Thy Eyes, The Betrayal
*2023 stock. 150 copies limited edition* Thy eyes, the betrayal is the third and final chapter of the Panorama trilogy by Claudio Rocchetti. A narrating voice leads the way through the rooms of an imaginary museum, an idealized path through life. Similarly to an endless crescendo, the ambience gradually becomes emptier. Distant voices and noises fall far away, out of reach. The choir becomes silent, solitary.
Memory binds past and present together, certainly influenced by the surrounding environ…
Leadlined
*2023 stock* Leadlined is a 35-minute lamentation of the perverse ideology of the English, shaped by sound collage and heavy electronics. Heaving drones of memory churn the decayed hum of modernism and the spiritual bus routes of the past. £40 million of military hardware flying low over the colonial jugular; the knifing wind off the Kentish coast, shearing through the tendons of Roman roads and Saxon shores. Through the record’s mediation of these imagined pasts and displaced futures — the sine…
scree
Scree is two heaving slabs of feral tone from Heavy Cloud, inspired by the immense natural forces at work on the Cornish coastline. Tidal waves and searing sunlight batter and erode, crack and burn the ever shifting topography of the country’s precarious fringe over 21 minutes of processed heavy electronics. Scree is a pair of noise ‘landscrapes’ in-spirited by the Cornish coastline, formed over time from eroding loops and voices, processed field recordings and found sounds. Heavy Cloud observes…
Bunker Archaeology Vol. 2: Concrete Tombs
Concrete Tombs is the second volume in Axebreaker’s Bunker Archaeology dyad of cassettes, following vol. 1: Military Landscapes released on Outsider Art. Concrete Tombs is a work of anti-fascist power-electronics drawing upon cultural theorist Paul Virillio’s “Bunker Archaeology”, in which the architect and aesthetic philosopher writes about the ominous bunkers of the Third Reich which linger on France’s coasts as ruins. Axebreaker melds field recordings of howling winds with a dirge of thick el…
pearly
Pearly is a fizzing, hallucinatory noise release from Tom Betteridge, consisting of two oleaginous sound poems, entirely improvised with minimal stitching and post-processing. Phantasmatic vocal improvisations are mulched into something oblique to speech, becoming sharded utterances part-lost in swathes of noise. Working with cassette tape recorders & close miking techniques, Betteridge upends the standard listening hierarchy of aural objects; tipping the scales, the human voice brushes against …
Underlying The Vast Ruin This Civilization Has Caused, Is Not Human Nature, But The Opposite: Human Nature Denied.
"In his 1919 essay “The Uncanny,” Sigmund Freud defines the term as follows: “the ‘uncanny’ is that class of the terrifying which leads back to something long known to us, once very familiar.” To this end, a feeling of uncanniness distinguishes itself from just being afraid because of its relation to what we already know, a disturbing variation of what we expect to see when we look in the mirror or the kind of horror that comes from inside the house. The uncanny valley, for instance, describes t…
Upics
The pieces combined here have emerged as an outcome of my research into database-driven reconstructions based on sound analysis. All the source material has been created with the UPIC system (Iannis Xenakis) a graphical computer system where users draw shapes, waveforms, and modulations on ‘pages’ that form a composition or composed sound.
The material was recorded between September 2006 and March 2007 at the CCMIX institute in Paris. None of those recordings ever made it to a completed work unt…
Sacrificed Phloem (Zannec Line)
*2023 stock. 250 copies limited edition* For the first time both long active artists from the experimental / post industrial / field recording scene have collaborated, creating a mesmerizing one-tracker (56+ min.) with many breathtaking moments and passages from the very beginning... an incredible intense new sonic reality arises, full of surrealistic (almost psychoactive) drones capturing your whole body, taking you on a journey to the microworlds of the "more than human" lifeforms... a "Phloem…
Non-Stop Pathological Gland Sucking
Stalwarts of UK noise S&Q + EYE unite for their Slaughter Productions appearance. Relentlessly harsh, yet endlessly shifting collage. Loops and mangled tape editing. Strange and rewarding listening. Recorded, manipulated, and mixed by D Foist, Paul Harrison, Milovan Srdenovic. Originally released by Slaughter Productions (cassette SPT 082) 1996. A Stinky Horse Fuck Production for Slaughter Productions.Thanks to Marco Corbelli
Brakhage
*2023 stock* This is the split CD of Lasse Marhaug with Andreas Meland. Originally released as a CD on Melektronikk in 2005. Performed live to a 16mm screening of Stan Brakhage's "The Act Of Seeing With One's Own Eyes" at Dans for Voksne in Oslo, October 25, 2003. A few overdubs added and mastered February 2005.
Views
*2023 stock* Views was conceived in January 2003. Recordings were done for track: 1 in January, for track: 2 in February, and for track: 3 and 4 in March 2003. Final Mix: April 2003. All 4 pieces are based on three or four instrumental improvisations by RLW, re-constructed by spontaneous mix afterwards. Track: 1 is recorded with tone-generator (TG 77) using self-programmed sounds. An early version of the sounds had been created for the CD" ACHT (1992). The programs have been designed to be contr…
The City Spoke To Me
*60 copies limited edition* Granny Records presents The City Spoke To Me by Deli Kuvveti. Mastered by Derya Susman. Design & Artwork by Yorgos Vourlidas. Written and Produced by Derya Susman.
Larynx
"Larynx is an analogy; the orchestra as a throat. It follows as corollary to the throat as orchestra: throat singing as practiced by the Inuit of the Canadian Arctic and the hoomii singing of Mongolia, as well as by related jawharp techniques found throughout the world. The natural overtone series is the melodic core of much of these musics and of much of Larynx. Ratios derived from the Fibonacci Series are used to generate tunings and melodic/harmonic material for the strings, brass, slabs, pan…
SyndaKit
Performed by: Orchestra Carbon: Judith Insell (viola); Rea Mochiach (percussion); Zeena Parkins (electric harp); Jim Pugliese (percussion); Ted Reichman (accordion); Marc Sloan (electric bass); Tim Smith (bass clarinet); David Soldier (violin); Evan Spritzer (bass clarinet); Joseph Trump (drums & percussion); David Weinstein (synthesizer and sampler); Elliott Sharp (electroacoustic guitar). Recorded December 1998. "Composed in 1998 for my ensemble Orchestra Carbon, SyndaKit utilizes a collection…
Tectonics: Errata
Tectonics is a solo program performed on saxophones, guitars, an Apple Powerbook running MAX/MSP as well as various DSP applications, plus a variety of external hardware DSP devices. Sharp's work with electronics dates back to the late 60's and has included extended techniques on a variety of instruments, both "traditional" and invented, as well as use of analog synthesizers and processors, and, later, experiments with Music 4 running on a PDP. When the Atari ST first appeared, it was utilized t…
Fluidics 21
We knew Bruno De Angelis for his solo cassette "MS" released in the 80'ties by Megamagomusic (label conducted by Alberto Fiori Carones) and by Illusion Production (label of DDAA) as Bruno Due. He was before this a member of Influenza Prods. legendary "Home Wave" group. Fluidics 21 consists of 14 tracks of experimental electronic music with unusual rhythms, cracky dissonances, linear trajectories, intricate knots and obscure atmospheres. An interesting blend of contemporay electronic music and il…
Cone
Tim Olive: radios, tuning forks, magnetic pickups, synthesizerRecorded and mixed August 2022, KobeMastered by Jack ArmstrongCover by Chris Gibson
Pulsión
*2023 reissue* Pusión includes nine tracks recorded between november 2008 and May 2009. Pulsión is in fact the album that follows Compuesto de Hierro (2003) as 8 Traks and Live (2007) can be considered as a transition, being a record made to go with the DVD, and contained some tracks that were in fact versions of older ones. Esplendor Geométrico style continues having a unique and unmistakable mark that distinguishes them from later bands they have had influence onto. At first sight, Pulsión is …
Kosmos Kino
*2023 reissue* Kosmos Kino (Discos Esplendor Geométrico. LP 1988) is the third album and a classic inside the discography of legendary and influential Spanish Industrial cult band Esplendor Geométrico. Now available again in its original format (Vinyl LP) After a start in which the line of acute distortions and buzzy basses of their previous albums continues, it follows a surprising rhythmic viscerality, reaching its peak in the track "Trybuna Robotnicza", suitable for the most frantic dance and…
Down But Defiant Yet/Acceptance Is Not Respect
Fourth Dimension collects a couple of immense, previously CD-only albums into one neat package from Ramleh/Broken Flag's Gary Mundy, operating under his Kleistwahr handle. 'Down But Defiant Yet' and 'Acceptance is Not Respect' were originally released in 2017 and 2018 and were created with a more spiritual intent than previous works. Essentially, we get blasts of cinematic, ominous black psychedelic sound that channels elements of krautrock into harsh, brutal yet cleansing elegiac noise.