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Tip! "Sil Muir presents to us here their first full-length work. It is a beautiful, yet melancholy, hour-long recording carrying us along that sleepless journey from dusk 'til dawn. Powerful and gentle drones shudder and shimmer through these four dense and amazing tracks. Sil Muir is the collaboration between Andrea Marutti (Amon, Never Known, Afe Records) and Andrea "Ics" Ferraris (Ur, Airchamber3, Ulna). Their only previous appearances are a lengthy compilation track on Transf.Order and a col…
Bysund is in my humble opinion one of the most interesting Danish noise projects these days. With releases ranging from minimal and dense guitar noise to sharp and unpredictable computer music. This is the first non self-released Bysund album, and probably the projects most varied output yet. One hour of meticulously composed textual exploration. This is by the way the first album in a planned trilogy of guitar-based releases.
Tip! *100 copies limited edition* Badskin is Melbourne-based guitarist and composer Carla Oliver. Where Was I is her debut album and contribution to Australian ambient and experimental music. Her new album is expected to be released early next year. Comprised of guitar loops and field recordings taken in Northern Queensland’s Paluma Ranges, Where Was I (Part 1) is the first taste of Oliver’s debut solo LP. There’s something unsettling yet comforting for those familiar with rural Australia in the…
* Limited LP edition * Highly electrified guitar, anamorphosed, perforated, and tainted by all sorts of effects, implodes its rage and its urgency in the magnetic nets of a tape recorder as cannibal as it is destructive. From various recordings Lionel Fernandez & Jérôme Noetinger have created and produced these ten pieces: big, biting, dangerous and acerbic – like the intoxicated meeting of a chainsaw and a microphone. Real garage music: grease, gutted car bodies and outdated alternators, like a…
Andy Moor (guitar) and Yannis Kyriakides (electronics) made a recording In at Xavier Veilhan’s ‘Studio Venezia’ at the French pavilion, Venice Art Biennale. They were in residence there for a few days in October 2017 recording and performing in an open environment.
Uniting cosmic tones and lovely notes, unique sound collages and electronic noises, Muzak Pour Ascenseurs En Panne ("Muzak for Broken Lifts"), Brigitte Barbu’s first album, explores a dreamy universe, at the crossroads of electronica and the '70s post-tune-in/drop-out, echoing shadows of the peculiar doppelgänger; Pépé Bradock.
**CD version** "Window In is Michael Vallera’s third full length offering on Denovali, following All Perfect Days (2018) and Vivid Flu (2017). The four tracks that compose Window In are an exercise in density, movement, and space. Raw studio recordings of electric guitar were taken as the foundation, then heavily altered and manipulated through sampling, erasing the trace back to origin of the sound. The result is a series of vignettes that are unattached to a particular source but instead exist…