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This new release from the UK label Consumer Waste features four untitled improvisations from Glasgow guitarist Neil Davidson and Norwegian double bassist Michael Duch. Although unusual on the face of it, the combination of mostly bowed acoustic guitar with a likewise mostly bowed double bass is a felicitous one. The four tracks, although differing from each other in sometimes significant ways, have in common an architecture constructed of overlapping planes joined or separated by varying rhythmi…
Trost starts a new 7" series called Jukebox Series, specially for one-time collaborations & projects. The paper-sleeve stays the same, labels are changing, and there's artwork by Lasse Marhaug. This time Christof Kurzmann teams up with Sofia Jernberg (Fire Orchestra) on one side, and with Ken Vandermark and Martin Brandlmayr (Radian) on the other for two versions of the beautiful song "Beggars." The lyrics are written by Joe McPhee.
*2022 stock* Original copy of the long out of print LP album. First pressing from back in 1993, Tahta Tarla is a collaborative recording based apparantly upon long wires strung through the woods with the wind activating some of these wires with each artist seeming to be in charge of the production of one of two sides. For Toniutti's half, the scrabbling textures and aeolian drones are mostly left unprocessed with bellowing rumbles, eeries echoing, and peculiar hisses that seem to come from nowhe…
A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices)
Acoustic trio with John Coxon [acoustic guitars] Ashley Wales [found percussion etc.] and AMM's Eddie Prevost. A slowly evolving and spacious piece originating from reading eddie's book 'minute particulars'. "I have a National Trojan guitar from the 1930s that i bought in a little shop in new orleans. I used this for the ‘acoustic trio’ recording with Ashley Wales and Eddie Prevost [amongst many other recordings]. I remember Eddie saying ‘the perfect instrument’ because it has both a membrane an…
Remastered CD edition of Tazartès, Ghédalia Tazartès' 1987 fourth LP. Now available as an expanded individual CD, this edition was previously only available as part of a CD containing both Tazartès and Diasporas, Tazartès' 1979 debut album, which is also now available in an expanded CD edition (TES 088CD). Immersive, transporting, and deeply arresting music from the revered autodidact and audio oddity. If you've never encountered Tazartès before, this is an excellent place to start, welco…
Four text scores composed by Ryoko Akama (VCS3 synthesizer), Bruno Duplant (percussion, tone generator) and Dominic Lash (double bass, clarinet & laptop). The pieces are all text scores, carefully and exquisitely realised by three of the most interesting musicians to emerge on the experimental music scene in the last few years. The musicians combine in a fruitful and intimate exchange, producing a delicate and fragile web of sounds. Four beautifully evolving and carefully paced works.."-Another …
Recorded in the Littlefield Concert Hall at Mills College in Oakland, California, with minimal edits and no overdubs.. Field Transfer projects the sounds from an analog circuit into juxtaposition with facets of raw digital audio. As a performer interacts with the circuit—which consists of two square-wave oscillators activated by pressure sensors and shorting disks—instances of pulsed and modulated sound are triggered in the laptop in a manner that couples the analog and digital sources together.…
At the end of the 1960s, perhaps due to its proximity to Paris, Barcelona had become the forefront of the avant-garde and the entryway in Spain of new forms of cultural expression from Europe and the United States. Musically, that characteristic resulted in a middle-class underground that would play the part of a late local counterculture which gave birth to the so-called Barcelonés progressive rock of 1969-1973. It featured bands such as Máquina!, Om, Música Dispersa, and so on. Material from t…
**Edition of 200 housed in silk screened jackets, white vinyl** One of our favourite labels, Planam, pulls out a real time-and-space bender from James Twig Harper, who's perhaps best known for his collaborations with Nate Young in Nautical Almanac and alongside Daniel Higgs for Thrill Jockey. Theres some genuine weirdness within, some of the strangest we've heard since Planam first gave birth to Pat Murano's Decimus series, but with a distinctly unique fidelity and gyroscopic dynamic that makes …
First ever vinyl reissue of this cult album from 1975. Défense de was the first album of Jean-Jacques Birgé and Francis Gorgé, before founding Un Drame Musical Instantane with Bernard Vitet in 1976. They had started to play together while at high school, and on their debut LP they were joined by percussionist Shiroc (who also played in Speed Limit). The album's four tracks were recorded in the family apartment of free jazz producer Sebastien Bernard, who had several nice instruments belonging to…
A recording of live performances which brought together two essential figures of the contemporary scene: an oustanding Norwegian composer and vocal artist Maja S.K. Ratkje and a celebrated improviser and composer, former DNA drummer, Ikue Mori. The common sound territory, created together by Mori and Ratkje, balances between quietly growing tension and powerful outbursts of unrestrained, relentless noise. Within this harmony, Ratkje takes adventurous excursions towards the borders and unknown fa…
Nurse With Wound is the main recording vehicle for British musician Steven Stapleton. Since 1978, with collaborators such as David Tibet (Current 93), John Balance (Coil), Colin Potter and Matt Waldron (Irr. App [Ext]), Nurse With Wound has released dozens of albums that draw on nearly every genre of music. The only constant is that one never knows what the next album will sound like.Stapleton and Andrew Liles form the core of the band on Huffin' Rag Blues, and the direction to which they are he…
Long-awaited duo, assembled over a period of two years as a result of file exchanges between Manchester UK and Austin Texas between 2010 an 2012. Four tracks of powerful electro-acoustic composition from two like-minded musicians who have never met in person. 'This fascinating album manifests both the frustration and invention that can emerge from inter-continental collaboration. It is an album of sacrifice one that subsumes existent tendencies into the creation of a whole beyond individual ide…
On msg rcvd, Neptune employ an array of new techniques and methodologies to explore indeterminacy and difficult phenomena such as feedback. Moving away from guitar feedback, this record features amplified drum feedback as well as the introduction of two new ‘feedback-organ’ machines. Developing their career-long interest in arranging and deploying found sounds, Neptune continues to use their sonically peculiar guitars built from pieces of found metal, but add to this new devices to pick and ar…
Bo' Weavil is totally psyched to have the opportunity to release the second album by Reines d'Angleterre. This time a thoroughly studio affair. Reines d'Angleterre is a fascinating collaboration between avant outsider musician Ghédalia Tazartès and two electronic botanists, èlg and Jo aka Opéra Mort. This LP covers more of the wild ground the band started with on 'Les Comores' released back in 2010, but going further into a musical terrain that defies definite descriptiona slow trip into wizards…
"Cheerful Mats was dragged into the studio last year by David Grubbs for the ostensible purpose of contributing to a Thicket-in-the-works. The pair instead became terminally sidetracked with recording the two lengthy duets for harmonium and tenor saxophone and harmonium and fluteophone (Mat's invention -- a flute with a reed mouthpiece) that make up Apertura. Listening to Apertura, the first question is 'who is doing what?' It's not certain that even the artists themselves know." Two long …
"The Koeln concert shows us these positive vibrations marching through "the complete continuance of creative music," and on towards the next millennium. The "success of the future" is not a lost cause as long as there is music like this in the air."-Graham Lock"Although Anthony Braxton does not play on this double CD (whose contents were released for the first time in 1995), his presence is certainly felt. He conducts the band through a fairly free improvisation and five of his compositio…
John Wynne's untitled installation for 300 speakers, pianola and vacuum cleaner is at once monumental, minimal and immersive. It uses sound and sculptural assemblage to explore and define architectural space and to investigate the borders between sound and music. There are three interwoven sonic elements: the ambient sound of the space in which it is installed, the notes played by the piano, and a computer-controlled soundtrack of synthetic sounds and gently manipulated notes from the piano itse…
IMPREC300 is a vinyl only collection of exclusive live tracks from a handful of Important bands including Master Musicians of Bukkake, Grails, Mugstar, Cave, NHK yx, Bardo Pond, Chord & Bass Communion.
Important was started in 2001 in a small house on the beach along the New Hampshire seacoast. The first two releases, from Daniel Johnston and Merzbow, stated the breadth of intentions and we set out to run a label that would function much like a good record shop with a wide range of interesting r…