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*Limited Edition Handmade CDR in Cardboard String Sleeve with Liner Notes and album art.*
"In loving memory of Kathryn Eagle.
This piece uses a record (a data structure) resulting from a field recording. It began with a waterfall in Washington (Little Mashel Falls) near my parents’ home, which I recorded in my mother’s final months of life. A brain cancer slowly took away her abilities, beginning with her speech. A loquacious person her entire life before this, I had to learn to hear and underst…
This vinyl release is a 2x12-inch with printed sleeve and inner sleeves. Also there is a a CD insert of all the tracks. Osmo Lindeman is one of the main developers of electronic music in Finland. He was active in Europe, USA and Finland from 50s to end of 70s. In the beginning Osmo Lindeman studied and worked as a modern classical composer. During the 1960s he shifted making electronic music only at his home studio. Lindeman is a Finnish hybrid of Monty Norman, Krzysztof Penderecki and Edgar Var…
*2023 stock* The duο’s work focuses on the creative fusion of composition and improvisation, where links between experienced and ideal sound are constantly being formed and deformed. This double CD reflects the two dimensions of Soma. The first CD presents the close musical liaison between Anisengos and Atzakas, along with three additional trios with Michalis Siganidis. The second CD features guest musicians, Savvina Yannatou, Maria Thoidou and Michalis Siganidis, who form trios, quartets and qu…
Percussionist extraordinaire Valentina Magaletti recorded live at Colourful Storm's showcase at Cafe Oto in 2021. Intricate, textural longform percussion pieces comprised of traditional drums, found objects, voice and electroacoustics conjured to hypnotic effect. A rare solo recording, following collaborations with Laila Sakini, Yves Chaudouët, Marlene Ribeiro and outings for Blume and Takuroku.
Extremely curious listening for fans of African Head Charge, The Necks, and followers of Magaletti's …
Tip! 370-page book + CD chronicling of a solo tour through North America from May 5 to June 30, 2022.In addition to the book, there are two concert recordings on a factory-pressed CD:Portland: recorded June 1 at the Discordance Concert Series.Chicago: recorded June 15 at Elastic Arts.Jason Kahn // modular synthesizer, mixing board, tubeamplifier, electromagnetic transducers, contactmicrophones, radio, field recordingsAll recordings by Jason Kahn.
Tabulatura is a 2008 indeterminate composition for sixteen pre-recorded guitar parts and computer with custom software. It is conceived as a system to generate different acoustic patterns. The Volume 2 documents eight pieces recorded live at Palazzo Castagna, Città Sant'Angelo, Italy, in November 2020. The album was recorded on two-track, directly on hard drive, without DSP and overdubs.
Musician, writer and filmmaker, Sunik Kim follows up ‘The Bent Bow Must Wait to Be Released’ (Takuroku 2021) with their second LP - a deadly serious dismantling of the limits of contemporary computer music, delivered with playful dexterity and a touch of slapstick humour, a la Henry Cow. Enlisting General MIDI to create frenetic, vital patterns of dis-organisation made up of gleeful synthetic trumpets, wry orchestral sweeps and brutal key clusters, Sunik Kim explodes a kind of simplistic sound i…
Stunning recordings from Norwegian pianist Anja Lauvdal, who follows-up last year’s Laurel Halo-produced ‘From a Story Now Lost’ with an album of improvisations made on a Wurlitzer electric piano, featuring the great Lasse Marhaug on mastering duties.
Seminal NYC multi-reedist Doug Wieselman announces arresting new album of birdsong arranged for clarinet, flute, banjo and piano WA-Zoh, released on Shahzad Ismaily’s figureight records. Wieselman has performed with superlative greats (including the Lounge Lizards, Lou Reed, Yoko Ono, Bill Frisell, Iron & Wine, Laurie Anderson, Tricky, Martha Wainwright, Antony and the Johnsons, CocoRosie) and contributed significantly to the NYC Downtown scene over the past three decades. He is described, by NY…
Seminal NYC multi-reedist Doug Wieselman releases a brand new EP of electronic-inflected exploratory pieces. Wieselman has performed with superlative greats (including the Lounge Lizards, Lou Reed, Yoko Ono, Bill Frisell, Iron & Wine, Laurie Anderson, Tricky, Martha Wainwright, Antony and the Johnsons, CocoRosie) and contributed significantly to the NYC Downtown scene over the past three decades. He is described, by NYC Jazz Record, as “a vital force in the New York music scene”.
“Hope For The T…
Tip! The first volume in an archival series of selected electronic and acoustic works by Sarah Davachi. "Featuring (way) back catalogue material from various CDs, cassettes, and EPs; singles and original film scores; as well as miscellaneous live and studio recordings."
Tip! "For people on visa in the United States during lockdown, it was impossible to leave and re-enter the country without permanent residency. During that time, my partner’s mother was diagnosed with cancer. My partner could not go home if they wanted to return. We had already decided to get married, but the cancer diagnosis spurred the timeline. One saving grace – our saving grace – was that, with a finished green card application, it was possible to leave and come back. As soon as possible, m…
"For the ear hears sounds from various combinations in accordance with the character of the melody and the instrument.” ─ Abraham Abulafia
Eight collective improvisations based on small musical ideas extracted from modern classical guitar works that make a beautiful suite of music; evocative, spiritual, hypnotic... The pieces found here are the consequence of a de-composing/re-composing process where each musician previously immerses into the music, transforming and combining the notes and rhyth…
Already in its title, Plume Girl’s debut thoroughly lets things go and takes them in – all at once. “In the End We Begin” is the first solo full-length from Sowmya Somanath, a Hindustani classical singer/composer and half of alt-pop duo Felt Out. Plume Girl’s music takes inspiration from the semi-regular musical form of the rāga (translated as ‘tinting’), invoking mood and atmosphere, each rāga thought to have its own distinct nature and personality, brought to life through improvisation. String…
In 2018, New York based composer and improviser Lucie Vítková made recordings in caves in the Czech Republic and an abandoned Gothic church in Slovakia. Their album Cave Acoustics combines a beguiling exploration of the physicality and acoustics of these unique locations with profoundly personal themes of family legacy and roots. Lucie performed with their sisters in Výpustek Cave – an underground system of tunnels and former Soviet-era bunker. The choreography-based piece creates crescendos of …
Accepting the darkness can be a liberating experience. Realising, and struggling with just who we are and what world we live in requires it. By further complicating the fractured sense of beauty found on his droning 2022 release, ‘I dreamt we found a way’, Bristol-based composer, Rob Winstone creates a language that encapsulates the lifelong reach for our own personal heavens, along with the darkness and fear on which those foundations are built. Winstone’s instrumental palette continues to reac…
Temporary Super Offer! "I ask how CALATO's use of graphic scores help them break down the divisions between contemporary composition and improvisation? “We started as a noise improvisation band,” they respond. “We spent several years playing together without any kind of parts or scores, just working deeply on listening to each other, reacting and generating a kind of togetherness that made it possible to create live music in a very fast and intuitive way.” Then they started investigating diffe…
W. Ravenveer is a Belgium based multi headed monster doing electronic improvisations with modular synths, guitars, voice, and other tools. On Primal Voices and Electronics Part 3 you can listen to the otherwordly sounds by this Belgian modular synth wizard.
Resonance Gathering is a double LP and book that documents a large-scale performance project on the music of composer Pauline Oliveros (1932-2016) that occurred in Canada between 2017-2019. The project gathered nineteen interdisciplinary performers (mostly non-musicians) to interpret Oliveros’s score To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation (1970)—a work for sound and light that was written in response to the anxiety and political unrest of 1968 in America. Organ…
I started working on this new solo in the spring of 2020. Mostly outdoors, as I couldn't work at home. The idea caught on and I presented a first version of the project in a forest in the Lot region (South-West of France), during the Concerts Dispersés series in August 2020. I have continued to play concerts, keeping in mind the idea of playing as much as possible outside the usual music venues, in spaces with remarkable acoustics. That's how I came up with the idea of Le Bargy: to present music…