Catholic Euphoria/Heaven Annihilates
TIp! Quiet and blistering harsh acoustic noise.
Pere Xirau: snare drumÀlex Reviriego: double bass
Textural Studies
*100 copies limited edition* British saxophonist Colin Webster has always had a mono-thematic approach when it comes to making solo albums. From ‘Antennae’ (Gaffer Records, 2013) which dealt purely with micro-sounds and minimal dynamics, to ‘vs. Amp’ (Raw Tonk Records, 2021) which focussed on the sonic capabilities of a baritone saxophone played through a guitar amplifier. Textural Studies – as the title suggests – is no different in approach. Each piece is a deep exploration and thorough interr…
Earthworks
Following 'Gargoyles' and 'Light Industry', Colin Webster and Dirk Serries recorded their third studio album at the Sunny Side Inc. Studio in May 2022. With Colin on the baritone, the pressure is high. Carefully selected from a way longer session, this shorter album is just that : full-on free interaction with no boundaries hold, spiced by the friendship of both musicians and the respect for each other' skills and approaches.
The Big Two
Tip! Here's the last will and testament of Usurper. The final curtain on two decades of heroic toil in the experimental/noise/improv/no-audience underground. Over the course of their twenty year existence, Usurper developed into one of the most original and uncompromising groups to emerge from the early 2000's sub-sub underground, always pushing themselves (and audiences) to new territory. They were fearlessly experimental, with seemingly limitless reserves of creativity. Their performances were…
Hot Plate Only
Honestly Same is an amplified acoustic and synthetic quintet from Chicago. They improvise patient, contemplative and distinctly contemporary music harnessing the sounds of cello, clarinet, electronics, piano, bass, recorder, percussion, synths and accordion. The group is Zachary Good, Lia Kohl, Mabel Kwan, Zach Moore and Sam Scranton. On their second album (and first LP), “Hot Plate Only”, the quintet finds a balance between airy and organic ambience alongside insistent rhythms and dynamic explo…
Sainen Hildo
*300 copies limited edition* Dopelganger is the project in collaboration between classically trained accordion player and singer Garazi Navas (Usansolo, Bizkaia-Biscay, 1995) and Miguel A. Garcia (Vitoria-Gasteiz), an artist living in Bilbao with an extensive career in the fields of experimental music and sound art. Sainen Hildo is an album based on Miguel’s original compositions, recomposed and rearranged for accordion and voice by the two composers. Using the natural resonance and harmonics of…
Abbuio
"Abbuio" is a term that refers to the Italian translation of the English word "Blackout" according to the proposal of the Italian linguist Arrigo Castellani. This new work marks Bignamini's return to the solo acoustic guitar. Moving away from the more classic fingerpicking style, he offers five soft "ballads" (3 improvisations and 2 compositions) inspired by sleepless nights.
Empty smile
*100 copies limited edition* This solo could have been titled "16 Caprices for cello.” As in Paganini's Caprices, all the techniques and virtuosity of the classical tradition are used here, expanded and enriched by the sounds and research of the contemporary one. However, the approach to the instrument is physical and bodily characteristic of European free improvisation and jazz. But as in Tristan Honsinger, Leroy Jenkins or in Cage's Freeman Etudes for violin the focus is always The Music, whos…
Appear To Fade
*100 copies limited edition* Tip! Brooklyn pianist and composer Richard Sears debuts on Shahzad Ismaily’s Figureight records with the hypnotic Appear to Fade, a gentle, melancholic, semi-improvised expression for piano and experimental tape loops, recorded in a single day.
Appear to Fade unveils a realm where the boundaries between jazz and ambient music blur, guided by the skilled hands of Richard Sears on piano and Una Corda. This recording weaves between improvisation and composition, brought…
Azure
Having each followed their own distinct trajectory of exploration for decades - interweaving rigorous experimentalism with transcultural conversations - and building upon roughly 20 years working as a duo, Jessika Kenney and Eyvind Kang return with Azure, their third full-length with Ideologic Organ. Among their most riveting outings to date, comprising five new compositions recorded in Seattle during the spring of 2022, this remarkable body of sonority culminates in a singular gesture of contem…
I was too young to hear silence
A single saxophone, a glockenspiel, two microphones, a zoom recorder. These are the materials Patrick Shiroishi brought down with him late one night into the cavernous parking structure below a hot pot restaurant in Monterey Park. It was around 1:30AM; the spot was not too far from where Shiroishi grew up, a blank slate shown to him by his dear friend, Noah Klein. A vacant space for a new kind of collaboration—between saxophone and silence, between noise and reverberation, between negative space…
Brucia La Neve
Alto & Baritone saxophone solo in circular breathing • ArtworK, Music composed and performed by Yohan Dumas • Recorded and mixed by Bertrand Fraysse at La Mami • 2022 • Mastering by Matt Tche • With the help and support of the labels Scolopendre & la Loutre par les cornes • «Fuite» recorded with Maelys Rebuttini for the World bike speed records on snow by Eric Barone • To my grandmothers, my mother, Laure, and the baby marmots
Blind ecosystem
We are nine voices, sighted and blind, who have been singing and exploring together for 11 years. Our practice consists of listening to and imitating sound ecosystems. We become the sounds of biotopes, machines, endangered species, humans and non-humans. Our songs blend ancestral and experimental vocal practices. We are the stumbling blocks of a memory populated by tunes, buried melodies that emerge and carry us away for hybridizations, mutations.
Sekihi Oidori
Organum ‘Raven’ CD, which was released by Siren Records in 2018 was the last piece that Jackman released under the name Organum. He changed the name Organum to Organum Electronics in 2019 and has released five volumes of the albums on Siren Records since then. ‘Sekihi Oidori’ is a development of the quiet nature of earlier Organum works and Jackman decided to release the album under his own name because of a very personal essence. ‘Sekihi Oidori’ is composed of low-key church organ drones, airy …
Fine Tuning: The Gradisca Concert
The ubiquity of Coxhill’s sax lines are here answered, cherished, enhanced by the excellent guitar touch of Enzo Rocco. It’s a sort of subtle anarchic dance, intriguing and true.
New Rudiment Candidates For Snare Drum
*100 copies limited edition* With a microscopic focus on the snare drum, Jean-Baptiste Geoffroy extracts and manipulates its sound in a variety of tunings whilst maintaining a precision and simplicity of method and form. This exercise is a common one for the artist, in which he limits both the instruments used and the techniques with which its sounds are processed — in this case using only reverb and hard EQ-ing to engineer the final outcome. Even with these self-imposed restrictions, there is a…
Trap
Michal Vaľko, aka Line Gate makes a return to mappa with his third cassette for the label. Once again the material is deeply minimalist, but shows marked evolutions in the Slovak, Prague-based artist’s unique trajectory. This time comprising two relatively short pieces (compared to the 40- and 60-minute works previously published on mappa), 'Trap' is perhaps Line Gate’s darkest yet. Whereas previously his works focused on psychoacoustic phenomena, or highlighted the sacredness and timelessness o…
Helder
*2023 stock* This is my debut album. I had just 'discovered' my singing voice. The songs are recorded in a straightforward fashion.
1, 3, 4, 5 and 12 were recorded in Ingelmunster, Belgium, during the summer of 2002. The rest was recorded in Hilversum, The Netherlands, spring 2003- spring 2004.
Michael Anderson of BlueSanct wrote: "Annelies's music is singular. It is genrally one isntrument; piano, cello, guitar, or melodica. Sometimes there is only voice. [...] Like the other artists on Buesanc…
Adage Vestige
From Matière Mémoire, one of the most striking and unique labels currently working in experimental music, comes “Adage Vestige”, the latest stunning statement from the French, Belgium based multidisciplinary artist Roxane Métayer. Encountering one of Europe's most unique voices pushing ever further into abstract realms with her signature hybrid of folk and rigorously experimental approaches, it's an absolute stunner that can't be missed.
Duo in Concert
Frozen Reeds is proud to present the only recorded duo playing of two legendary musical figures.
“This is one of those moments that we’re always hoping for, and it's so rare. And it's so hard to talk about, because it's so beautiful. It's like you're seeing some new species of plant that you never knew existed or something.” – Bill Frisell