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**200 copies. Originally released on tape in 1984** Tunes & Scenery (Hard To Whistle) is an adventurous and quite unique work that was originally recorded on an analog four-track in 1983 by the young visual artist and musician Jacques van Erven. The album brings together the surprising combination of analog synthesizers, small Casio keyboards, a mouth harp, ukulele, marimba, and a variety of drums. A kind of hybrid music of contemporary jazz and world music combined with influences of rock and n…
Wonderful lo-fi synthpop/collage LP by Marseillaise duo Jean-Marie Mercimek. Something has been brewing in France in recent years. Underground record shops, small venues, micro labels, and young musicians are creating a new vibe in various parts of the country. A broad range of styles and genres get randomly mixed into a melting pot with refreshing results. Jean Marie-Mercimek is one of those projects coming out of this new scene. The duo of Marion Molle and Ronan Riou revisits French lo-fi synt…
With this album, Fossil Aerosol returns to the damaged media and decomposing mediums of the late 20th century. The basic tracks were recorded in 2010, and were remixed and remastered in 2014. The source material for the work consists of dissociated fragments from nearly-lost genre films of the 1970s, filtered by scratched celluloid, bad splices, dropouts, and damaged control tracks.
The Day 1982 Contaminated 1971 was released on vinyl by the Helen Scarsdale Agency in 2015. The first 200 copies o…
The core tracks of The Unlistening Place were recorded in 2015. At the time, these were intended to be part of what was to be the final Fossil Aerosol album, scheduled for a distant release. But history circled back on itself and the result was a reworking of future tracks, alongside more new material. Historiography eating its own tail. Tradition, referents, and resolute nothing from the place that does not hear.
Bureau B present a reissue of Conrad Schnitzler's Con, originally released in 1978. Conrad Schnitzler: In the electric garden by Wolfgang Seidel, May 2020: "... Whilst on shore leave in Düsseldorf, Conrad Schnitzler heard about a professor at the School of Art (Kunstschule) who also accepted students into his class without high school diplomas. Conrad Schnitzler became one of them. The spirit of a fundamental new beginning bonded this generation of artists together, with Karlheinz Stockhausen an…
Black Truffle present Peaks by Australian cellist Judith Hamann, her debut release of electro-acoustic music. Known mostly for her live performance work with composers including Sarah Hennies, Yvette Janine Jackson, Alvin Lucier, Tashi Wada, and La Monte Young, here she steps away from the cello, moving into an intimate dreamscape woven from recordings gathered over years of itinerant touring. Peaks is a work in two distinct parts, crossfading between different landscapes and apertures; from roo…
About the Con-Struct series: Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=minimal label in Berlin reissued two Conrad Schnitzler albums at the outset of the 2010s, label honcho Jens Strüver was granted access to this audio …
**Clear blue swirl vinyl, matte laminate sleeve, printed inner void** Maybe these titles, torn as they are from cinema screens and the pages of literature and philosophy, give a feeling of romantic or sexual love or some dark pool of nostalgia but that’s not it, or it could be if you want it for yourself but not for me, not now; for me it’s about the teeming proliferation of complex events in the world, their vivid, hyperreal intensity as this human life steps closer to its end and their sense o…
Faitiche is very pleased to announce the release of a Schaum by Masayoshi Fujita & Jan Jelinek. Since their debut Bird, Lake, Objects they have played improvised concerts around the world. Japanese vibraphonist Masayoshi Fujita prepares his instrument with various percussion elements as well as metal objects and toys, while Jan Jelinek layers loops made using small-scale electronic devices. Schaum (German for froth, foam) is the duo’s second album.
Queried on his favourite word in the German language, Masayoshi Fujita will pick ‘getragen’ – without a sliver of hesitation. Further questioning will reveal that he loves the term’s semantic signifiers, its inherent sense of “expansive, deep, quiet and sombre.” And yet, ‘getragen’ leaves plenty of room for interpretation: depending on context, it might also indicate wearing apparel or the state of being carried – two more mundane interpretations that I would rather keep from him.
Does Masayoshi…
Records are almost always more than they seem. For all the sound and joy that they bring, they are works of art in multiple that indicate vast networks of happening, history, and ideas; beacons to be chased, leading to understanding beyond themselves. Particularly in the case of historical works, whether they emerge from dusty crates or as reissues and archival releases, these objects can reveal unexpected creative intersections that defy our notions of what was. Aguirre’s first-time reissue of …
Two albums, slightly touched...
'Ke Ala Ke Kua': a flashback to july 2010, when I created this afterimage in the timespan of more or less one week. An afterimage of paying a visit to Joan Ocean’s hotspot, the Kealakekua Bay, and to islands of Hawai’i and Oahu. Miss Ocean wrote a few books about her hanging and having conversations with dolphins at Kealakekua, thus i couldn’t resist going over there and seeing what it’s all about.
'Canto Arquipélago': recorded under a volcano on a portable fourtr…
This Valley Of Old Mountains quietly creates the folklore of an imaginary land. From a hemisphere apart, Taylor Deupree and Federico Durand share simple sounds with complex stories. Their music balances an edge between translucency and exploration, focusing on obscurity, repetition and a shared fascination of the mountains between them. Recorded in La Cumbre (Córdoba, Argentina) and Pound Ridge (New York, US) between July 2019 and April 2020.
**Edition of 200. 12" Vinyl LP. Risograph print cover** The ability to create moving music with no words, no beats and no conventional instruments is rare, but San Francisco Bay Area-based modular synth artist Austin Cairns - who records under the name r beny - is such an example. Belgian label Dauw are reissuing his first four albums separately and as a box set. Eistla was the final one of these, first released at the end of 2018.
**Edition of 200. 12" Vinyl LP. Risograph print cover** The ability to create moving music with no words, no beats and no conventional instruments is rare, but San Francisco Bay Area-based modular synth artist Austin Cairns - who records under the name r beny - is such an example. Belgian label Dauw are reissuing his first four albums separately and as a box set. Saudade was his third overall and the first of two full-lengths released in 2018 alone.
**Edition of 200. 12" Vinyl LP. Risograph print cover** The ability to create moving music with no words, no beats and no conventional instruments is rare, but San Francisco Bay Area-based modular synth artist Austin Cairns - who records under the name r beny - is such an example. Belgian label Dauw are reissuing his first four albums separately and as a box set.Cascade Symmetry was his 2017 sophomore effort.
**Edition of 200. 12" Vinyl LP. Risograph print cover** The ability to create moving music with no words, no beats and no conventional instruments is rare, but San Francisco Bay Area-based modular synth artist Austin Cairns - who records under the name r beny - is such an example. Belgian label Dauw are reissuing his first four albums separately and as a box set. Full Blossom of the Evening was his 2016 debut.
**Edition of 150 copies on risograph sleeves** After having released several albums under his Oaktree moniker, de Roover decided to continue under his own name. New name, new music. Where Oaktree combined electronic music with neo-classical elements, his new direction is more centered around abstract, yet playful, sound design. His new EP continues in the same vein but offers a more minimal and quiet approach compared to his first full-length album Leaves which saw the light last year. Voor ande…
Sarah Lipstate’s work as Noveller, the vehicle through which she explores the possibilities of instrumental, primarily electric guitar compositions, has resulted in a rich body of work, one that has elevated her to the level of similar innovators like Vini Reilly and Roy Montgomery. Arrow continues that journey, further developing her darkly beautiful work in songs that combine the tranquility of meditation with elements of tension and unease.
Album opener “Rune” is based around a deep, pulsing …
**Edition of 300** Ambient tone loop collage by Mike Adams (Crossroads of America, Burnt Toast Vinyl, Sounds Familyre, Joyful Noise)... special one-time LP that can be played forwards and backwards. Original source tapes provided by MklAnderson (Drekka, Dais Records), Jared Cheek (Flannelgraph), Tyler Damon (Thee Open Sex, Tashi Dorji, Darin Gray), JohnDawson (Thee Open Sex, Magnetic South), Greg Dixon (Quixod), Phil Elverum (Mount Eerie, Microphones, K Records), & Rachel Yoder (Madera Wind Quin…