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Like the strong scent of copal brings ancient memories and visions, each track here depicts a scenery and involves the listener directly, totally. Introduced by the obscure night of "Notturno", like in a wood, crowded with spirits and animals, you're guided through 9 gates, each one opening on a different space and time. As if the purpose was to awake the slumbering ancestral memory of man, this record is fundamentally based on the dualism of elements strictly relating to the human being: "voic…
LP version on 180 gram vinyl. Of all the Hans-Joachim Roedelius solo releases, this is the one which most closely resembles the work of Cluster. Wasser Im Wind sees Roedelius use a wide variety of musical and sonic ingredients hitherto associated with Cluster, almost as if he sought to erect a monument to the group. Right from the word "go," the familiar sound of the Drummer One rhythm machine can be discerned on the opening track, like a wood gnome crashing his way through the shire; then we he…
Terrific triple CD set...Formerly of 1990's dark ambient pioneers Endvra. Three previous full lengths on U.K. label Cold Spring. Over three hours of music focusing on subtle changes that command attention and focus; imagine if Philip Glass composed a three hour drone piece... Triple disc set, each disc with its own artwork, held together by a custom band with genuine letterpress printing. Original landscape photos reflecting the mood of each disc by Chris Walton himself, and packaging design by …
A collection of psychedelic love songs paying tribute to all things analog. Similar to older Kid606 releases like PS I Love You, GQ on the EQ, The Soccergirl EP and Why I Love Life. This album was carefully constructed to be the soundtrack for the peak 72 minutes of your next trip. The songs all linger on too long but just long enough, you hear voices you can't understand, but you will know what they're saying. Every track has its distinct identity and direction to completely throw you from one …
This CD is markable reissue of very rare first LP of Somei Satoh. Like several other composers of his generation, Somei Satoh has an affinity for mysticism and meditation, and he attempts to convey stillness and timelessness in his extremely slow music. His works may be described as ambient, but their minor key harmonies and step-wise melodies seem more conventional than the blurred, unearthly sonorities usually found in that atmospheric genre. ALM Records issued some important LPs of Satoh's ta…
Risil is a collective of musicians that are all somehow connected to each other in some form or fashion. Risil's membership includes Guillermo Herren (Prefuse 73/Savath & Savallas), Zach Hill (Hella), Tyondai Braxton (Battles), John McEntire (Tortoise), Alejandra Deheza (School of Seven Bells), Eva Puyuelo Muns (Savath & Savalas).The project started as a chance for a large number of people to freely collaborate without a set goal for the end result or achieving a certain sound. This turned into …
Fluid forms of drones, doomy laments, & folk melodies fleshed out from a backbone of sine oscillators & violin. Behind these droning squalls is the lone figure of Marielle Jakobsons. Armed w/ her tiny army of sonic weapons, she concocts a lavaflow of melodies only to then bury them underneath a flowing river of muck. Limited to 500.
Last copies available: there are a lot of good times happening in SoCal these days and the Stunned Records/Magic Lantern crew is responsible for a whole hell of a lot of it. Well, Super Minerals are an important cog in that machine and this duo's intentions are blaring loud and clear on their first proper CD, Multitudes. This duo of Phil French and William Giachhi may rip it up when they're moonlighting in Magic Lantern, but here they are burning it all down slow. This is an album full of zoned-…
2008 release ** "The duo of Dean King and Tomas Phillips came together in 2000 with the mere intention of exploring a shared aesthetic. Their aim was the achievement of a balance between digital and non-digital sound and a functional recognition of their differences in terms of utility and signification. Whilst computer technology remains central to their work, they make an effort to locate composition within a space of physicality. Hence the use of acoustic instrumentation and field recordings …
This third full-length by London improv collective Morphogenesis was released in 1996. Formed in 1985, Morphogenesis consisted of seven people at the time of recording, but for all the sessions, except the live track, the line-ups are amalgams of various members and instrumentation. All tracks are free improvisations that were recorded direct to two channels and later edited with no other post production. Recorded between 1993-1996. "Shorepoints" was recorded live at the LMC Festival 1994. Featu…