Agua Viva
* Edition of 100 * Tsss Tapes presents Agua Viva, a new Daphne X cassette release. The album is composed of experiments and interactions performed with water on various materials: polyester, metal, skins. Sounds have been captured with Blazej's LOM's (mikro)Uši binaural microphones.
Recorded in Montseny, 2019 and released on September 4, 2020. Mastered by Francesco Covarino.
The Invention of the Human
"The Invention of The Human" is designed as a response to the question "what makes us human?" The question has become increasingly important in this period of history, in that many of the answers aren't good enough. "Civilisation" could be one answer; but what good is civilization where there is so much misery within it?
"Progress" could be another; but what good is progress without kindness and empathy to sustain it? Taking the thought of man's relationship with technology as a measure of human…
Where the Dusk Has No End
* Edition of 200 * After "September Winds", Giuseppe Verticchio/Nimh and Daniela Gherardi are back as Twist of Fate with their newest offering entitled "Where the Dusk has no End". Sounds and atmospheres constantly bordering shadows and light, in a sort of infinite twilight where thin rays of sun violate the looming darkness, drawing landscapes with fragile and indefinite contours, sound watercolours swaying through Ambient, Shoegaze and 'drumless Post Rock', alternating atmospheres - now darker…
Ashioto
Black Truffle announce Ashioto, the first international solo release from Japanese drummer-percussionist-composer Tatsuhisa Yamamoto. Active for over a decade, Yamamoto has performed and recorded extensively with artists such as Jim O'Rourke, Eiko Ishibashi, and Akira Sakata, as well as participating in innumerable improvised and ad hoc groups. Ashioto presents two wide-ranging pieces that combine Yamamoto's percussion work with piano, field recordings, electronics, and contributions from guest …
Tunes & Scenery (Hard To Whistle)
**200 copies. Originally released on tape in 1984** Tunes & Scenery (Hard To Whistle) is an adventurous and quite unique work that was originally recorded on an analog four-track in 1983 by the young visual artist and musician Jacques van Erven. The album brings together the surprising combination of analog synthesizers, small Casio keyboards, a mouth harp, ukulele, marimba, and a variety of drums. A kind of hybrid music of contemporary jazz and world music combined with influences of rock and n…
La Flourenn En Mars
Wonderful lo-fi synthpop/collage LP by Marseillaise duo Jean-Marie Mercimek. Something has been brewing in France in recent years. Underground record shops, small venues, micro labels, and young musicians are creating a new vibe in various parts of the country. A broad range of styles and genres get randomly mixed into a melting pot with refreshing results. Jean Marie-Mercimek is one of those projects coming out of this new scene. The duo of Marion Molle and Ronan Riou revisits French lo-fi synt…
The Day 1982 Contaminated 1971
With this album, Fossil Aerosol returns to the damaged media and decomposing mediums of the late 20th century. The basic tracks were recorded in 2010, and were remixed and remastered in 2014. The source material for the work consists of dissociated fragments from nearly-lost genre films of the 1970s, filtered by scratched celluloid, bad splices, dropouts, and damaged control tracks.
The Day 1982 Contaminated 1971 was released on vinyl by the Helen Scarsdale Agency in 2015. The first 200 copies o…
The Unlistening Place
The core tracks of The Unlistening Place were recorded in 2015. At the time, these were intended to be part of what was to be the final Fossil Aerosol album, scheduled for a distant release. But history circled back on itself and the result was a reworking of future tracks, alongside more new material. Historiography eating its own tail. Tradition, referents, and resolute nothing from the place that does not hear.
Con
Bureau B present a reissue of Conrad Schnitzler's Con, originally released in 1978. Conrad Schnitzler: In the electric garden by Wolfgang Seidel, May 2020: "... Whilst on shore leave in Düsseldorf, Conrad Schnitzler heard about a professor at the School of Art (Kunstschule) who also accepted students into his class without high school diplomas. Conrad Schnitzler became one of them. The spirit of a fundamental new beginning bonded this generation of artists together, with Karlheinz Stockhausen an…
Peaks
Black Truffle present Peaks by Australian cellist Judith Hamann, her debut release of electro-acoustic music. Known mostly for her live performance work with composers including Sarah Hennies, Yvette Janine Jackson, Alvin Lucier, Tashi Wada, and La Monte Young, here she steps away from the cello, moving into an intimate dreamscape woven from recordings gathered over years of itinerant touring. Peaks is a work in two distinct parts, crossfading between different landscapes and apertures; from roo…
Con-struct
About the Con-Struct series: Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=minimal label in Berlin reissued two Conrad Schnitzler albums at the outset of the 2010s, label honcho Jens Strüver was granted access to this audio …
Apparition Paintings
**Clear blue swirl vinyl, matte laminate sleeve, printed inner void** Maybe these titles, torn as they are from cinema screens and the pages of literature and philosophy, give a feeling of romantic or sexual love or some dark pool of nostalgia but that’s not it, or it could be if you want it for yourself but not for me, not now; for me it’s about the teeming proliferation of complex events in the world, their vivid, hyperreal intensity as this human life steps closer to its end and their sense o…
Schaum
Faitiche is very pleased to announce the release of a Schaum by Masayoshi Fujita & Jan Jelinek. Since their debut Bird, Lake, Objects they have played improvised concerts around the world. Japanese vibraphonist Masayoshi Fujita prepares his instrument with various percussion elements as well as metal objects and toys, while Jan Jelinek layers loops made using small-scale electronic devices. Schaum (German for froth, foam) is the duo’s second album.
Bird, Lake, Objects
Queried on his favourite word in the German language, Masayoshi Fujita will pick ‘getragen’ – without a sliver of hesitation. Further questioning will reveal that he loves the term’s semantic signifiers, its inherent sense of “expansive, deep, quiet and sombre.” And yet, ‘getragen’ leaves plenty of room for interpretation: depending on context, it might also indicate wearing apparel or the state of being carried – two more mundane interpretations that I would rather keep from him.
Does Masayoshi…
Slow Music
Records are almost always more than they seem. For all the sound and joy that they bring, they are works of art in multiple that indicate vast networks of happening, history, and ideas; beacons to be chased, leading to understanding beyond themselves. Particularly in the case of historical works, whether they emerge from dusty crates or as reissues and archival releases, these objects can reveal unexpected creative intersections that defy our notions of what was. Aguirre’s first-time reissue of …
Insular Monographs
Two albums, slightly touched...
'Ke Ala Ke Kua': a flashback to july 2010, when I created this afterimage in the timespan of more or less one week. An afterimage of paying a visit to Joan Ocean’s hotspot, the Kealakekua Bay, and to islands of Hawai’i and Oahu. Miss Ocean wrote a few books about her hanging and having conversations with dolphins at Kealakekua, thus i couldn’t resist going over there and seeing what it’s all about.
'Canto Arquipélago': recorded under a volcano on a portable fourtr…
This Valley Of Old Mountains
This Valley Of Old Mountains quietly creates the folklore of an imaginary land. From a hemisphere apart, Taylor Deupree and Federico Durand share simple sounds with complex stories. Their music balances an edge between translucency and exploration, focusing on obscurity, repetition and a shared fascination of the mountains between them. Recorded in La Cumbre (Córdoba, Argentina) and Pound Ridge (New York, US) between July 2019 and April 2020.
Eistla
**Edition of 200. 12" Vinyl LP. Risograph print cover** The ability to create moving music with no words, no beats and no conventional instruments is rare, but San Francisco Bay Area-based modular synth artist Austin Cairns - who records under the name r beny - is such an example. Belgian label Dauw are reissuing his first four albums separately and as a box set. Eistla was the final one of these, first released at the end of 2018.
Saudade
**Edition of 200. 12" Vinyl LP. Risograph print cover** The ability to create moving music with no words, no beats and no conventional instruments is rare, but San Francisco Bay Area-based modular synth artist Austin Cairns - who records under the name r beny - is such an example. Belgian label Dauw are reissuing his first four albums separately and as a box set. Saudade was his third overall and the first of two full-lengths released in 2018 alone.
Cascade Symmetry
**Edition of 200. 12" Vinyl LP. Risograph print cover** The ability to create moving music with no words, no beats and no conventional instruments is rare, but San Francisco Bay Area-based modular synth artist Austin Cairns - who records under the name r beny - is such an example. Belgian label Dauw are reissuing his first four albums separately and as a box set.Cascade Symmetry was his 2017 sophomore effort.