Agua Viva
* Edition of 100 * Tsss Tapes presents Agua Viva, a new Daphne X cassette release. The album is composed of experiments and interactions performed with water on various materials: polyester, metal, skins. Sounds have been captured with Blazej's LOM's (mikro)Uši binaural microphones.
Recorded in Montseny, 2019 and released on September 4, 2020. Mastered by Francesco Covarino.
Gruppo d'Improvvisazione "Nuova Consonanza"
**White vinyl LP** Re-issue of the incredibly rare Gruppo di Improvvisazione Nuova Consonanza 1975's album, which comes in a fully remastered version with new sequence / structure as per recently discovered original tapes.When gazing over the expanse of 20th Century avant-garde music, few European projects can claim the seminal importance of the Gruppo di Improvvisazione Nuova Consonanza. Formed in Rome in 1964 and considered to be the first experimental composers collective, its membership incl…
ENIAC Girls
Seventy years ago, computers were as big as swimming pools and were programmed by country girls. ENIAC, the world’s first fully electronic, vacuum-tube-based universal computing machine, sported a weight of 27 tonnes and used 18,000 vacuum tubes for calculating. And, each day, at least two of those vacuum tubes gave out. When this machine was presented to the world public in 1946, six young women, most of them maths students from the rural Midwest of the USA, had spent three years inventing a me…
Post-Materialists
**Came inside hand silk-screened foldover sleeve with two-color riso printed insert. Edition of 150** The only known studio work of Post-Materialists that was recorded in 2015. Iconic album for Russian underground scene showing the most powerfull side of experimental punk free form music. Contains the most well-known "songs" performed in their original live style. Produced by Sergey Efremov and the infamous Russian store Stellage. Single sided colored vinyl in edition of 150 copies came inside h…
VII
A new timley studio album from the duo of Peter Rehberg and Stephen O’Malley. Recorded and mixed during an unexpected extended stay in Berlin when the borders of the world suddenly closed. The claustrophobic urgency of this scenario is seared into the colossal vibrations set into this vinyl release.
Unlike many of their releases this is a studio record made unto itself as opposed to the many soundtracks they have made for theatre works and the like. It also stands as one of their most fully real…
Sub
**Limited edition of 500 copies** The most enigmatic of the Schimpfluch-Gruppe, Marc Zeier is the man behind G*Park; and here, he presents his first major album since the acclaimed 2008 album of cryptic electro-acoustics entitled Reuters. Many years in the making, Sub is a sprawling masterpiece of modern day musique concrete, reflecting the early pioneers' use of razor cut tape with a grandiose revelation of an existential horror. Zeier describes this album as the manifestation of amorphous cond…
Ozeanische Gefühle
irr. app. (ext) is the work of California-based sound artist Matt Waldron, whose collected body of work is far too important to continue to be forgotten. During the past decade, only two full albums -- Dust Pincher Appliances (2003 on Crouton) and An Uncertain Animal, Ruptured; Tissue Expanding in Conversation (1997 on Fire, Inc.) -- have seen the light of day despite the fact that perhaps a dozen albums have been completed. The public silence for irr. app. (ext) was never by Waldron's design, a…
We Share a Shadow
Murmer is the pseudonym for Patrick McGinley, a man with several passports which have taken him to many a foreign land in search of found sounds of the unsettled, the forgotten, the mysterious, and the beautiful. His field recordings of activated environments (e.g. resonant industrial spaces, windswept telephone lines, bowed branches, gasping ventilator systems, etc.) originate from all of the locations where he has traveled; yet, the documentation of these sounds is not the terminus of McGinley…
Con
Bureau B present a reissue of Conrad Schnitzler's Con, originally released in 1978. Conrad Schnitzler: In the electric garden by Wolfgang Seidel, May 2020: "... Whilst on shore leave in Düsseldorf, Conrad Schnitzler heard about a professor at the School of Art (Kunstschule) who also accepted students into his class without high school diplomas. Conrad Schnitzler became one of them. The spirit of a fundamental new beginning bonded this generation of artists together, with Karlheinz Stockhausen an…
Con-struct
About the Con-Struct series: Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=minimal label in Berlin reissued two Conrad Schnitzler albums at the outset of the 2010s, label honcho Jens Strüver was granted access to this audio …
Total Digital
Having completed his military service as a naval radio operator, Gunther Wüsthoff was in the midst of his German and fine art studies when he encountered Rudolf Sosna and Jean-Hervé Peron. It was May 1969 and each of them had a guitar so they decided to make music together. Polydor International headhunter Uwe Nettelbeck tracked them down on February 23 1971, prompting them to form the legendary krautrock band Faust with three other Hamburg musicians a few days later. Wüsthoff stayed with the ba…
Agglomeration of Measurement
**Embossed, Matte laminate sleeve, insert card** This album is a distillation of the many long-term relationships I’ve had with Australian composers. The music forms a body of work, spanning fifteen years, that provides a glimpse into my percussive language and a twenty-first century Australian percussion sound.
In many instances the pieces on this album were the germ for larger scale compositions and collaborations, forming some of the major works for Speak Percussion, the organisation I curren…
Eistla
**Edition of 200. 12" Vinyl LP. Risograph print cover** The ability to create moving music with no words, no beats and no conventional instruments is rare, but San Francisco Bay Area-based modular synth artist Austin Cairns - who records under the name r beny - is such an example. Belgian label Dauw are reissuing his first four albums separately and as a box set. Eistla was the final one of these, first released at the end of 2018.
Saudade
**Edition of 200. 12" Vinyl LP. Risograph print cover** The ability to create moving music with no words, no beats and no conventional instruments is rare, but San Francisco Bay Area-based modular synth artist Austin Cairns - who records under the name r beny - is such an example. Belgian label Dauw are reissuing his first four albums separately and as a box set. Saudade was his third overall and the first of two full-lengths released in 2018 alone.
Cascade Symmetry
**Edition of 200. 12" Vinyl LP. Risograph print cover** The ability to create moving music with no words, no beats and no conventional instruments is rare, but San Francisco Bay Area-based modular synth artist Austin Cairns - who records under the name r beny - is such an example. Belgian label Dauw are reissuing his first four albums separately and as a box set.Cascade Symmetry was his 2017 sophomore effort.
Full Blossom Of The Evening
**Edition of 200. 12" Vinyl LP. Risograph print cover** The ability to create moving music with no words, no beats and no conventional instruments is rare, but San Francisco Bay Area-based modular synth artist Austin Cairns - who records under the name r beny - is such an example. Belgian label Dauw are reissuing his first four albums separately and as a box set. Full Blossom of the Evening was his 2016 debut.
Not Fire
Not Fire is the first album from Berlin-based songwriter Dean Roberts in 12 years, and his comeback arrives during apocalyptic times. It’s not an album about someone who’s found hope or love despite everything; Roberts sounds exhausted, and his album is as ugly and as bleak as life often is. For those who’ve been in the pits and succumbed to self-destructive nihilism, Not Fire is a reminder of how hellish it all can be.
Sonically, Not Fire is murky and battered and melancholy. Guitars clang ince…
Breaking the Surface
Two of Annea Lockwood's dramatic works dealing with issues of spiritual wholeness. Duende (1997), about shamanic transformation, is written with and performed by Thomas Buckner. Lockwood selected sounds which reminded her of certain vocal transformations heard in recordings of shamanic ceremonies. In such singing, changes in the voice mirror and also help to bring about changes in the singer's mind and awareness. Within an improvisational framework, Buckner explores the possibility of change of …
The Consummation of Right and Wrong
David First likes to use the phrase "the virtuosity of slowness" to describe his musical philosophy. In The Consummation of Right and Wrong, he and his eight-piece ensemble, The Western Enisphere, practice this virtuosity to great effect in closely examining the universes that fall between the cracks of convention, reflecting a wide continuum of complex relationships, all the while creating music that is simply ravishing to listen to. This is "drone music" as dynamic organism, moving from compac…
No Tracks in the Snow
**Grey Marble Vinyl, Edition of 100** "No Tracks in the Snow" is a collection of tracks from the early days of Drekka’s history; the third offering for Dais Records and an appendix between the second and third parts of the 'Tarwestraat' trilogy of LPs for the label. For over twenty years, Mkl Anderson has curated a vast archive of recorded material for his cinematic ritual ambient industrial project, Drekka. He works with memory not only as a subject but also as a healing process, continually de…