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**500 copies** "Four decades after his last solo LP, Teenage Sex Therapist, Owen Maercks is back with a new one. Crazily, much of the same gang is on hand for Kinds of Blue. Guitarist Henry Kaiser was even the instigator of this project (as he so often is), suggesting it was time for Owen to cut the blues album they'd always talked about. Saxophonists Larry Ochs (ROVA) and John Oswald (Plunderphonics) are also back to blow gorgeous squalls. There's a new rhythm section in town -- Doug Sovern on …
Becoming Peter Ivers tells the story of the late Peter Ivers, a virtuosic songwriter and musician whose antics bridged not just 60s counterculture and New Wave music but also film, theater, and music television. Written and recorded in Los Angeles in the mid-to-late-1970s, Becoming Peter Ivers raises the curtain on this mischievous master of ceremonies, who, harmonica in hand, rarely missed a chance to light up an audience. Since his untimely death in 1983, Ivers' short but storied life has been…
Cambridge-based experimental group Contemporary Music Unit was formed in the late 1960s by the guitarist, author and visual artist, Ed Lee, with former student Terry Mortimer on guitar and keyboards. Lee recruited bassist Adrian Kendon, who brought drummer Roger Odell, the latter a powerful foil to Lee’s experimental visions. When Kendon left, Lee assumed bass duties and Odell’s wife Lorraine became a primary vocalist (after the departure of early member Sally Knox), along with teaching comerade…
**180 gram vinyl** Climate of Hunter was considered by many as Scott Walker’s ‘comeback’ solo album due to a self-imposed 10-year hiatus following the release of his 7th studio album, We Had It All in 1974. Originally released in March 1984, it contains the single Track Three, which was accompanied by a stunning promo video which was first aired on the Old Grey Whistle Test.The album features a stellar cast including Billy Ocean, Mark Isham, Evan Parker and Mark Knopfler of Dire Straits playing …
With a career spanning nearly four decades, Kim Gordon is one of the most prolific and visionary artists working today. A co-founder of the legendary Sonic Youth, Gordon has performed all over the world, collaborating with many of music’s most exciting figures including Tony Conrad, Ikue Mori, Julie Cafritz and Stephen Malkmus.Most recently, Gordon has been hitting the road with Body/Head, her spellbinding partnership with artist and musician Bill Nace. Despite the exhaustive nature of her résum…
The only one Sorry For Laughing album was released in 1986 on cassette. It is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Whitlow composed and recorded the album all by himself. The accompanying artwork for the original cassette release was made by several members of Mnemonists, the visual department of Biota.Sorry For Laughing has a different sound though. It is more varied, there are elements of po…
The Residents are an American art collective best known for their over 60 studio albums that were recorded over a period of more than forty years. They also created some outstanding multimedia works, mainly three CD-ROM projects and ten DVDs. Working as an anonymous collective, their identitites were kept secret until in 2017 when Hardy Fox revealed himself as their primary composer. Hardy died in October 2018, but the group continue to record and perform.The PAL TV LP was an obscure release. It…
**2019 stock** "Snakefinger surely needs not much of an introduction. Born Philip Charles Lithman in London, he moved to San Francisco in 1971. His roots lie in the British blues scene, but he soon became friends with The Residents who also gave him the name Snakefinger based on a photograph of Lithman performing, in which his finger looks like a snake about to attack his violin. In 1972 Lithman returned to England and formed the pub rock band Chilli Willi and the Red Hot Peppers. After the lack…
**2019 stock** "Snakefinger surely needs not much of an introduction. Born Philip Charles Lithman in London, he moved to San Francisco in 1971. His roots lie in the British blues scene, but he soon became friends with The Residents who also gave him the name Snakefinger based on a photograph of Lithman performing, in which his finger looks like a snake about to attack his violin. In 1972 Lithman returned to England and formed the pub rock band Chilli Willi and the Red Hot Peppers. After the lack…
**2019 stock** "Philip Charles Lithman aka Snakefinger was born in London, England, and moved to the USA in 1971. He is known for his solo work and for his guitar playing with The Residents. It is said he was given the name 'Snakefinger' by The Residents based on a photograph of Lithman performing, in which his finger looks like a snake about to attack his violin. In 1972 he moved back to the UK to form the blues rock band Chilli Willi and the Red Hot Peppers. Because sales of their second album…
Peter Jefferies, a living legend of New Zealand underground music, from his seminal bands Nocturnal Projections and This Kind Of Punishment, to his collaborative efforts in bands such as Plagal Grind and Two Foot Flame, is perhaps best known for his solo work on masterpieces such as The Last Great Challenge in a Dull World (1990) and Electricity (1994), as well as numerous other albums of his singular songcraft. Grapefruit is releasing Jefferies’ latest, Last Ticket Home, which leaves the statio…
Originally released in 1992, Der Abend Der Schwarzen Folklore is the third Massaker album, originally released by Rough Trade Germany. According to Caspar Brötzmann, the title track and Bass Totem are the band’s most accomplished songs. It’s certainly the most sonicly refined of their albums, recorded during a residency over several weeks at the pastoral site of Conny Plank’s studio near Cologne, and produced by Ingo Krauss and Bruno Gebhard, who had worked with the famed Krautrock producer unti…
Koksofen (which translates as blast furnace), originally released in 1993, has become one of Massaker’s most popular albums. Like it’s predecessor, Der Abend Der Schwarzen Folklore, the album took shape in Massaker’s rehearsal room below the Berlin subway station Schlesisches Tor, and was recorded at Conny Plank’s studio near Cologne, with Plank’s former associates Ingo Krauss and Bruno Gephard producing. There’s a different kind of intensity to Koksofen. The features of Massaker’s sound are in …
**300 copies** Achwghâ Ney Wodei was a quartet of François Boitière (drums, keyboards, vocals), Didier ‘Higgins’ Copp (bass, percussion, vocals), Eric ‘Riton’ Sterenfield (guitar, keyboards, percussion, vocals) and Phillippe ‘Wodi’ Royer (percussion, trumpet, bass, vocals). They released a cassette for the French label V.I.S.A. and later, in 1987, a triple 12″ for New International Recordings, a short-lived label by Simon Crab, of Bourbonese Qualk (maybe that should serve as an explanation?). Th…
Reconstruction of The Velvet Underground's Fabled Lost 1969 album, available on vinyl for the first time with bonus tracks. To honour The Velvet Underground's 50th anniversary, Grammy-winning producer Bill Levenson has lovingly recreated the band's much-mythologized lost album, 1969. Nearly fifty years later, much remains unclear about these mysterious recordings. While there's been reports that the album was intended to be the band's fourth record only to be rejected by MGM, it's also possible …
**500 copies** Discos Transgénero presents the first ever album by The Manchester Mekon, a group of musicians that were active from the end of the '70s to the beginning of the '80s in Manchester. Influenced by Frank Zappa and the Mothers of Invention, Igor Stravinsky, King Crimson, Maurice Revel and Pink Floyd, the Manchester Mekon aimed to integrate composed and improvised music, blending orchestral and electronic sounds with rock, both live and in the studio. Over a period of five years (1977-…
**500 copies** Discos Transgénero presents the first ever reissue of the Domestic Sampler UMYU. Domestic Sampler was a project that Víctor Nubla (former member of Macromassa) recorded for the record label UMYU. It features a host of artists; a synergy of the scene that was happening in Barcelona at the beginning of the eighties. El Grito Acusador, Entr’Acte. Logotipo, Klamm, Secreto Metro, Error Genético, Detra’s Band 10, Boris, Mimi Pimer and Tres reflected the new wave underground scene of Cat…
‘Der Osten Ist Rot’ is a wigged-out 1984 treat helmed by Can’s Holger Czukay, with drums by his legendary bandmate Jaki Liebzeit and vital synth input from Conny Plank. Now making its first official digital release, the 1984 album was Czukay’s 3rd solo side, proper, following from ‘Movies’ [1979], and ‘On The Way To The Peak Of Normal’ [1981] in pursuit of an elusive, avant and pop-wise spirit that would also be explored on its follow-up ‘Rome Remains Rome’, before Czukay set off on two seminal…
Vous et Nous is the ninth album by experimental pop French musician Brigitte Fontaine and the seventh by Areski Belkacem, released in 1977 on the Saravah label. It's an avant-garde double album mixing a variety of instruments and vocal styles, with synthesizer and drum machine on some songs. Other, more acoustic, songs show the Algerian/African influence that Fontaine and Areski were known for. The album was not well understood upon release, but in later years was championed by musicians such as…
In many ways, the nuanced sound worlds created in the studio by This Heat
are tailor made for sedentary headphone listening. But pulling off such
complicated, genre defying compositions live was surely something to
witness. Until now, there was no real official document of the group’s
live performances. Compiled by Charles Hayward and Charles Bullen from
rough cassette tape recordings of European gigs in Tilburg, Nijmegen,
Ärhus, Apeldoorn, Vienna and Rheims between April 1980 and June 198…