„Hör!-spiel” / Necrologlog 1961 / Fantasmata 1960
i have a stipulation in my concert-rider that reads thusly: ‘If the promoters of the show take me to a record store wherein I find one of my personal “Holy Grail” LPs for a reasonable price, I will perform that evening for free. Because of this, people are always asking me about my “Holy Grail” records and offering advice (“French & German electronic music from the 50s through 70s? You mean J.M. Jarre & Tangerine Dream?”, or “Pierre Henry? have you heard this really obscure one; ‘Messe Po…
Oto No Hajimari Wo Motomete 4: Shigeru Sato Work
These pieces were recorded between 1963 and 1973 at the NHK electronic music studio, Tokyo. Includes 12-page booklet with liner notes in Japanese. This version was withdrawn from sale due to objections from Takeisha Kosugi. His track was then replaced by one by Michael Ranta, and the album was re-released under a different catalog number.
1. “Divertimento” Keitaro Miho This is a live performance of live percussion instruments and electronically produced percussion instruments. Until then, …
Oto No Hajimari Wo Motomete 2: Shigeru Sato Work
Early Japanese electronic music made by NHK electronic music studio. Engineer Satou assisted many electronic works of avant-garde composers. The following works (except Yuji Takahashi) had released in 1967 and 1969 on LP (Victor VX-52, VX-99), and they are very rare now.' Contents : Yuji Takahashi "Phonogene" (1961), "Yori-Aki MatsudairaTrangent '64" (1964), Minao Shibata "Improvisation for the electronic sound" (1966), Joji Yuasa "IKON on the source of White Noise" (1965), Toshiro Mayuzumi "Cam…
Oto No Hajimari Wo Motomete 1: Hiroshi Siotani work
Hiroshi Shiotani was an engineer of NHK (Nippon Housou Kyoukai: National Broadcasting association) electronic music studio, and then he cooperated with some avant-garde composers of Japan. This CD get Shiotani's works together, and released several years ago as a memorial of him when he died. It was repressed 500 copies by a private studio. All tracks are legendary early electronic works of Toshiro Matuzumi and Makoto Moroi. These works had originally released in '50s-'60s, but we have not been …
Archives Grm
For the 30th birthday of INA, the GRM has decided to present in this CD box some of his archives. INA - GRM (Institut National de l'Audiovisuel - Groupe de Recherches Musicales) in Paris, France, is the pioneering organisation of electroacoustics, acousmatics and musique concrète, with a history going back many decades, as active today as ever, recording and releasing a long string of historically important, but also new and innovative, electracoustic works, while also engaging in research into …
Promenade D'Été D'Ulis Nasa
Beautiful, floating-above-Earth photos from a Nasa space mission adorn this sharp looking digi-pak from Nepless, an Italian label bent on reissuing some of the most lovely of the long lost electro-acoustic pieces. Edgardo Canton was a member of the GRM from 1959 to 1965, and an independent composer who worked there until 1973. This CD collects three of his principal works from the 1960s and another from 1984. “Animal Animal” (1962) is comprised of very quiet and empty deep space floatation produ…
Wave train
"double lp reprint of the famous david behrman wave train compact disc issued a couple of years ago. experimental music from 1959-68: 'canons' featuring david tudor on piano and christoph caskel on percussion; 'ricecar' a prepared piece performed by david behrman in the early 1960s; 'wave train' a powerful feedback piece performed live with gordon mumma; 'players with circuits' a combination of live electronics and amplified acoustic sound; 'sounds for a film by bob watts' for outdoor environmen…
Hinterland
Carlos Roque Alsina is an Argentinean-born composer who tends to mix acoustic and taped sounds together in a manner that evokes natural sounds to some degree, something of a more programmatically inclined Iannis Xenakis. The title piece combines piano and percussion with taped sounds that often possess an organ-like quality. While the acoustic instruments dance around each other in intricate patterns, the tape heaves and respires ominously, depicting the sort of backcountry that's unsettling in …