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Stellage delivers a compelling split LP from Katya Shirshkova and David Maranha, "Le Héron / A Reuniåo," set for release in July 2024. Created and produced in residence at La Box contemporary art gallery at ENSA - École national supérieure d'arts de Bourges in 2023, this album is a profound exploration of the two artists' respective voices, showcasing their distinctive approaches.
Katya Shirshkova opens the LP with side-long "Le Héron." This piece is an unadulterated exploration of voice, devoid…
As is the norm for many Andrew Chalk releases, additional details beyond the fact that it exists are quite thin, but this one takes that to an amusing extreme, as the Discogs entry for the original cassette notes "label and artist name are not listed on the release." That said, I believe I can say with moderate certainty that these two longform pieces were recorded on an 8-track reel-to-reel between 2016 and 2018 and that Chalk primarily played a synthesizer. Also, his Ghosts on Water bandmate…
"Guibog is French, born in the 70s. He used to work as a sound engineer in France, and was involved in organising outdoor electronic music events, often playing cat-and-mouse with the police. Later, he left that life and moved to China, settling in Beijing. He works as a programmer at Douban, living with his wife and three children in the hutongs of Beijing.
Many years ago, I visited him at his house, where I discovered his robot collection. He had collected the circuit boards from discarded …
Tip! *200 copies limited edition* Sax player Katsura Yamauchi (born in 1954) is based in Oita, Japan. He began performing in earnest in the early 2000s, and since then has toured in Japan, Europe, North America, Southeast Asia and Taiwan and continued to expand his distinctive musical activities. Jason Kahn (percussion, voice, electronics, guitar) was born in New York in 1960 and lives in Zurich. He has performed throughout the world and been a prominent figure on the improvised/experimental mus…
“The score aims to evoke the experience of proximity to the sun—a dual force that can be soothing one moment and hazardous the next. Sunkiss embodies this duality, where the sun's radiant energy sustains life's flourishing while also capable of devastating destruction. To be kissed by the sun signifies both blessing and curse, illuminating the fragile balance between vitality and peril that defines life on Earth.”
Sunkissed is a live recording of a four-hour performance directed by Mylan Hoezen …
Some sound achieve from Berlin's street and wildness. Eric Bauer and Carina Khorkhordina have been working together as a duo since early 2018. In addition to their live concert activities (extended electronics + trumpet), since 2020 they have been focusing on site-specific outdoor performances in Berlin, a selection of which is presented on this tape.
Rory Salter is a musician, artist and technician living in London. He has released albums under various projects with Alter, TakuRoku, Infant Tree, Teeth, MAL, Bison, Kashual Plastik and more. His music is formed through experimentations with acoustic & electronic instruments, faulty technologies, cassette tape, feedback and voice; motivated by a relationship to changing and chaotic environments, objects and walking.
Ecka Mordecai is a British artist based in London. Situated between sonic, perf…
*150 copies limited edition* Blue Plum Bloom is the debut album from the improvising trio of David Brown (prepared guitar, electronics), Tony Buck (drums, percussion) and Magda Mayas (piano, objects). The trio is an expansion of Buck (The Necks) and Mayas' long-time Berlin-based duo, Spill, but with the expansive addition of Melbourne-based Brown (Pateras/Baxter/Brown, Western Grey, Stone Echidna, Dumb & the Ugly, and countless other sonic explorations) making the ensemble behind this album a un…
Tip! *300 copies limited edition* “This collaborative release presents three immersive movements of avant-electronics full of unexpected tonal contrasts and shifts in intensity. Powered by modular synthesis, “concrete” assemblage technique and a pervasive desire to work with the full spectrum of sound. Tokokawa is the product of its two producers’ commitment to a dynamic, ever-renewing sense of aesthetics.” -Thomas Bey William Bailey
Composed from 2023 to 2024, these three pieces present a deep …
Biomes are little worlds of organic relationships, full of struggles, symbiosis, and sheer obsolete noise. In "De Silenti Natura," Henrique Vaz is meticulously crafting synthetic auditory biomes, sprouting from their own fuzzy logic. Unfolding across two distinct acts, the Brazilian artist interprets and replicates the complex, often ambiguous sounds of (un)natural environments, creating imaginary systems to inhabit over two sides of tape. The soundscape of the first side and title track is enti…
In his most recent solo release, "The Devil And The River: Volume One", recorded live in his rural New Mexico studio, William Fowler Collins tremolo brushes his electric guitar using a calligraphy brush, playing a single chord with no overdubs to produce two compelling side-long pieces of music. Ever present are the minimalist widescreen reflections of the high desert environment in which he lives, with the two sides giving the impressions of a sun rising and then a sun setting over the vast and…
*250 copies limited edition* Live concerts recorded by Akifumi Nakajima during Daniel Menche and Small Cruel Party's Japan tour in 1995. With : MSBR, Mondre Bruits, Aube, Daniel Menche and Small Cruel Party.
** 2024 Repress ** Steve Reich remains one of the most important figures in 20th century music. Though he studied at the prestigious arts institutions Julliard and Mills College, by the mid-1960s Reich set about dismantling the very orthodoxy that he had been trained in. Forming a new musical language based on repetitive processes, Reich became established as part of the so-called "Big Four" of New York minimalists (along with La Monte Young, Terry Riley and Philip Glass). Reich's influence can …
*100 copies limited edition* Sontag Shogun’s Jesse Perslstein and Shinya Sugimoto join us again with a follow-up to 2019’s “I Confess”. A long-form piece broken into four parts, that tells a story of change, of love found and lost. Using soundscapes taken from travels, voicemails, conversations about loss and love, and adding lamenting vocals, noise and piano, this album encapsulates the distance between people, both geographic and emotionally, and the delicate passage of time.
After emerging from a red shag-carpeted basement in Baltimore in 2012, Comfort Link produced a series of skewed concrete muzak albums knitted together with wobbly tape loops of found and recycled sounds, gradually shifting toward a darker post-industrial sound collage style on more recent releases. On Metaphysical Swatting, battered reel-to-reel tape machines and portable cassette recorders scramble up the primary sound sources of voice and organ - ancient reels of tape with loose oxide are over…
Tim Olive lives in and operates out of Kobe, Japan, where he has built an impressive discography of solo and collaborative recordings using magnetic pickups as a primary instrument. Sintered was created with several of these magnetic pickups, along with metal objects, radios, and spring reverb. Working with such temperamental technology, it’s clear that Olive’s intuition and timing are assets put to good use here, sharpened from decades of collaboration and improvisation, from his early work as …