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**2021 Stock** First Thus is a phrase used by book sellers, publishers, collectors, etc. to describe a book which may be considered a first edition and/or first printing, but which has been available previously in a slightly different form. A true first edition is the original, first printing of a given book, while a first thus is the first printing of a new version of that book. This classification can come about for any number of reasons, though often times it has to do with a new translation …
Andrea Borghi (1974) is a sound artist and electro-acoustic composer. His work focuses on the relationship between sound and matter. Andrea graduated from the National Academy of Fine Arts in Carrara and studied electronic music, piano and composition at the Giacomo Puccini Music Conservatory in La Spezia. Founder member of VipCancro and Liscarecords. His practice is based on research processes, oriented and multidisciplinary and includes sculptural objects, installations, obsolete media and e…
Six great pop standards remembered: five pop songs are dissected by sampler, stretched, compressed, and re-collaged. In this way, their identity is lost. What remains is a vague concreteness: flashes of déjà vu and remote echoes that evoke the original. GES (Gesellschaft zur Emanzipation des Samples) active members: Helmut Schmidt, Jan Jelinek Founded: 2009 Headquarters: Federal Court of Justice, Karlsruhe, Germany.
From the GES Glossary:
Sampling: Compositional practice whereby recorded music i…
Limited to 300 copies, the LP is packaged in a high gloss laminated sleeve and has a printed lined inner **Dirty Cantaloupe coloured edition** Andrew Liles 'Colossus was initially released as a download project that consisted of 50 tracks all of which were 50 minutes long. It was completed on 11th March 2019, Liles' 50th Birthday. Part One and Two of the download version combined are over 41 hours of music. The songs are extreme, simple, complex, mellow, angular and often surreal adaptations o…
* 2020 Stock. Edition of 200. * With "Nobody Ever Escaped From There" Ilia Belorukov returns with the follow up album to “There Was Hardly Anybody There” (Spina!Rec, 2016). Again he returns to electro-acoustic studio works, stepping outside his customary world of improvised saxophone. In the new works for this album an important role is taken by the vintage electronic instrument “Evgeniy Sholpo’s variophone” (constructed by Boris Shershenkov). The variophone is a photo-electrical instrument for …
**12inch vinyl LP with handprinted covers by Lorenzo Mason Studio, Venice** Tape loops are a closed path, a cyclic river, a ring around a far planet. They’re similar to our memory, continuously reenacting an artefact that belongs to a precise point in time, brought back in a process of recall where that artifact slightly and slowly becomes imprecise and shifted. An unrested repetition carved into an old pavement, in a city where every generation leaves a new mark, a new incision and maintains an…
Tip! **250 copies** "We discovered the experimental work of the late Letha Rodman Melchior through her husband Dan. Our first release was the amazing Mare Astrale LP (FTR 432LP, 2019), and we have now reissued 2009's Treteman as an LP. Tretetam was actually the operating handle Letha originally used for her sound collages. And this music was first issued on CDR as Tretetam's eponymous debut for the Finnish Ikuisuus label. A few other releases appeared under this soubriquet before she began using…
**60 copies** "Despite working often alone, Savvas Metaxas is someone who rather thinks in terms of community and connectivity, who prefers alliances over ego, who is a sound artist as well as a musical activist. Coming from Thessaloniki, Greece, he co-founded Granny Records, puts up local shows, worked with the Goethe Institute, did site-specific sound installations in London, collaborates with other experimentalists like Spyros Emmanouilidis and released brilliant albums on fellow tape travell…
Previously released on CD accompanied by Gone, Gone Beyond, The Mirror is the dreamy soundtrack of an a/v project from collage artist extraordinaire Vicki Bennett aka People Like Us.With The Mirror Bennett continues her eternal disassembling of popular music by exploring how the narrative of familiar sounds / songs can change dramatically under a new context, with that context always changing, in a never-ending flow.Each song is singular. And each song is a collage of and undefined number of oth…
**200 copies** "Witchcraft has had a fascinating and turbulent history in the UK. Through periods of persecution and prejudice, it has survived to the present day and many people still practise the tradition now. From the 7th Century onwards, attitudes towards the practise began to change. During the medieval period, fears over so-called ‘black magic’ began to emerge. This referred to the power of witchcraft to bring harm to others. An association was also drawn between witchcraft and the devil.…
Formed in 1983 by iconic English artist, musician and composer Michael Cashmore (who also worked with Current 93), Nature And Organisation utilised a mix of acoustic instruments, surreal sound collages, cut-up super 8mm film and tape loops to create a sound that would later be regarded as influential in the genre of post-industrial music. This album, originally from 1994, is now reissued on black vinyl (limited to 500 copies) and presented in a gatefold sleeve (foil blocked in gold and red). The…
Long out of print and much in demand, this classic Nurse With Wound CD is now back. This time as a double CD set with a CD of unreleased alternate mixes of each track. It’s packaged in a stunning matt digipack, with all the information in a clear gloss spot varnish. This is only visible from certain angles!
Nurse With Wound playing The Surveillance Lounge were and are Steven Stapleton, Andrew Liles, David Tibet, Nadja Belabidi, Lynn Jackson, Ollie Mathura O'Keeffe, Freek Kinkelaar, Miranda Kink…
A subtle, moody, rich and wide-ranging work, in which atmosphere, emotion and dramaturgy lead the ear far beyond music into a world of hints, evocations, anticipation and association and, in passing, reveal a complex metonymic language that, at a deep level, invokes that mostly unconscious lexicon of sound we have all absorbed collectively and subliminally in the course of a century of movie-going, television viewing, documentary recording and electroacoustic experimentation. Once sounds have be…