2022 stock* Ferial Confine is an early Andrew Chalk experimental, somewhat noise-based project. Meiosis was originally released as a cassette on Broken Flag in 1985. You can certainly hear the influence of The New Blockaders and, to some extent, Whitehouse (no shouting, though), but Meiosis is a fine example of what was 'in the air' for a small amount of people scattered around the world at the time. I think the thing that keeps a lot of this music so relevant is the purity and uncompromising n…
An abandoned silence. Dreams of drifting, living a fatefull solitude. Wrapped around a grey and foaming voice, reaping impulse and mass like forgotten beats. Lost to countless days and nights, rocks and soil, sand and stars, in the sadness of being standing apart.
Remember the rising flame from time long ago, a sound thqat shook deeply from the bottim of a boiling ocean. On e voice of Mother Magma, formless lava fashioned a primeval landscape. Ash, smoke and seething seas, a red-hot avalanche ca…
"David Jackman’s music, both as Organum and under his given name, is typically characterized by repetition, brevity and a deadpan aloofness. He’s made plenty of extremely short (sometimes one-sided) 7” singles, albums containing multiple slight variations on a single piece, and albums of compositional (if not sonic) minimalism. It’s Jackman’s typical move to provide very little information beyond a word, or sometimes an image. Lately, he’s been predisposed to not even providing an image; just as…
Latest missive from the recent wave of D.Jackman releases. This one is sure to please fans of early Organum releases with it’s rolling churning drone industrial electronics. Again, music made by Jackman, in a world conceived by Jackman, sounding exactly like a part of this immense Jackman language. A new staggering piece to this immense ongoing project. A constant flow of wavesCold, light and flourescentCrystallise empty feelingsThe howling echoes of a foxSomewhere in a vast open plainAn asteroi…
In the birth of the universeTime stands still amidst a wild and untamable energyRadiant light bathes and purifies solid stone pillarsBoth ancient and modernWild vibrations touch our most innermost core and perceptionOrganum Electronics exists in the clear moment of the presentBut its mysterious compositions lay hidden in a timeless pastModulating oscillations mirror our most fundamental sense of beingAs though a living and breathing entity would Communicating with a life-force and language we ha…
"Joulupukki is a stunning electronic artwork by Xambuca, which is the moniker for American multimedia artist Chandra Shukla. Inspired by northern indigenous peoples, Xambuca is in the process of creating a trilogy dedicated to and stimulated by these unique cultures and geographies. The 2014 release Kamuy (Erototox) was inspired by the Ainu people of northern Japan, Sakhalin Island, and the Kuril Islands in the northern Pacific. Joulupukkiis about the Saami people living at the top of the Fenno-…
Blendwerk is all about smoke & mirrors.„Potpourri" - as a track - is new, its components are old. One element per existing album by Strotter Inst. has been intertwined. The parts are old, the entirety is new. "Quodlibet" represents an impossibility, 23 loops are cut next to each other. The simultaneity - as the title suggests - is only conceivable.
Andrew Liles offers little hope or joy on his meticulously crafted album An Un World. Over the course of the tracks comprised of various sound sources tweaked into dark ambient soundscapes, the producer carries you through an often fantastic, sometimes frightening world of sound, characterized by its tone more than its individual components. Every song features its own unique palette of sounds. For example, indecipherable voices murmur beneath a haunting wind-like buzz on "Over Before It Began,"…
Over the years when listening to the diverse catalog of Altar Of Flies, the primate in me has on numerous occasions tripped across a selfish thought: it would be sick as fuck if AOF did a release that was, like, straight harsh noise. Nearly all of his releases are laced with masterful passages of blown out crunch, but always as a counterpoint to more delicate and introspective narrative sound. In 2020 as we worked on the Work Ethics CD together, I toyed with the idea of making such a suggestion,…
The fourth installment from this brilliant Finnish duo consisting of Aprapat and Mogao, two relative newcomers who have climbed to the top of the pig-pile over the past 2 years. A certain Finnish “gatekeeper” claimed their debut tape was possibly one of the best Finnish harsh noise releases ever, and for my money, they’ve only gotten better since then. They follow their land’s tradition of junk metal abuse noise through mic’d amps, but their sonic skills and playful arrangements set them apart f…
One of noise’s freshest voices, hailing from Finland. Extremely creative and resonant harsh noise utilizing the basic elements. After a number of great cassettes on his own brilliant Satatuhatta label that a lot of folks (particularly in the USA) slept on, the world is finally ready to enjoy the genius of Aprapat.
Latest release of K.M. Toepfler on White Noise Centipede. Cold, surgical harsh noise achieving militant purity through unorthodox means. Minimalistic brain drilling, carving, and rolling textures. Latent tones that attack the body’s nodes and trigger the misfiring of synapses. The disturbing sense of an ongoing moment of déjà vu that continuously compounds upon itself in waves.
Ruth is Jason Crumer’s previously inaccessible harsh noise masterpiece. Recorded specifically for CD (and mastered apocalyptically loud) in 2004-05, Ruth was planned for release on numerous labels at the time of its completion, none of which came to fruition. Eventually, as if resigned to its fate, it was released as a highly limited tape on Nazot in 2008 - a format not at all conducive to the material. The noise on Ruth is razor-sharp and absolutely pummeling cut-up style harsh noise, executed …
**Edition of 300 copies pressed to yellow vinyl with light green marble, in high gloss sleeve and black disco bag. ** Tip! The long-lost psychedelic album from the Incapacitants of the North! On Friday November the 13th, 2009, Lasse Marhaug and Tommi Keränen had an extremely productive day at a real-deal high-end studio in Helsinki, recording a 7” (Het Potati - released on A Dear Girl Called Wendy), a CD (Python In The Bowl - released on Freak Animal) and an LP (Fifty-Sixty - this one). An unnam…
The collaborative recordings of Sewer Election and Treriksröset throughout the mid-2000s are some of the most singular works of harsh noise orthodoxy ever created, holding a heavy position in the canon of noise music. The highly refined and counter-intuitive approach to layering, texture and dynamics contrasts miraculously with primitivism and minimalism, manifesting in several 30 minute slabs of exquisite crust recorded live to tape. "Killing For Germany" is perhaps their most static and straig…
Six international artists showcased across two compact discs of shredding sound, clattering depths, power electronics violence, and deafening discordance. Though a diverse compilation, Lacerations plays out like a cohesive extended nightmare. Twenty minutes each of essential material from Bacillus, Richard Ramirez, Rusalka, Interracial Sex, Vms Elit, and Cost. Mastered by Grant Richardson at extreme volume. Play loud.
"It’s not my normal Sunday morning post-liturgy music, but there is a gloriously horrendous feel to it, marking in some way, a societal collapse we all seem to be witnessing worldwide." - Music You Need To Hear
Bob Bellerue's “Unhinged" is 85 minutes of physically heavy yet delicately executed amplified piano noise drone. Taken from two festival performances in 2017, the recordings capture the multidimensional articulation of the speaker systems used on and around the strings of a grand piano. Pickups and microphones are variously fed to small medium and large speakers to make feedback, which is combined to create cross-modulations that are petulant and unstable. Quiet groaning drones build to massive …
Brian Thummler’s Ghost Birds combines piano improvisations and noise to create a uniquely compelling musical duality. These 7 pieces, selected by John Brien, are inspired by a lifetime of experience, art & poetry as well as Cage, Merzbow, Satie, Sun Ra......
Ghost Birds takes flight with experimental simplicity. The interaction of noise and piano, a synergy that also pushes and pulls, creates profound musical dimensions available to the attentive listener.Ghost Birds was recorded in a studio an…