Refuge
Alexandra Grimal’s new record is an exploration of her inner improvised language in resonance with the very special acoustic of the castle of Chambord. Refuge was recorded in the double revolution staircase in the castle of Chambord in September 2020.
A Grain Of Earth
*In process of stocking* ‘A grain of Earth’ is the first solo venture and expression of several years of working with instant compositions and the timbral possibilities of an acoustic piano. This has been wrapped in an idea of realities beyond our perception, and a thought that we are a part of a big organism where everything goes endlessly bigger and smaller in scale of size, time and speed. Everything moves in constantly interfering waves of energy; echoing and reflecting, in ceaseless dance o…
The Outlier
*In process of stocking.* Paul G. Smyth is an Irish pianist who has worked with such innovative free improvisers as Evan Parker, John Russel, Peter Brötzmann, Derek Bailey and Keiji Haino, and runs the Weekertoft label. John Wiese is an American electronics musician, known for the Sissy Spacek project as well as his work with Sunn O))), Wolf Eyes, Merzbow and Evan Parker. The duo of Smyth and Wiese was recorded at the National Concert Hall in Dublin in February 2015.
"The Outlier" is a 54-minute…
Requies
A monstrous blast of jazz noise energy by the combustible trio with Sunn 0)))’s Stephen O’Malley and David Sandström of hardcore punks, Refused, on the mighty Rune Grammofon.
Works for Listening 1-10
Tip! *2022 stock.* Sofa Music is proud to present the solo debut album of Norwegian composer and sound artist Tine Surel Lange. Works for Listening is a series of spatial electro-acoustic works developed at Notam (NO), MISC (LT), and EMS (SE). All the works are made in 5th order ambisonics but have been presented in many different formats- as in this stereo decoding of the works.In Works for Listening, there is a strong focus on listening-aesthetics and our psychological categorization of sound.…
Yellow
Tip! *Limited edition of 100 copies. In process of stocking.* Yellow brings together acclaimed LA-based musicians Kozue Matsumoto, Patrick Shiroishi, and Shoshi Watanabe. With total expressive command of their instruments, the trio unfurls a brilliant and impassioned free improvisation of the highest virtuosic caliber that is at once anguished, defiant, and vigorously hopeful. An astonishing musical work, Yellow is also a powerful political statement. The musicians came together on the basis of …
End of Time / KM-53 Project Vol. 1
South Korean Pianist Eunhye Jeong believes that, "after you travel far away from home, you get to know yourself more fully." Her new album, End of Time, is an existential exploration of that self-discovery, imbued with the spirit of the moon bear that lives in the Taebaek Mountains, a presence she was told about growing up. Throughout the album's three extended tracks, "Embark," "The Latitudinal Bands," and "The Elemental Life," she interfaces with a celestial, linear elegance, veering from a s…
Expo Für 3 (Integrale Version In Zwei Fassungen)
*2022 Stock.* This CD contains the complete and only recording of Expo (1969-70) for 3 soloists with shortwave radio (and small instruments). Vocalists Natascha Nikeprelevic and Michael Vetter (from Pole on The Stockhausen Edition no. 103) are joined on this disc by F.X. Randomiz (Felix Hoefler) on computer and voice. The booklet includes essays by all three performers on their experiences with these open-form "plus-minus" works. - Stockhausenspace.blogspot.com
Orgelmusik
*In process of stocking.* A collection of organ work by Valdemar Kragelund. Orgelmusik released as a double cassette on the label Forlaget Kornmod, a collective label based in Odense and Copenhagen introducing New Danish heartfelt sounds. Minimalist hypnotic layers flowing away from the melodies they originate. Immersive compositions which will make you concentrate on the present.
Murmurations
Tip! Comprising 10 tracks of creative expression, veteran experimentalists, Ben Vida and Lea Bertucci, deliver “Murmurations”, their first release as a duo, incorporating live tape manipulation, modular synthesis, sampling, and real-time instrumental and vocal improvisation, into a joyous tapestry of playful, boundary blurring sound. Longstanding figures in New York City experimental music scene - both noted for pushing electroacoustic music into highly individualized realms - Ben Vida and Lea B…
Paradies
*2022 Stock.* Paradies (Paradies, 21st Hour from Klang, 2007) is for Flute and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 22-24. These layers also include an additional, intermittent soprano vocal element (Kathinka Pasveer), which cues each of the 24 sections. This CD features the flute of Kathinka Pasveer, rec. 2009. As a bonus, the electronic music is also presented without the soloi…
Edentia
*2022 Stock.* Edentia (20th Hour from Klang, 2007) is for Soprano Saxophone and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 19-21. These layers also include an additional, intermittent soprano vocal element (Kathinka Pasveer), which cues each of the 24 sections. This CD features the soprano saxophone of Marcus Weiss. As a bonus, the electronic music is also presented without the soloist…
Urantia
*2022 Stock.* Urantia (19th Hour from Klang, 2007) is for Soprano and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 16-18. This CD features the soprano vocal of Kathinka Pasveer, rec. 2008. As a bonus, the electronic music is also presented without the soloist part for rehearsal.- Stockhausenspace.blogspot.com
Jerusem
*2022 Stock.* Jerusem (18th Hour from Klang, 2007) is for Tenor and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 13-15. This CD features the tenor vocal of Hubert Mayer. As a bonus, the electronic music is also presented without the soloist part for rehearsal. - Stockhausenspace.blogspot.com
Nebadon (17. Stunde Aus Klang)
*2022 Stock.* Nebadon (17th Hour from Klang, 2007) is for Horn and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 10-12. These layers also include an additional, intermittent soprano vocal element (Kathinka Pasveer), which cues each of the 24 sections. This CD features the horn of Christine Chapman. As a bonus, the electronic music is also presented without the soloist part for rehearsal. …
Uversa (16. Stunde Aus Klang)
*2022 Stock.* Uversa (16th Hour from Klang, 2007) is for Basset-horn and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 7-9. These layers also include an additional, intermittent soprano vocal element (Kathinka Pasveer), which cues each of the 24 sections. This CD features the basset-horn of Michele Marelli. As a bonus, the electronic music is also presented without the soloist part for r…
Orvonton
*2022 Stock.* Orvonton (15th Hour from Klang, 2007) is for Baritone and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 4-6. This CD features the baritone vocal of Jonathan de la Paz Zaens. As a bonus, the electronic music is also presented without the soloist part for rehearsal.- Stockhausenspace.blogspot.com
Havona
*2022 Stock.* Havona (14th Hour from Klang, 2007) is for Bass and Electronic Music. The electronic music element is derived from 3 extracted layers from Cosmic Pulses (The Stockhausen Edition no. 91), specifically Layers 1-3. This CD features the bass vocal of Nicholas Isherwood and as a bonus, the electronic music is also presented without the soloist part for rehearsal. - Stockhausenspace.blogspot.com
Himmels-Tür (4. Stunde Aus Klang) - 24 Türin
*2022 Stock.* Himmels-Tür (Heaven’s Door, 4th Hour from Klang) for a "percussionist and a little girl" (2005) is essentially performed on a hand-made door, with panels constructed from different types of wood in order to obtain a broad range of timbral colors. The piece consists primarily of 15 moods, followed by a final theatrical event involving cymbals and sirens (the little girl element is not aural). This piece could be considered a kind of microtonal, neo-marimba piece performed on found …
Himmelfahrt
*2022 Stock.* Himmelfahrt (Ascension, 1st Hour from Klang, for synthesizer, soprano and tenor (and some percussion) (2004/05): This work primarily features the polyphonic/polytimbral synthesizer of Antonio Pérez Abellán, with added sung text by Hubert Mayer (tenor) and Barbara Zanichelli (soprano). Abellán did the synthesizer programming and also provides the intermittently-occurring percussion parts (bamboo chimes, metal bowl, gong percussion). As a bonus, the 48 timbres employed (blended synth…